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"The woman newly come, called Pegg": an historiographical examination of Margaret Hughes as the Vere Street Desdemona

The Seventeenth century, 2020-09, Vol.35 (5), p.651-665

Merchant, Melissa

2020

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Memes, Screens and Broadway Scenes: Popular Culture Representations of Shakespeare’s Actors in the Age of Participatory Media

Actes des congrès de la Société française Shakespeare, 2021-06 (39)

Merchant, Melissa

2021

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“What gay, vain, pratting thing is this”: Discourses of femininity in Thomas Shadwell’s adaptation of Timon of Athens

Outskirts (Nedlands), 2018-05, Vol.38, p.1-17

Merchant, Melissa

2018

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Performing Identity in the Era of COVID-19

1, 2024

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Hope, Performative Diversity and re-production: Hamilton and COVID-era Politics

Journal of intercultural studies, 2022-11, Vol.43 (6), p.791-809

2022

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Necropolitics in a post-apocalyptic zombie diaspora: The case of AMC's The Walking Dead

Journal of postcolonial writing, 2021-01, Vol.57 (1), p.89-103

2021

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Viral Stagings Across the Globe: Performing Identity in the Era of COVID-19

Journal of intercultural studies, 2022-11, Vol.43 (6), p.691-703

2022

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Captions and the Cooking Show

M/C journal, 2017-06, Vol.20 (3)

2017

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Shakespeare et les acteurs

Actes des congrès de la Société française Shakespeare, 2021-06 (39)

2021

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Hope, Performative Diversity and re-production: Hamilton and COVID-Era Politics

Performing Identity in the Era of COVID-19, 2024, p.107-125

1, 2024

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Representing Fatal Violence in AMC’s The Walking Dead: The Role of Legitimation, Graphicness and Explicitness

Difficult Death, Dying and the Dead in Media and Culture, 2023, p.99-113

2023

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Disability Media Work

The Routledge Companion to Disability and Media, 2020, p.387-399

1, 2020

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Introduction: Viral Stagings Across the Globe: Performing Identity in the Era of COVID-19

Performing Identity in the Era of COVID-19, 2024, p.1-13

1, 2024

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Networks of Alterity in Syndemic Times: Sociodigital Media Controversy Around Racism in Mexico

Performing Identity in the Era of COVID-19, 2024, p.89-106

1, 2024

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Zoom Face: Self-surveillance, Performance and Display

Performing Identity in the Era of COVID-19, 2024, p.184-198

1, 2024

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Digital Literary Creative Practice and COVID-19

Performing Identity in the Era of COVID-19, 2024, p.216-229

1, 2024

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Open Access: Enby in the Time of COVID-19: An Autoethnographic Reflection on Performing Non-binary Identity during Lockdown

Performing Identity in the Era of COVID-19, 2024, p.126-139

1, 2024

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Standing-Out and Fitting-In: The Acoustic-Space of Extemporised Speech

Performing Identity in the Era of COVID-19, 2024, p.71-85

1, 2024

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Egyptian Baladi, Australian Style in Lockdown: Seeking Connection

Performing Identity in the Era of COVID-19, 2024, p.165-183

1, 2024

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Reclaiming Everydayness and Japanese Cultural Routines in Animal Crossing: New Horizons

Performing Identity in the Era of COVID-19, 2024, p.35-52

1, 2024

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Muslim Responses to the COVID-19 Pandemic in Western Sydney: Understanding the Role of Community-Specific Communication Infrastructure

Performing Identity in the Era of COVID-19, 2024, p.53-70

1, 2024

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The Reshaping of Home, Privacy and Identity During a Pandemic

Performing Identity in the Era of COVID-19, 2024, p.230-244

1, 2024

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Revisiting Manhattan Music in the Time of COVID-19: Body Politics, Anti-Asian Racism and Negotiation of Ethnic Identity

Performing Identity in the Era of COVID-19, 2024, p.17-34

1, 2024

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Open Access: Viral Assemblages and Witnessing Extraordinary Times: Queer Patchworks of Intimacy, Precarity and Affect in an Indian City

Performing Identity in the Era of COVID-19, 2024, p.199-215

1, 2024

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Bodies of/at Work: How Women of Colour Experienced Their Workplaces and Have Been Expected to 'Perform' during the COVID-19 Pandemic

Performing Identity in the Era of COVID-19, 2024, p.140-161

1, 2024

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"The woman newly come, called Pegg": an historiographical examination of Margaret Hughes as the Vere Street Desdemona

Memes, Screens and Broadway Scenes: Popular Culture Representations of Shakespeare’s Actors in the Age of Participatory Media

“What gay, vain, pratting thing is this”: Discourses of femininity in Thomas Shadwell’s adaptation of Timon of Athens

Performing Identity in the Era of COVID-19

Hope, Performative Diversity and re-production: Hamilton and COVID-era Politics

Necropolitics in a post-apocalyptic zombie diaspora: The case of AMC's The Walking Dead

Viral Stagings Across the Globe: Performing Identity in the Era of COVID-19

Captions and the Cooking Show

Shakespeare et les acteurs

Hope, Performative Diversity and re-production: Hamilton and COVID-Era Politics

Representing Fatal Violence in AMC’s The Walking Dead: The Role of Legitimation, Graphicness and Explicitness

Disability Media Work

Introduction: Viral Stagings Across the Globe: Performing Identity in the Era of COVID-19

Networks of Alterity in Syndemic Times: Sociodigital Media Controversy Around Racism in Mexico

Zoom Face: Self-surveillance, Performance and Display

Digital Literary Creative Practice and COVID-19

Open Access: Enby in the Time of COVID-19: An Autoethnographic Reflection on Performing Non-binary Identity during Lockdown

Standing-Out and Fitting-In: The Acoustic-Space of Extemporised Speech

Egyptian Baladi, Australian Style in Lockdown: Seeking Connection

Reclaiming Everydayness and Japanese Cultural Routines in Animal Crossing: New Horizons

Muslim Responses to the COVID-19 Pandemic in Western Sydney: Understanding the Role of Community-Specific Communication Infrastructure

The Reshaping of Home, Privacy and Identity During a Pandemic

Revisiting Manhattan Music in the Time of COVID-19: Body Politics, Anti-Asian Racism and Negotiation of Ethnic Identity

Open Access: Viral Assemblages and Witnessing Extraordinary Times: Queer Patchworks of Intimacy, Precarity and Affect in an Indian City

Bodies of/at Work: How Women of Colour Experienced Their Workplaces and Have Been Expected to 'Perform' during the COVID-19 Pandemic

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