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The medium is the monster: Canadian adaptations of Frankenstein and the discourse of technology

The medium is the monster, 2018

McCutcheon, Mark A

1, 2018

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Shape Your Eyes by Shutting Them

McCutcheon, Mark A

1, 2019

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Shape your eyes by shutting them: poems

Shape your eyes by shutting them, 2019

McCutcheon, Mark A

2019

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Frankenstein as a figure of globalization in Canada's postcolonial popular culture

Continuum (Mount Lawley, W.A.), 2011-10, Vol.25 (5), p.731-742

McCutcheon, Mark A.

2011

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Stephen Harper as Killer Robot

English studies in Canada, 2016-03, Vol.42 (1), p.175-201

McCutcheon, Mark A

2016

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The dj as Critic, “constructing a sort of argument”

English studies in Canada, 2015-12, Vol.41 (4), p.93-124

McCutcheon, Mark A

2015

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Resistance is Futile: On the Under-Representation of Unions in Science Fiction

Topia (Montreal), 2016-11, Vol.36, p.151-171

2016

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Frankenstein in Theory: A Critical Anatomy/Techno-Magism: Media, Mediation, and the Cut of Romanticism Frankenstein in Theory: A Critical Anatomy , edited by Orrin C. Wang, London, Bloomsbury, 2021, vii + 262 pp., 2 illustrations. Techno-Magism: Media, Mediation, and the Cut of Romanticism , by Orrin C. Wang, Bronx, NY, Lit Z, Fordham UP, 2022, 234 pp., 16 illustrations: edited by Orrin C. Wang, London, Bloomsbury, 2021, vii + 262 pp., 2 illustrations.by Orrin C. Wang, Bronx, NY, Lit Z, Fordham UP, 2022, 234 pp., 16 illustrations

European romantic review, 2024-01, Vol.35 (1), p.181-187

McCutcheon, Mark A.

2024

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The Cento, Romanticism, and Copyright

English studies in Canada, 2012-06, Vol.38 (2), p.71-101

McCutcheon, Mark A

2012

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Cynicism, the Heuristic Pharmakon

English studies in Canada, 2012-06, Vol.38 (2), p.4-7

McCutcheon, Mark A

2012

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Reading Poetry and Its Paratexts for Evidence of Fair Dealing

Studies in Canadian literature, 2022-01, Vol.47 (1), p.5-27

McCutcheon, Mark A.

2022

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Debating the Histories and Futures of Black SF

Extrapolation, 2011-06, Vol.52 (2), p.246

McCutcheon, Mark A

2011

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‘Come on back to the war’: Germany as the Other National Other in Canadian Popular Culture

University of Toronto quarterly, 2009-04, Vol.78 (2), p.764-781

McCutcheon, Mark A.

2009

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Ipsographing the Dubject; or, The Contradictions of Twitter

Socialist studies (St. Albert), 2009-11, Vol.5 (2)

McCutcheon, Mark A

2009

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'Come on back to the war': Germany as the Other National Other in Canadian Popular Culture

University of Toronto Quarterly, 2009-03, Vol.78 (2), p.764-781

McCutcheon, Mark A

2009

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Downloading doppelgängers: New media anxieties and transnational ironies in Battlestar Galactica

Science fiction film and television, 2009-04, Vol.2 (1), p.1-24

McCutcheon, Mark A

2009

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Techno, Frankenstein and copyright

Popular music, 2007-05, Vol.26 (2), p.259-280

McCUTCHEON, MARK A.

2007

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“The Web of Our Life is of a Mingled Yarn”: The Canadian Adaptations of Shakespeare Project, Humanities Scholarship, and ColdFusion

College literature, 2009-12, Vol.36 (1), p.77-104

2009

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Celebrity Musings: Brushes with Fame and Other Thoughts on Celebrity

Canadian theatre review, 2010-01, Vol.141 (141), p.7-9

2010

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Introduction to Part Two of New Fronts in the Copyfight

Digital studies, 2016-02, Vol.6 (1)

McCutcheon, Mark A.

2016

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Fair dealing: We’ve got it, let’s use it

Digital studies, 2016-02, Vol.6 (1)

McCutcheon, Mark A.

2016

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Monstrous Times Call for Monstrous Methods.(Monsters of the Market: Zombies, Vampires, and Global Capitalism)

Extrapolation, 2014-09, Vol.55 (3), p.419

McCutcheon, Mark A

2014

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Frankenstein and the Reinvention of “Technology”

The Medium Is the Monster, 2018, p.59-84

McCutcheon, Mark A

2018

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Introduction: Copyright Concerns all Academics

Digital studies, 2014-09, Vol.5 (2)

McCutcheon, Mark A.

2014

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“Technology Implies Belligerence” Pattern Propagation in Canadian Science Fiction

The Medium Is the Monster, 2018, p.133-154

McCutcheon, Mark A

2018

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The medium is the monster: Canadian adaptations of Frankenstein and the discourse of technology

Shape Your Eyes by Shutting Them

Shape your eyes by shutting them: poems

Frankenstein as a figure of globalization in Canada's postcolonial popular culture

Stephen Harper as Killer Robot

The dj as Critic, “constructing a sort of argument”

Resistance is Futile: On the Under-Representation of Unions in Science Fiction

The Cento, Romanticism, and Copyright

Cynicism, the Heuristic Pharmakon

Reading Poetry and Its Paratexts for Evidence of Fair Dealing

Debating the Histories and Futures of Black SF

‘Come on back to the war’: Germany as the Other National Other in Canadian Popular Culture

Ipsographing the Dubject; or, The Contradictions of Twitter

'Come on back to the war': Germany as the Other National Other in Canadian Popular Culture

Downloading doppelgängers: New media anxieties and transnational ironies in Battlestar Galactica

Techno, Frankenstein and copyright

“The Web of Our Life is of a Mingled Yarn”: The Canadian Adaptations of Shakespeare Project, Humanities Scholarship, and ColdFusion

Celebrity Musings: Brushes with Fame and Other Thoughts on Celebrity

Introduction to Part Two of New Fronts in the Copyfight

Fair dealing: We’ve got it, let’s use it

Monstrous Times Call for Monstrous Methods.(Monsters of the Market: Zombies, Vampires, and Global Capitalism)

Frankenstein and the Reinvention of “Technology”

Introduction: Copyright Concerns all Academics

“Technology Implies Belligerence” Pattern Propagation in Canadian Science Fiction

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