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‘Blurred lines’ on registering practice premises

Veterinary record, 2019-06, Vol.184 (22), p.683-683

McElroy, Ruth J.

2019

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Contemporary British Television Crime Drama: Cops on the Box

McElroy, Ruth

1, 2017

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Producing British Television Drama: Local Production in a Global Era

Ruth McElroy, Caitriona Noonan

1, 2019

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Mediating home in an age of austerity: The values of British property television

European journal of cultural studies, 2017-10, Vol.20 (5), p.525-542

McElroy, Ruth

2017

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Television production in small nations

Journal of popular television, 2016-01, Vol.4 (1), p.69-73

Mcelroy, Ruth

2016

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Television drama production in small nations: Mobilities in a changing ecology

Journal of popular television, 2016-01, Vol.4 (1), p.109-127

2016

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‘Rooting’ the BBC: An interview with Rhodri Talfan Davies, Director of BBC Nations

Critical studies in television, 2022-03, Vol.17 (1), p.32-45

2022

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Broadcasting after devolution: policy and critique in the Welsh media landscape 2008-2015

International journal of cultural policy : CP, 2019-04, Vol.25 (3), p.377-391

2019

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'Putting the landmark back into television': Producing place and cultural value in Cardiff

Place branding and public diplomacy, 2011-08, Vol.7 (3), p.175-184

McElroy, Ruth

2011

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Post-imperial Drama: History, Memory and Narrative in Peter Kosminsky's The Promise

Journal of British cinema and television, 2013-04, Vol.10 (2), p.276-297

McElroy, Ruth

2013

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Property TV: The (re)making of home on national screens

European journal of cultural studies, 2008-02, Vol.11 (1), p.43-61

McElroy, Ruth

2008

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Small is beautiful? The salience of scale and power to three European cultures of TV production

Critical studies in television, 2018-06, Vol.13 (2), p.169-187

2018

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Memory, Television and the Making of the BBC’s The Story of Wales

View (Utrecht), 2013-06, Vol.2 (3), p.118

2013

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THE APPEAL OF THE PAST IN HISTORICAL REALITY TELEVISION: Coal House at War and its audiences

Media history, 2011-02, Vol.17 (1), p.79-96

2011

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Promoting Public Service? Branding, Place and BBC Cymru Wales' Idents, Promos and Trailers

Journal of British cinema and television, 2011-10, Vol.8 (3), p.392-410

2011

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Property TV

European journal of cultural studies, 2008-02, Vol.11 (1), p.43-61

Mcelroy, Ruth

2008

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Remembering Ourselves, Viewing the Others: Historical Reality Television and Celebrity in the Small Nation

Television & new media, 2011-05, Vol.12 (3), p.187-206

2011

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Real performance: Ordinary people and the 'problem' of acting in constructed documentaries

Studies in documentary film, 2010-12, Vol.4 (3), p.253-266

2010

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The appeal of the past in historical reality television

Media history, 2011-02, Vol.17 (1), p.79-96

2011

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The Local, the Global and the Bi-Cultural: Welsh-Language Television Drama

Critical studies in television, 2007-09, Vol.2 (2), p.77-95

McElroy, Ruth

2007

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Coal House: Fictions of the Past on the Small Screen

Critical studies in television, 2008-09, Vol.3 (2), p.80-99

2008

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Indigenous Minority-Language Media: s4c, Cultural Identity, and the Welsh-Language Televisual Community

Global Indigenous Media, 2020, p.232-250

2020

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Whose body, whose nation?: Surrogate motherhood and its representation

European journal of cultural studies, 2002-08, Vol.5 (3), p.325-342

McElroy, Ruth

2002

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Film Policy, Social Value, and the Mediating Role of Screen Agencies

A Companion to Motion Pictures and Public Value, 2022, p.382-400

2022

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Introduction: Sexing the nation - the spaces of belonging(s)

European journal of cultural studies, 2002-08, Vol.5 (3), p.251-255

McElroy, Ruth

2002

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‘Blurred lines’ on registering practice premises

Contemporary British Television Crime Drama: Cops on the Box

Producing British Television Drama: Local Production in a Global Era

Mediating home in an age of austerity: The values of British property television

Television production in small nations

Television drama production in small nations: Mobilities in a changing ecology

‘Rooting’ the BBC: An interview with Rhodri Talfan Davies, Director of BBC Nations

Broadcasting after devolution: policy and critique in the Welsh media landscape 2008-2015

'Putting the landmark back into television': Producing place and cultural value in Cardiff

Post-imperial Drama: History, Memory and Narrative in Peter Kosminsky's The Promise

Property TV: The (re)making of home on national screens

Small is beautiful? The salience of scale and power to three European cultures of TV production

Memory, Television and the Making of the BBC’s The Story of Wales

THE APPEAL OF THE PAST IN HISTORICAL REALITY TELEVISION: Coal House at War and its audiences

Promoting Public Service? Branding, Place and BBC Cymru Wales' Idents, Promos and Trailers

Property TV

Remembering Ourselves, Viewing the Others: Historical Reality Television and Celebrity in the Small Nation

Real performance: Ordinary people and the 'problem' of acting in constructed documentaries

The appeal of the past in historical reality television

The Local, the Global and the Bi-Cultural: Welsh-Language Television Drama

Coal House: Fictions of the Past on the Small Screen

Indigenous Minority-Language Media: s4c, Cultural Identity, and the Welsh-Language Televisual Community

Whose body, whose nation?: Surrogate motherhood and its representation

Film Policy, Social Value, and the Mediating Role of Screen Agencies

Introduction: Sexing the nation - the spaces of belonging(s)

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