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Gender-Based Violence in Latin American and Iberian Cinemas

1st edition., 2020

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Raging Piggy: Fatphobia and anger in Cerdita (Carlota Pereda, 2022)

Revista teknokultura, 2024-01, Vol.21 (1), p.29-37

Maseda García, Rebeca

2024

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Time’s Up, celebrities and the transformation of gender violence paradigms: The case of Oprah Winfrey’s Speech at the Golden Globes (2018)

Revista teknokultura, 2018-01, Vol.15 (2), p.193-205

2018

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Modos de habitar la rabia contra la misoginia en Vis a Vis (2015-2020)

Ex aequo (Oeiras, Portugal), 2023-12 (48), p.87-106

2023

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odos de habitar la rabia contra la misoginia en Vis a Vis (2015-2020)

Ex aequo (Oeiras, Portugal), 2023-12 (48)

2023

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Screening counter-violence: An introduction to giving account beyond memories of trauma

Gender-Based Violence in Latin American and Iberian Cinemas, 2020, Vol.1, p.1-6

1, 2020

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Celebrities, violencia de género y derechos de las mujeres: ¿hacia una transformación del marco de reconocimiento?/Celebrities, gender-based violence and women's rights: towards the transformation of the framework of recognition?

Revista latina de comunicación social, 2016-01 (71), p.833

2016

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Virginia Woolf and The Hours (Stephen Daldry, 2002): Vulnerability, Performativity and Resistance

Philosophy in the Condition of Modernism, 2018, p.215-239

2018

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Celebrities, violencia de género y derechos de las mujeres: ¿hacia una transformación del marco de reconocimiento?

Revista latina de comunicación social, 2016-01 (71), p.833-852

2016

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Finding Your “Spanish Voice” Through Popular Media: Improving Students’ Confidence and Fluency

The journal of scholarship of teaching and learning, 2014-08, Vol.14 (3), p.110-131

2014

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Women's memories of political violence in Brazilian cinema

Gender-Based Violence in Latin American and Iberian Cinemas, 2020, Vol.1, p.26-42

1, 2020

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From cinema to the live regime: Pedagogies of cruelty and social anesthesia in two Latin American movies

Gender-Based Violence in Latin American and Iberian Cinemas, 2020, Vol.1, p.176-190

1, 2020

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Renouncing violence: Terrorism and feminisation in Basque cinema

Gender-Based Violence in Latin American and Iberian Cinemas, 2020, Vol.1, p.59-72

1, 2020

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Female bodies on Lisbon's margins: Space, embodiment and (dis)possession in Alda e Maria (Pocas Pascoal, 2011)

Gender-Based Violence in Latin American and Iberian Cinemas, 2020, Vol.1, p.9-25

1, 2020

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War, women, and post-hegemonic representations in Magallanes (Salvador del Solar, 2015)

Gender-Based Violence in Latin American and Iberian Cinemas, 2020, Vol.1, p.126-139

1, 2020

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Torture, masculinity, and resistance in Chilean documentary film: Patricio Guzmán and Marcela Said

Gender-Based Violence in Latin American and Iberian Cinemas, 2020, Vol.1, p.109-125

1, 2020

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The poetics of affect in documentary film-making about feminicidio in Ciudad Juárez

Gender-Based Violence in Latin American and Iberian Cinemas, 2020, Vol.1, p.161-175

1, 2020

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Horror, gender violence and Latin American heteronormative rhetoric as mechanisms to invoke a queer subjectivity in La memoria del muerto (Valentín Javier Diment, 2011)

Gender-Based Violence in Latin American and Iberian Cinemas, 2020, Vol.1, p.91-106

1, 2020

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Troubling gender in Cuban cinema: From history to story

Gender-Based Violence in Latin American and Iberian Cinemas, 2020, Vol.1, p.140-157

1, 2020

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Sexykiller (Miguel Martí, 2008): Female psycho-killers and post-feminism in contemporary Spanish horror film

Gender-Based Violence in Latin American and Iberian Cinemas, 2020, Vol.1, p.75-90

1, 2020

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Violence, resistance, and female agency in filmic representations of the Franco regime

Gender-Based Violence in Latin American and Iberian Cinemas, 2020, Vol.1, p.43-58

1, 2020

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Endorsements

Gender-Based Violence in Latin American and Iberian Cinemas, 2020

2020

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Part I Memories of gender resistance against violence

Gender-Based Violence in Latin American and Iberian Cinemas, 2020

2020

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Figures

Gender-Based Violence in Latin American and Iberian Cinemas, 2020

2020

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Part III The chiaroscuros of witnessing gender violence

Gender-Based Violence in Latin American and Iberian Cinemas, 2020

2020

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Gender-Based Violence in Latin American and Iberian Cinemas

Raging Piggy: Fatphobia and anger in Cerdita (Carlota Pereda, 2022)

Time’s Up, celebrities and the transformation of gender violence paradigms: The case of Oprah Winfrey’s Speech at the Golden Globes (2018)

Modos de habitar la rabia contra la misoginia en Vis a Vis (2015-2020)

odos de habitar la rabia contra la misoginia en Vis a Vis (2015-2020)

Screening counter-violence: An introduction to giving account beyond memories of trauma

Celebrities, violencia de género y derechos de las mujeres: ¿hacia una transformación del marco de reconocimiento?/Celebrities, gender-based violence and women's rights: towards the transformation of the framework of recognition?

Virginia Woolf and The Hours (Stephen Daldry, 2002): Vulnerability, Performativity and Resistance

Celebrities, violencia de género y derechos de las mujeres: ¿hacia una transformación del marco de reconocimiento?

Finding Your “Spanish Voice” Through Popular Media: Improving Students’ Confidence and Fluency

Women's memories of political violence in Brazilian cinema

From cinema to the live regime: Pedagogies of cruelty and social anesthesia in two Latin American movies

Renouncing violence: Terrorism and feminisation in Basque cinema

Female bodies on Lisbon's margins: Space, embodiment and (dis)possession in Alda e Maria (Pocas Pascoal, 2011)

War, women, and post-hegemonic representations in Magallanes (Salvador del Solar, 2015)

Torture, masculinity, and resistance in Chilean documentary film: Patricio Guzmán and Marcela Said

The poetics of affect in documentary film-making about feminicidio in Ciudad Juárez

Horror, gender violence and Latin American heteronormative rhetoric as mechanisms to invoke a queer subjectivity in La memoria del muerto (Valentín Javier Diment, 2011)

Troubling gender in Cuban cinema: From history to story

Sexykiller (Miguel Martí, 2008): Female psycho-killers and post-feminism in contemporary Spanish horror film

Violence, resistance, and female agency in filmic representations of the Franco regime

Endorsements

Part I Memories of gender resistance against violence

Figures

Part III The chiaroscuros of witnessing gender violence

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