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The Artist as Typographer

Portable gray, 2023-09, Vol.6 (2), p.213-228

McDonough, Tom

2023

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They steals

Public (Toronto), 2020-12, Vol.31 (62), p.205-217

McDonough, Tom

2020

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John Paul Ricco. The Decision between Us: Art and Ethics in the Time of Scenes . Chicago: University of Chicago Press, 2014. 264 pp

Critical inquiry, 2016-03, Vol.42 (3), p.719-720

McDonough, Tom

2016

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Of dreams, lies, and wires : Tom McDonough on Adam Curtis's "HyperNormalisation"

Texte zur Kunst (Cologne, Germany), 2017-03, Vol.27 (105), p.168-172

McDonough, Tom

2017

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Andrzej Wróblewski, Our Contemporary

Afterall, 2015-09, Vol.40 (1), p.116-126

McDonough, Tom

2015

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Events, works, exhibitions : Andrzej Wróblewski, our contemporary

Afterall, 2015-09 (40), p.np-np

McDonough, Tom

2015

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Janice Kerbel: Killing the Workers

Afterall, 2014-09, Vol.37 (1), p.102-111

McDonough, Tom

2014

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Unrepresentable Enemies: On the Legacy of Guy Debord and the Situationist International

Afterall, 2011-09, Vol.28 (1), p.42-55

McDonough, Tom

2011

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The Decline of the Empire of the Visible or, The Burning of Los Angeles

AA files, 2011-01 (62), p.40-46

McDonough, Tom

2011

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The Archivist of Urban Waste: Zoe Leonard, Photographer as Rag-Picker

Afterall, 2010-09, Vol.25 (1), p.18-29

McDonough, Tom

2010

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Expo 67: not just a souvenir

Expo 67, 2010

1, 2010

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Metastructure: Experimental Utopia and Traumatic Memory in Constant's New Babylon

Grey room, 2008-10, Vol.33 (33), p.84-95

McDonough, Tom

2008

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Calling from the inside: Filmic Topologies of the Everyday

Grey room, 2007, Vol.26 (26), p.6-29

McDonough, Tom

2007

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What can we learn from Covid-19?

Logistics and Transport Focus, 2022-06, Vol.24 (6), p.58

McDonough, Tom

2022

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From "My Thousand & One Nights

Callaloo, 2009-12, Vol.32 (4), p.1094-1098

2009

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Obsolescence as Progress and Regression: Technology, Temporality, and Architecture at Expo 67

Expo 67, 2010, p.83

2010

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Delirious Paris: Mapping as a Paranoiac-Critical Activity

Grey room, 2005-04, Vol.19 (19), p.6-21

McDonough, Tom

2005

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Raymond Hains's "France in Shreds" and the politics of Décollage

Representations (Berkeley, Calif.), 2005-05, Vol.90 (1), p.75-97

McDONOUGH, TOM

2005

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from My Thousand 'amp; One Nights

Callaloo, 2009, Vol.32 (4), p.1094-1098

2009

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Obsolescence as Progress and Regression: Technology, Temporality, and Architecture at Expo 67

Expo 67, 2020, p.83-92

2020

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Liam's (not) home

Texte zur Kunst, 2009-09, Vol.19 (75), p.147-195

McDonough, Tom

2009

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Conversation pieces : über The artwork caught by the tail : Francis Picabia and Dada in Paris von George Baker = Conversation pieces : on The artwork caught by the tail : Francis Picabia and Dada in Paris by George Baker

Texte zur Kunst (Cologne, Germany), 2008-03, Vol.18 (69), p.180

2008

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Selbstgefälligkeit in der Krise. [Complacency in crisis.]

Texte zur Kunst, 2009-03, Vol.19 (73), p.98-156

McDonough, Tom

2009

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Conversation Pieces

Texte zur Kunst, 2008-03, Vol.18 (69), p.198-203; 189-184

McDonough, Tom

2008

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Editors' Note

Grey room, 2013-01 (50), p.143-143

2013

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The Artist as Typographer

They steals

John Paul Ricco. The Decision between Us: Art and Ethics in the Time of Scenes . Chicago: University of Chicago Press, 2014. 264 pp

Of dreams, lies, and wires : Tom McDonough on Adam Curtis's "HyperNormalisation"

Andrzej Wróblewski, Our Contemporary

Events, works, exhibitions : Andrzej Wróblewski, our contemporary

Janice Kerbel: Killing the Workers

Unrepresentable Enemies: On the Legacy of Guy Debord and the Situationist International

The Decline of the Empire of the Visible or, The Burning of Los Angeles

The Archivist of Urban Waste: Zoe Leonard, Photographer as Rag-Picker

Expo 67: not just a souvenir

Metastructure: Experimental Utopia and Traumatic Memory in Constant's New Babylon

Calling from the inside: Filmic Topologies of the Everyday

What can we learn from Covid-19?

From "My Thousand & One Nights

Obsolescence as Progress and Regression: Technology, Temporality, and Architecture at Expo 67

Delirious Paris: Mapping as a Paranoiac-Critical Activity

Raymond Hains's "France in Shreds" and the politics of Décollage

from My Thousand 'amp; One Nights

Obsolescence as Progress and Regression: Technology, Temporality, and Architecture at Expo 67

Liam's (not) home

Conversation pieces : über The artwork caught by the tail : Francis Picabia and Dada in Paris von George Baker = Conversation pieces : on The artwork caught by the tail : Francis Picabia and Dada in Paris by George Baker

Selbstgefälligkeit in der Krise. [Complacency in crisis.]

Conversation Pieces

Editors' Note

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