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ToF–SIMS imaging of molecular-level alteration mechanisms in Le Bonheur de vivre by Henri Matisse

Applied physics. A, Materials science & processing, 2015-11, Vol.121 (3), p.1015-1030

2015

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Understanding and Predicting Cadmium Yellow Pigment Failure Mechanisms in the Works of the Early Modernists Using STEM Methodologies

Microscopy and microanalysis, 2018-08, Vol.24 (S1), p.2122-2123

2018

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A John White Alexander painting: A comparison of imaging technologies for resolving a painting under another painting

Journal of the American Institute for Conservation, 2019-04, Vol.58 (1-2), p.37-53

2019

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Reverse Engineering Cadmium Yellow Paint from Munch’s “The Scream” with Correlative 3-D Spectroscopic and 4-D Crystallographic STEM

Microscopy and microanalysis, 2016-07, Vol.22 (S3), p.258-259

2016

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Cryogenic FIB Lift-Out Reveals Atomic-Scale Photoactive Homojunctions in Cadmium Yellow Paint from Matisse’s “Flower Piece”

Microscopy and microanalysis, 2024-07, Vol.30 (Supplement_1)

2024

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Analytical imaging studies of the migration of degraded orpiment, realgar, and emerald green pigments in historic paintings and related conservation issues

Heritage science, 2016-04, Vol.4 (1), Article 10

2016

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The photodegradation of cadmium yellow paints in Henri Matisse’s Le Bonheur de vivre (1905–1906)

Applied physics. A, Materials science & processing, 2013-04, Vol.111 (1), p.59-68

2013

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SR-FTIR imaging of the altered cadmium sulfide yellow paints in Henri Matisse's Le Bonheur de vivre (1905-6)--examination of visually distinct degradation regions

Analyst (London), 2013-10, Vol.138 (20), p.6032-6043

2013

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Tracking the transformation and transport of arsenic sulfide pigments in paints: synchrotron-based X-ray micro-analyses

Journal of analytical atomic spectrometry, 2015-03, Vol.30 (3), p.813-827

2015

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Radiation damages during synchrotron X-ray micro-analyses of Prussian blue and zinc white historic paintings: detection, mitigation and integration

Applied physics. A, Materials science & processing, 2015-11, Vol.121 (3), p.949-955

2015

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Surface Analysis of Fine Art Paintings: Studying Degradation Mechanisms with a Systematic Approach

Microscopy and microanalysis, 2018-08, Vol.24 (S1), p.1050-1053

2018

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Probing the chemistry of CdS paints in The Scream by in situ noninvasive spectroscopies and synchrotron radiation x-ray techniques

Science advances, 2020-05, Vol.6 (20), p.eaay3514-eaay3514

2020

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Pennsylvania German sulfur-inlaid furniture: characterization, reproduction, and ageing phenomena of the inlays

Measurement science & technology, 2003-09, Vol.14 (9), p.1598-1607

2003

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Characterization and provenance of seventeenth- and eighteenth-century Okinawan ceramics using X-ray based analysis

Studies in conservation, 2014-09, Vol.59 (sup1), p.S207-S208

2014

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Reflectance imaging spectroscopy and synchrotron radiation X-ray fluorescence mapping used in a technical study of The Blue Room by Pablo Picasso

Heritage science, 2017-03, Vol.5 (1), p.1, Article 13

2017

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pXRF analyses of Louise Herreshoff’s paintings in relation to CdS and other pigment degradation issues

Applied physics. A, Materials science & processing, 2013-04, Vol.111 (1), p.9-14

2013

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SR-FTIR imaging of the altered cadmium sulfide yellow paints in Henri Matisse's Le Bonheur de vivre (1905-6) - examination of visually distinct degradation regionsElectronic supplementary information (ESI) available: Image of calcium carbonate inclusion location versus the cadmium carbonate phase. See DOI: 10.1039/c3an00892d

2013-09

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Understanding silver hollow wares of the eighteenth and nineteenth centuries: Is there a role for X-ray fluorescence?

Studies in conservation, 2012-08, Vol.57 (sup1), p.S191-S198

2012

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Detection of CdS Nanoparticles and Implications for Cadmium Yellow Paint Degradation in Edvard Munch’s The Scream (c. 1910, Munch Museum)

Microscopy and microanalysis, 2017-07, Vol.23 (S1), p.1910-1911

2017

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The photodegradation of cadmium yellow paints in Henri Matisseas Le Bonheur de vivre (1905a1906)

Applied physics. A, Materials science & processing, 2013-04, Vol.111 (1), p.59-68

2013

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pXRF analyses of Louise Herreshoffas paintings in relation to CdS and other pigment degradation issues

Applied physics. A, Materials science & processing, 2013-04, Vol.111 (1), p.9-14

2013

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A hint of Orient in an Americana collection: Investigations into Chinese export furniture at Winterthur Museum

Studies in conservation, 2016-08, Vol.61 (sup3), p.85-90

2016

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The photodegradation of cadmium yellow paints in Henri Matisse's Le Bonheur de vivre (1905―1906) : Synchrotron Radiation in Art and Archaeology

Applied physics. A, Materials science & processing, 2013, Vol.111 (1), p.59-68

2013

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pXRF analyses of Louise Herreshoff's paintings in relation to CdS and other pigment degradation issues : Synchrotron Radiation in Art and Archaeology

Applied physics. A, Materials science & processing, 2013, Vol.111 (1), p.9-14

2013

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Tracking the transformation and transport of arsenic sulfide pigments in paints: synchrotron-based X-ray micro-analysesElectronic supplementary information (ESI) available. See DOI: 10.1039/c4ja00424h

2015-02

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ToF–SIMS imaging of molecular-level alteration mechanisms in Le Bonheur de vivre by Henri Matisse

Understanding and Predicting Cadmium Yellow Pigment Failure Mechanisms in the Works of the Early Modernists Using STEM Methodologies

A John White Alexander painting: A comparison of imaging technologies for resolving a painting under another painting

Reverse Engineering Cadmium Yellow Paint from Munch’s “The Scream” with Correlative 3-D Spectroscopic and 4-D Crystallographic STEM

Cryogenic FIB Lift-Out Reveals Atomic-Scale Photoactive Homojunctions in Cadmium Yellow Paint from Matisse’s “Flower Piece”

Analytical imaging studies of the migration of degraded orpiment, realgar, and emerald green pigments in historic paintings and related conservation issues

The photodegradation of cadmium yellow paints in Henri Matisse’s Le Bonheur de vivre (1905–1906)

SR-FTIR imaging of the altered cadmium sulfide yellow paints in Henri Matisse's Le Bonheur de vivre (1905-6)--examination of visually distinct degradation regions

Tracking the transformation and transport of arsenic sulfide pigments in paints: synchrotron-based X-ray micro-analyses

Radiation damages during synchrotron X-ray micro-analyses of Prussian blue and zinc white historic paintings: detection, mitigation and integration

Surface Analysis of Fine Art Paintings: Studying Degradation Mechanisms with a Systematic Approach

Probing the chemistry of CdS paints in The Scream by in situ noninvasive spectroscopies and synchrotron radiation x-ray techniques

Pennsylvania German sulfur-inlaid furniture: characterization, reproduction, and ageing phenomena of the inlays

Characterization and provenance of seventeenth- and eighteenth-century Okinawan ceramics using X-ray based analysis

Reflectance imaging spectroscopy and synchrotron radiation X-ray fluorescence mapping used in a technical study of The Blue Room by Pablo Picasso

pXRF analyses of Louise Herreshoff’s paintings in relation to CdS and other pigment degradation issues

Understanding silver hollow wares of the eighteenth and nineteenth centuries: Is there a role for X-ray fluorescence?

Detection of CdS Nanoparticles and Implications for Cadmium Yellow Paint Degradation in Edvard Munch’s The Scream (c. 1910, Munch Museum)

The photodegradation of cadmium yellow paints in Henri Matisseas Le Bonheur de vivre (1905a1906)

pXRF analyses of Louise Herreshoffas paintings in relation to CdS and other pigment degradation issues

A hint of Orient in an Americana collection: Investigations into Chinese export furniture at Winterthur Museum

The photodegradation of cadmium yellow paints in Henri Matisse's Le Bonheur de vivre (1905―1906) : Synchrotron Radiation in Art and Archaeology

pXRF analyses of Louise Herreshoff's paintings in relation to CdS and other pigment degradation issues : Synchrotron Radiation in Art and Archaeology

Tracking the transformation and transport of arsenic sulfide pigments in paints: synchrotron-based X-ray micro-analysesElectronic supplementary information (ESI) available. See DOI: 10.1039/c4ja00424h

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