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Sherlock Holmes in Context

Naidu, Sam

1, 2017

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How black is African Noir?: defining blackness through crime fiction

Cultural studies (London, England), 2023-03, Vol.37 (2), p.263-279

Naidu, Sam

2023

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Intersecting Crime: South African State Capture and the Hero- Criminal Binary in Deon Meyer's The Last Hunt (2019)

Clues (Bowling Green, Ohio), 2022-10, Vol.40 (2), p.18-28

Naidu, Sam

2022

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‘That Ever-Blurry Line Between Us and the Criminals’: African Noir and the Ambiguity of Justice in Mũkoma Wa Ngũgĩ’s Black Star Nairobi and Leye Adenle’s When Trouble Sleeps

Forum for modern language studies, 2020-07, Vol.56 (3), p.331-346

Naidu, Sam

2020

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Reading Harm and Repair in Joanne Joseph’s Children of Sugarcane

Imbizo, 2023-12, Vol.14 (2)

2023

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In Search of the "Goodlife": Border Crossing and Agency in Luis Alberto Urrea's Into the Beautiful North and Graciela Limón's The River Flows North

Scrutiny 2, 2019-01, Vol.24 (1), p.92-103

Naidu, Sam

2019

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Intersecting Diasporas

Scrutiny 2, 2019-01, Vol.24 (1), p.1-2

Naidu, Sam

2019

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Losing the Plot: Crime, Reality and Fiction in Postapartheid Writing, Leon De Kock / Diaspora and Identity in South African Fiction, J.U. Jacobs

English in Africa, 2018-08, Vol.45 (2), p.133-139

Naidu, Sam

2018

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De Kock, Leon. Losing the Plot: Crime, Reality and Fiction in Postapartheid Writing

English in Africa, 2018-08, Vol.45 (2), p.133

Naidu, Sam

2018

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Losing the Plot. Crime, Reality and Fiction in Postapartheid Writing (Leon de Kock)

Tydskrif vir letterkunde, 2017-09, Vol.54 (2)

Sam Naidu

2017

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Losing the Plot. Crime, Reality and Fiction in Postapartheid Writing, Leon de Kock

Tydskrif vir letterkunde, 2017-07, Vol.54 (2), p.180-182

Naidu, Sam

2017

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Losing the Plot. Crime, reality and fiction in postapartheid writing

Tydskrif vir letterkunde, 2017, Vol.54 (2), p.181-182

Naidu, Sam

2017

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The Emergence of the South African Farm Crime Novel: Socio-Historical Crimes, Personal Crimes, and the Figure of the Dog

English in Africa, 2016-08, Vol.43 (2), p.9-38

Naidu, Sam

2016

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The Emergence of the South African Farm Crime Novel: Socio-Historical Crimes, Personal Crimes, and the Figure of the Dog

English in Africa, 2016-08, Vol.43 (2), p.9

Naidu, Sam

2016

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The emergence of the South African farm crime novel : socio-historical crimes, personal crimes, and the figure of the dog

English in Africa, 2016-08, Vol.43 (2), p.9-38

Naidu, Sam

2016

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Vulnerability and Consequential Complicity: The Figure of the Black Female Migrant in Miriam Tlali's “Devil at a Dead End” and Chimamanda Adichie's “On Monday of Last Week”

Research in African literatures, 2020-09, Vol.51 (3), p.180-196

2020

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Crime Fiction, South Africa: A Critical Introduction

Current writing, 2013-10, Vol.25 (2), p.124-135

Naidu, Sam

2013

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A Border-Crossing Teaching Body: Reflections on a Decolonial Pedagogy for Literary Studies in a South African Context

Decolonising the Literature Curriculum, 2022, p.153-169

Naidu, Sam

2022

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Crimes against nature: Ecocritical discourse in south african crime fiction

Scrutiny 2, 2014-07, Vol.19 (2), p.59-70

Naidu, Sam

2014

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'I don't belong nowhere really':The Figure of the London Migrant in Dan Jacobson's 'A Long Way from London' and Jean Rhys's 'Let Them Call It Jazz'

English Academy review, 2018-01, Vol.35 (1), p.26-37

2018

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Writing the violated body: representations of violence against women in Margie Orford's crime thriller novels

Scrutiny 2, 2014-01, Vol.19 (1), p.69-79

Naidu, Sam

2014

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Diaspora and the Short Story

The Edinburgh Companion to the Short Story in English, 2018, p.313-327

2018

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Three Tales of Theal: Biography, History and Ethnography on the Eastern Frontier

English in Africa, 2012-08, Vol.39 (2), p.51-68

Naidu, Sam

2012

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How black is African Noir?: Defining blackness through crime fiction

Reframing the Black Atlantic, 2024, p.73-89

1, 2024

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Diaspora and the Short Story

The Edinburgh Companion to the Short Story in English, 2022, p.313-327

Naidu, Sam

2022

Volltextzugriff (PDF)

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Sherlock Holmes in Context

How black is African Noir?: defining blackness through crime fiction

Intersecting Crime: South African State Capture and the Hero- Criminal Binary in Deon Meyer's The Last Hunt (2019)

‘That Ever-Blurry Line Between Us and the Criminals’: African Noir and the Ambiguity of Justice in Mũkoma Wa Ngũgĩ’s Black Star Nairobi and Leye Adenle’s When Trouble Sleeps

Reading Harm and Repair in Joanne Joseph’s Children of Sugarcane

In Search of the "Goodlife": Border Crossing and Agency in Luis Alberto Urrea's Into the Beautiful North and Graciela Limón's The River Flows North

Intersecting Diasporas

Losing the Plot: Crime, Reality and Fiction in Postapartheid Writing, Leon De Kock / Diaspora and Identity in South African Fiction, J.U. Jacobs

De Kock, Leon. Losing the Plot: Crime, Reality and Fiction in Postapartheid Writing

Losing the Plot. Crime, Reality and Fiction in Postapartheid Writing (Leon de Kock)

Losing the Plot. Crime, Reality and Fiction in Postapartheid Writing, Leon de Kock

Losing the Plot. Crime, reality and fiction in postapartheid writing

The Emergence of the South African Farm Crime Novel: Socio-Historical Crimes, Personal Crimes, and the Figure of the Dog

The Emergence of the South African Farm Crime Novel: Socio-Historical Crimes, Personal Crimes, and the Figure of the Dog

The emergence of the South African farm crime novel : socio-historical crimes, personal crimes, and the figure of the dog

Vulnerability and Consequential Complicity: The Figure of the Black Female Migrant in Miriam Tlali's “Devil at a Dead End” and Chimamanda Adichie's “On Monday of Last Week”

Crime Fiction, South Africa: A Critical Introduction

A Border-Crossing Teaching Body: Reflections on a Decolonial Pedagogy for Literary Studies in a South African Context

Crimes against nature: Ecocritical discourse in south african crime fiction

'I don't belong nowhere really':The Figure of the London Migrant in Dan Jacobson's 'A Long Way from London' and Jean Rhys's 'Let Them Call It Jazz'

Writing the violated body: representations of violence against women in Margie Orford's crime thriller novels

Diaspora and the Short Story

Three Tales of Theal: Biography, History and Ethnography on the Eastern Frontier

How black is African Noir?: Defining blackness through crime fiction

Diaspora and the Short Story

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