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Self-Imposed Exile, Marginality, and Homosexuality in the Novels of Abdellah Taïa, Rachid O., and Eyet-Chékib Djaziri

Journal of homosexuality, 2020-11, Vol.67 (13), p.1823-1838

Ncube, Gibson

2020

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Eternal mothers, whores or witches: the oddities of being a woman in politics in Zimbabwe

Agenda (Durban), 2020-10, Vol.34 (4), p.25-33

Ncube, Gibson

2020

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Queer, Christian and Afrikaans: The libidinal, sexuality and religion in Kanarie and Skeef

Tydskrif vir letterkunde, 2023-01, Vol.60 (1), p.22-30

Ncube, Gibson

2023

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Cultures of Change in Contemporary Zimbabwe: Socio-Political Transition from Mugabe to Mnangagwa

1st edition., 2021

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Skin and Silence in Selected Maghrebian Queer Films

Journal of African cultural studies, 2021-01, Vol.33 (1), p.51-66

Ncube, Gibson

2021

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The Zimbabwean Crisis after Mugabe: Multidisciplinary Perspectives

1, 2022

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Renegotiating the Marginality of the Maghreb in Queer African Studies

College literature, 2018-09, Vol.45 (4), p.623-631

Ncube, Gibson

2018

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"Human Beings Have a Hard Time Relating to That Which Does Not Resemble Them": Queering Normativity in Nnedi Okorafor's Lagoon

Scrutiny 2, 2020-06, Vol.25 (2), p.69-81

Ncube, Gibson

2020

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Scripting Identities: Reading Language Dynamics and Ideologies on Shop Signs in Kampala

Language matters (Pretoria, South Africa), 2023-09, Vol.54 (3), p.60-82

2023

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Of dirt, disinfection and purgation : discursive construction of state violence in selected contemporary Zimbabwean literature

Tydskrif vir letterkunde, 2018-01, Vol.55 (1), p.41-53

Ncube, Gibson

2018

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Queer African Cinemas (Lindsey B. Green-Simms)

Tydskrif vir letterkunde, 2022-11, Vol.59 (2), p.86-88

Ncube, Gibson

2022

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Abdellah Taïa and an Emergent Queer African Islamic Discourse: Texts, Visibility and Intimate Archives

African studies (Johannesburg), 2022-10, Vol.81 (3-4), p.306-323

2022

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Edible Bodies? Conspicuous Consumption, Women’s Bodies and Postcolonial Masculinities in Fast-Food Advertisements in Zimbabwe

Journal of African cultural studies, 2024-07, p.1-17

Ncube, Gibson

2024

Volltextzugriff (PDF)

Images sur l’Afrique, images d’Afrique Images sur l’Afrique, images d’Afrique , by Frédérique Louveau, Paris, L’Harmattan, 2023, 237pp: by Frédérique Louveau, Paris, L’Harmattan, 2023, 237pp

Canadian journal of African studies, 2024-03, p.1-2

Ncube, Gibson

2024

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Queering Colonialism

Journal of African history, 2022-07, Vol.63 (2), p.270-272

Ncube, Gibson

2022

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Sexual Humour in Africa: Gender, Jokes, and Societal Change (Ignatius Chukwumah, ed.)

Tydskrif vir letterkunde, 2023-12, Vol.60 (2)

Gibson Ncube

2023

Volltextzugriff (PDF)

Sexual Humour in Africa: Gender, Jokes, and Societal Change (Ignatius Chukwumah, ed.)

Tydskrif vir letterkunde, 2023-09, Vol.60 (2), p.61-63

Ncube, Gibson

2023

Volltextzugriff (PDF)

Queer(ing) freedom: rewriting coming-out narratives in contemporary Maghrebian literary production

Journal of the African Literature Association, 2023-01, Vol.17 (1), p.70-86

Ncube, Gibson

2023

Volltextzugriff (PDF)

Sexual Humour in Africa: Gender, Jokes, and Societal Change

Tydskrif vir letterkunde, 2023, Vol.60 (2), p.61-63

Ncube, Gibson

2023

Volltextzugriff (PDF)

Frottage: Frictions of Intimacy across the Black Diaspora (Keguro Macharia)

Tydskrif vir letterkunde, 2021-06, Vol.58 (1)

Gibson Ncube

2021

Volltextzugriff (PDF)

Film as /and Popular Social Text: The Reception of John Trengove’s Inxeba/The Wound and Wanuri Kahui’s Rafiki

English in Africa, 2020-11, Vol.47 (3), p.55-79

Ncube, Gibson

2020

Volltextzugriff (PDF)

Frottage: Frictions of Intimacy across the Black Diaspora (Keguro Macharia)

Tydskrif vir letterkunde, 2021-01, Vol.58 (1), p.172-174

Ncube, Gibson

2021

Volltextzugriff (PDF)

Film as /and Popular Social Text: The Reception of John Trengove's

English in Africa, 2020-11, Vol.47 (3), p.55-79

Ncube, Gibson

2020

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Gender and naming practices, and the creation of a taxonomy of masculinities in the South African soap opera The Queen

Nomina Africana: Journal of African Onomastics, 2019-07, Vol.33 (1), p.1-8

Ncube, Gibson

2019

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Compelled to Perform in the 'Oppressor's' Language? Ndebele Performing Artists and Zimbabwe's Shona-Centric Habitus

Journal of southern African studies, 2017-07, Vol.43 (4), p.825-836

2017

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Self-Imposed Exile, Marginality, and Homosexuality in the Novels of Abdellah Taïa, Rachid O., and Eyet-Chékib Djaziri

Eternal mothers, whores or witches: the oddities of being a woman in politics in Zimbabwe

Queer, Christian and Afrikaans: The libidinal, sexuality and religion in Kanarie and Skeef

Cultures of Change in Contemporary Zimbabwe: Socio-Political Transition from Mugabe to Mnangagwa

Skin and Silence in Selected Maghrebian Queer Films

The Zimbabwean Crisis after Mugabe: Multidisciplinary Perspectives

Renegotiating the Marginality of the Maghreb in Queer African Studies

"Human Beings Have a Hard Time Relating to That Which Does Not Resemble Them": Queering Normativity in Nnedi Okorafor's Lagoon

Scripting Identities: Reading Language Dynamics and Ideologies on Shop Signs in Kampala

Of dirt, disinfection and purgation : discursive construction of state violence in selected contemporary Zimbabwean literature

Queer African Cinemas (Lindsey B. Green-Simms)

Abdellah Taïa and an Emergent Queer African Islamic Discourse: Texts, Visibility and Intimate Archives

Edible Bodies? Conspicuous Consumption, Women’s Bodies and Postcolonial Masculinities in Fast-Food Advertisements in Zimbabwe

Images sur l’Afrique, images d’Afrique Images sur l’Afrique, images d’Afrique , by Frédérique Louveau, Paris, L’Harmattan, 2023, 237pp: by Frédérique Louveau, Paris, L’Harmattan, 2023, 237pp

Queering Colonialism

Sexual Humour in Africa: Gender, Jokes, and Societal Change (Ignatius Chukwumah, ed.)

Sexual Humour in Africa: Gender, Jokes, and Societal Change (Ignatius Chukwumah, ed.)

Queer(ing) freedom: rewriting coming-out narratives in contemporary Maghrebian literary production

Sexual Humour in Africa: Gender, Jokes, and Societal Change

Frottage: Frictions of Intimacy across the Black Diaspora (Keguro Macharia)

Film as /and Popular Social Text: The Reception of John Trengove’s Inxeba/The Wound and Wanuri Kahui’s Rafiki

Frottage: Frictions of Intimacy across the Black Diaspora (Keguro Macharia)

Film as /and Popular Social Text: The Reception of John Trengove's

Gender and naming practices, and the creation of a taxonomy of masculinities in the South African soap opera The Queen

Compelled to Perform in the 'Oppressor's' Language? Ndebele Performing Artists and Zimbabwe's Shona-Centric Habitus

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