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Phonographic Encounters: Mapping Transnational Cultures of Sound, 1890-1945

1, 2021

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Early Sound Recordings: Academic Research and Practice

1, 2023

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Higher Education in Music in the Twenty-First Century

1st edition., 2018

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Exile and Memory in Post-Franco Spain: Julián Orbón's Libro de cantares (1987)

Twentieth-century music, 2024-02, Vol.21 (1), p.2-21

RODRÍGUEZ, EVA MOREDA

2024

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Songs of the Victorians

RIDE (Institut für Dokumentologie und Editorik), 2020-12, Vol.13

Eva Moreda Rodriguez

2020

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Why do Orchestral and Band Musicians in Exile Matter? A Case Study from Spain

Music & letters, 2020-02, Vol.101 (1), p.71-88

RodrÍguez, Eva Moreda

2020

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Singing and Speaking in Early Twentieth-Century Zarzuela: The Evidence from Early Recordings

The Journal of musicological research, 2022-01, Vol.41 (1), p.23-49

Moreda Rodríguez, Eva

2022

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Outreach, Entertainment, Innovation: Exiled Spanish Composers and European Radio

Contemporary music review, 2019-03, Vol.38 (1-2), p.7-23

Moreda Rodríguez, Eva

2019

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Talking Machines in Spanish Commercial Musical Theatre, 1888-1913

Arti musices, 2022, Vol.53 (2), p.343-354

Moreda Rodríguez, Eva

2022

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Music and Exile in Francoist Spain

Rodriguez, Eva

1, 2016

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Reseña de El teatro musical español

Revista de Humanidades Digitales, 2018-12, Vol.2, p.175

Moreda Rodriguez, Eva

2018

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Music and the Making of Portugal and Spain: Nationalism and Identity Politics in the Iberian Peninsula

1, 2023

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Amateur Recording on the Phonograph in Fin-de-siècle Barcelona: Practices, Repertoires and Performers in the Regordosa-Turull Wax Cylinder Collection

Journal of the Royal Musical Association, 2020-11, Vol.145 (2), p.385-415

MOREDA RODRÍGUEZ, EVA

2020

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Spain in Our Ears: International Musical Responses in Support of the Republic during the Spanish Civil War

1, 2024

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Transatlantic Networks in the Correspondence of Two Exiled Spanish Musicians, Julián Bautista and Adolfo Salazar

Journal of the Royal Musical Association, 2015-01, Vol.140 (1), p.93-119

Moreda Rodríguez, Eva

2015

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Reconstructing Zarzuela Performance Practices ca. 1900: Wax Cylinder and Gramophone Disc Recordings of Gigantes y cabezudos

The Journal of musicology (St. Joseph, Mich.), 2020-10, Vol.37 (4), p.459-487

RODRÍGUEZ, EVA MOREDA

2020

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Travelling phonographs in fin de siècle Spain: recording technologies and national regeneration in Ruperto Chapí's El fonógrafo ambulante

Journal of Spanish cultural studies, 2019-07, Vol.20 (3), p.241-255

Moreda Rodríguez, Eva

2019

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Discordant Notes: Marginality and Social Control in Madrid, 1850–1930 by Samuel Llano (review)

Music & letters, 2019-11, Vol.100 (4), p.740-742

Rodríguez, Eva Moreda

2019

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Spain in our Ears: International Musical Responses in Support of the Republic during the Spanish Civil War

Journal of war and culture studies, 2021-10, Vol.14 (4), p.365-371

2021

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Italian Musicians in Francoist Spain, 1939-1945: The Perspective of Music Critics

Music & politics, 2008-06, Vol.II (1)

Moreda-Rodriguez, Eva

2008

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How to Write About Music. Edited by Marc Woodworth and Ally-Jane Grossan. New York: Bloomsbury, 2015. 415 pp. ISBN 978-1-62892-043-7

Popular music, 2016-01, Vol.35 (1), p.141-142

Moreda-Rodriguez, Eva

2016

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EARLY MUSIC IN FRANCOIST SPAIN: HIGINI ANGLÈS AND THE EXILES

Music & letters, 2015-05, Vol.96 (2), p.209-227

Rodriguez, E. M.

2015

Volltextzugriff (PDF)

A Catholic, a Patriot, a Good Modernist: Manuel de Falla and the Francoist Musical Press

Hispanic research journal, 2013-06, Vol.14 (3), p.212-226

Moreda-Rodríguez, Eva

2013

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Spanish Music Criticism in the Twentieth Century: Writing Music History in Real Time

The Cambridge History of Music Criticism, 2019, p.331-343

2019

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Musicians’ Migratory Patterns: American–Mexican Border Lands. Ed. by Mauricio Rodríguez

Music & letters, 2021-07, Vol.102 (1), p.172-173

Moreda Rodríguez, Eva

2021

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Phonographic Encounters: Mapping Transnational Cultures of Sound, 1890-1945

Early Sound Recordings: Academic Research and Practice

Higher Education in Music in the Twenty-First Century

Exile and Memory in Post-Franco Spain: Julián Orbón's Libro de cantares (1987)

Songs of the Victorians

Why do Orchestral and Band Musicians in Exile Matter? A Case Study from Spain

Singing and Speaking in Early Twentieth-Century Zarzuela: The Evidence from Early Recordings

Outreach, Entertainment, Innovation: Exiled Spanish Composers and European Radio

Talking Machines in Spanish Commercial Musical Theatre, 1888-1913

Music and Exile in Francoist Spain

Reseña de El teatro musical español

Music and the Making of Portugal and Spain: Nationalism and Identity Politics in the Iberian Peninsula

Amateur Recording on the Phonograph in Fin-de-siècle Barcelona: Practices, Repertoires and Performers in the Regordosa-Turull Wax Cylinder Collection

Spain in Our Ears: International Musical Responses in Support of the Republic during the Spanish Civil War

Transatlantic Networks in the Correspondence of Two Exiled Spanish Musicians, Julián Bautista and Adolfo Salazar

Reconstructing Zarzuela Performance Practices ca. 1900: Wax Cylinder and Gramophone Disc Recordings of Gigantes y cabezudos

Travelling phonographs in fin de siècle Spain: recording technologies and national regeneration in Ruperto Chapí's El fonógrafo ambulante

Discordant Notes: Marginality and Social Control in Madrid, 1850–1930 by Samuel Llano (review)

Spain in our Ears: International Musical Responses in Support of the Republic during the Spanish Civil War

Italian Musicians in Francoist Spain, 1939-1945: The Perspective of Music Critics

How to Write About Music. Edited by Marc Woodworth and Ally-Jane Grossan. New York: Bloomsbury, 2015. 415 pp. ISBN 978-1-62892-043-7

EARLY MUSIC IN FRANCOIST SPAIN: HIGINI ANGLÈS AND THE EXILES

A Catholic, a Patriot, a Good Modernist: Manuel de Falla and the Francoist Musical Press

Spanish Music Criticism in the Twentieth Century: Writing Music History in Real Time

Musicians’ Migratory Patterns: American–Mexican Border Lands. Ed. by Mauricio Rodríguez

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