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Freedom Time: New Directions in Civil Rights Movement Scholarship

American Quarterly, 2023-03, Vol.75 (1), p.153-162

McGinley, Paige A

2023

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“Experimenting with a New Technique”: Performance and Rehearsal in the Long Civil Rights Movement

Theatre journal (Washington, D.C.), 2021-03, Vol.73 (1), p.1-17

McGinley, Paige A

2021

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Rehearsing Revolutions: The Labor Drama Experiment and Radical Activism in the Early Twentieth Century by Mary McAvoy (review)

Theatre Journal, 2020-03, Vol.72 (1), p.118-119

McGinley, Paige A

2020

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Generational Schism, Fannie Lou Hamer, and the Future of Protest

TDR : Drama review, 2018-03, Vol.62 (1), p.172-175

McGinley, Paige A.

2018

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Reconsidering "the American Style": Black Performers and Black Music in Streetcar and Cat

Theatre journal (Washington, D.C.), 2016-03, Vol.68 (1), p.1-15

McGinley, Paige A.

2016

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On (Not) Waiting for Godot: Absurdity and Action in Mississippi

American literature, 2023-03, Vol.95 (1), p.151-167

McGinley, Paige

2023

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Staging the Blues: From Tent Shows to Tourism

McGinley, Paige A

1, 2014

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Staging the Blues: From Tent Shows to Tourism

Paige A. McGinley

2014

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Staging the blues: from tent shows to tourism

McGinley, Paige A

2014

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The Black Radical Tragic: Performance, Aesthetics, and the Unfinished Haitian Revolution by Jeremy Matthew Glick (review)

TDR : Drama review, 2017, Vol.61 (2), p.178-179

McGinley, Paige A

2017

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Teaching The Second Sex: A Conversation

Feminist formations, 2020-04, Vol.32 (1), p.98-116

2020

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Next Up Downtown: A New Generation of Ensemble Performance

TDR : Drama review, 2010-12, Vol.54 (4), p.11-38

McGinley, Paige

2010

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Existentialisms: Blackness, Literature, Performance

American literature, 2023-03, Vol.95 (1), p.115-121

2023

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Staging Faith: Religion and African American Theater from the Harlem Renaissance to World War II by Craig R. Prentiss (review)

Modern drama, 2015, Vol.58 (1), p.152-154

McGinley, Paige A

2015

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Black Performance and Reproduction: A Set of Four Essays in a Round (Introduction)

TDR : Drama review, 2018-03, Vol.62 (1), p.160-162

2018

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Highway 61 Revisited

TDR : Drama review, 2007-09, Vol.51 (3), p.80-97

McGinley, Paige

2007

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Full Collection: Black Performance and Reproduction: A Set of Four Essays in a Round

TDR : Drama review, 2018, Vol.62 (1), p.161-175

2018

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Floods of Memory (A post-Katrina soundtrack)

Performance research, 2007-06, Vol.12 (2), p.57-65

Mcginley, Paige

2007

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Theatre is Hell

PAJ (Baltimore, Md.), 2006-09, Vol.28 (3), p.56-59

McGinley, Paige

2006

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Staging the Blues: From Tent Shows to Tourism

Paige A. McGinley

2014

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Eavesdropping, Surveillance, and Sound

PAJ (Baltimore, Md.), 2006-01, Vol.28 (1), p.51-57

McGinley, Paige

2006

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Eavesdropping, Surveillance, and Sound

PAJ (Baltimore, Md.), 2006, Vol.28 (1), p.52-57

McGinley, Paige

2006

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Introduction: BEALE ON BROADWAY

Staging the Blues, 2014, p.1

McGinley, Paige A

2014

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THREE Southern Exposure: Transatlantic Blues

Staging the Blues, 2020, p.129-176

McGinley, Paige A

2020

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Frontmatter

Staging the Blues, 2020, p.i-iv

McGinley, Paige A

2020

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Freedom Time: New Directions in Civil Rights Movement Scholarship

“Experimenting with a New Technique”: Performance and Rehearsal in the Long Civil Rights Movement

Rehearsing Revolutions: The Labor Drama Experiment and Radical Activism in the Early Twentieth Century by Mary McAvoy (review)

Generational Schism, Fannie Lou Hamer, and the Future of Protest

Reconsidering "the American Style": Black Performers and Black Music in Streetcar and Cat

On (Not) Waiting for Godot: Absurdity and Action in Mississippi

Staging the Blues: From Tent Shows to Tourism

Staging the Blues: From Tent Shows to Tourism

Staging the blues: from tent shows to tourism

The Black Radical Tragic: Performance, Aesthetics, and the Unfinished Haitian Revolution by Jeremy Matthew Glick (review)

Teaching The Second Sex: A Conversation

Next Up Downtown: A New Generation of Ensemble Performance

Existentialisms: Blackness, Literature, Performance

Staging Faith: Religion and African American Theater from the Harlem Renaissance to World War II by Craig R. Prentiss (review)

Black Performance and Reproduction: A Set of Four Essays in a Round (Introduction)

Highway 61 Revisited

Full Collection: Black Performance and Reproduction: A Set of Four Essays in a Round

Floods of Memory (A post-Katrina soundtrack)

Theatre is Hell

Staging the Blues: From Tent Shows to Tourism

Eavesdropping, Surveillance, and Sound

Eavesdropping, Surveillance, and Sound

Introduction: BEALE ON BROADWAY

THREE Southern Exposure: Transatlantic Blues

Frontmatter

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