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An Actor’s Library: David Garrick, Book Collecting and Literary Friendships by Nicholas D. Smith (review)

The Scriblerian and the Kit-Cats, 2020, Vol.53 (1), p.96-98

Milhous, Judith

2020

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PAYING THE PIPER: Opera and Theatre Finances in London, 1703-1720

Il saggiatore musicale, 2016-07, Vol.23 (2)

Milhous, Judith

2016

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PAYING THE PIPER: Opera and Theatre Finances in London, 1703-1720

Il saggiatore musicale, 2016-01, Vol.23 (2), p.189-213

Milhous, Judith

2016

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Little Eyolf

Ibsen news and comment, 2015-01, Vol.35, p.24

Milhous, Judith

2015

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Thomas Betterton, The Greatest Actor of the Restoration Stage. By David Roberts. Cambridge: Cambridge University Press, 2010; pp. xi + 258. $95.00 cloth

Theatre survey, 2011-11, Vol.52 (2), p.360-362

Milhous, Judith

2011

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KATHRYN LOWERRE MUSIC AND MUSICIANS ON THE LONDON STAGE, 1695–1705 Farnham: Ashgate, 2009 pp. xvi + 412, isbn 978 0 7546 6614 1

Eighteenth-century music, 2011-03, Vol.8 (1), p.131-133

MILHOUS, JUDITH

2011

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Picturing Dance in Eighteenth-Century England

Music in art, 2011-04, Vol.36 (1/2), p.29-52

Milhous, Judith

2011

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WHAT ARE YOU READING?: Edited by Katherine Scheil

Theatre survey, 2010-11, Vol.51 (2), p.291-294

Milhous, Judith

2010

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WHAT ARE YOU READING?

Theatre survey, 2010-11, Vol.51 (2), p.291-294

Milhous, Judith

2010

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Fashionable Acts: Opera and Elite Culture in London, 1780–1880. By Jennifer Hall-Witt. Durham, NH: University of New Hampshire Press, 2007; pp. ix+390. $50 cloth

Theatre survey, 2009-11, Vol.50 (2), p.349-351

Milhous, Judith

2009

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The Monthly Mask of Vocal Music, 1702–1711: A Facsimile Edition ed. by Olive Baldwin and Thelma Wilson (review)

The Scriblerian and the Kit-Cats, 2009, Vol.42 (1), p.87-88

Milhous, Judith

2009

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Pantomime in Draft: Carlo Antonio Delpini's School for Necromancy

Theatre survey, 2006-11, Vol.47 (2), p.289-307

Milhous, Judith

2006

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The Economics of Theatrical Dance in Eighteenth-Century London

Theatre journal (Washington, D.C.), 2003-10, Vol.55 (3), p.481-508

Milhous, Judith

2003

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An American "Medley" for New Haven? Or, Why Tony Aston Didn't Go to Yale

The Journal of American drama and theatre, 2004-01, Vol.16 (1), p.98-118

Milhous, Judith

2004

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Lope de Vega, Peribañez

Western European stages, 2003-10, Vol.15 (3), p.71

Milhous, Judith

2003

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Theatrical custom versus rights: the performers' dispute with the proprietors of Covent Garden in 1800

Theatre notebook, 2009-01, Vol.63 (2), p.92-125

2009

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Construing and Misconstruing Farinelli in London

Journal for eighteenth-century studies, 2005-12, Vol.28 (3), p.361-385

2005

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One Hundred and Thirty-Seven Neglected English Play Manuscripts in the British Library (c. 1770–1809), Part I

Library, 2008-03, Vol.9 (1), p.37-61

2008

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One Hundred and Thirty-Seven Neglected English Play Manuscripts in the British Library (c. 1770–1809), Part II

Library, 2008-06, Vol.9 (2), p.158-196

2008

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Reforging Shakespeare: The Story of a Theatrical Scandal, by Jeffrey Kahan. Bethlehem, PA: Lehigh University Press, 1998; 271 pp. $44.50. Hardcover

Theatre survey, 1999-11, Vol.40 (2), p.83-86

Milhous, Judith

1999

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Lighting at the King’s Theatre, Haymarket, 1780–82

European Theatre Performance Practice, 1750–1900, 2014, Vol.1, p.259-280

Milhous, Judith

1, 2014

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A Bundle of Prologues (1777): The Unpublished Text of Garrick's Last Rehearsal Play

The Review of English studies, 2007-09, Vol.58 (236), p.482-499

2007

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N.W. Bawcutt, ed. The Control and Censorship of Caroline Drama: The Records of Sir Henry Herbert, Master of the Revels, 1623-73. Oxford: Clarendon Press, 1996. viii + 350 pp. $80. ISBN: n.a

Renaissance quarterly, 1998, Vol.51 (4), p.1399-1400

Milhous, Judith

1998

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Painters and Paint at the Pantheon Opera, 1790–1792

Theatre research international, 1999, Vol.24 (1), p.54-70

Milhous, Judith

1999

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Librettist versus Composer: The Property Rights to Arne's "Henry and Emma" and "Don Saverio"

Journal of the Royal Musical Association, 1997-01, Vol.122 (1), p.53-67

Milhous, Judith

1997

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An Actor’s Library: David Garrick, Book Collecting and Literary Friendships by Nicholas D. Smith (review)

PAYING THE PIPER: Opera and Theatre Finances in London, 1703-1720

PAYING THE PIPER: Opera and Theatre Finances in London, 1703-1720

Little Eyolf

Thomas Betterton, The Greatest Actor of the Restoration Stage. By David Roberts. Cambridge: Cambridge University Press, 2010; pp. xi + 258. $95.00 cloth

KATHRYN LOWERRE MUSIC AND MUSICIANS ON THE LONDON STAGE, 1695–1705 Farnham: Ashgate, 2009 pp. xvi + 412, isbn 978 0 7546 6614 1

Picturing Dance in Eighteenth-Century England

WHAT ARE YOU READING?: Edited by Katherine Scheil

WHAT ARE YOU READING?

Fashionable Acts: Opera and Elite Culture in London, 1780–1880. By Jennifer Hall-Witt. Durham, NH: University of New Hampshire Press, 2007; pp. ix+390. $50 cloth

The Monthly Mask of Vocal Music, 1702–1711: A Facsimile Edition ed. by Olive Baldwin and Thelma Wilson (review)

Pantomime in Draft: Carlo Antonio Delpini's School for Necromancy

The Economics of Theatrical Dance in Eighteenth-Century London

An American "Medley" for New Haven? Or, Why Tony Aston Didn't Go to Yale

Lope de Vega, Peribañez

Theatrical custom versus rights: the performers' dispute with the proprietors of Covent Garden in 1800

Construing and Misconstruing Farinelli in London

One Hundred and Thirty-Seven Neglected English Play Manuscripts in the British Library (c. 1770–1809), Part I

One Hundred and Thirty-Seven Neglected English Play Manuscripts in the British Library (c. 1770–1809), Part II

Reforging Shakespeare: The Story of a Theatrical Scandal, by Jeffrey Kahan. Bethlehem, PA: Lehigh University Press, 1998; 271 pp. $44.50. Hardcover

Lighting at the King’s Theatre, Haymarket, 1780–82

A Bundle of Prologues (1777): The Unpublished Text of Garrick's Last Rehearsal Play

N.W. Bawcutt, ed. The Control and Censorship of Caroline Drama: The Records of Sir Henry Herbert, Master of the Revels, 1623-73. Oxford: Clarendon Press, 1996. viii + 350 pp. $80. ISBN: n.a

Painters and Paint at the Pantheon Opera, 1790–1792

Librettist versus Composer: The Property Rights to Arne's "Henry and Emma" and "Don Saverio"

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