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Enriching the knowledge of Ostia Antica painted fragments: a multi-methodological approach

Spectrochimica acta. Part A, Molecular and biomolecular spectroscopy, 2022-01, Vol.265, p.120260, Article 120260

2022

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Non-invasive techniques applied to the alchemical codex of the State Archive of Florence

Spectrochimica acta. Part A, Molecular and biomolecular spectroscopy, 2020-10, Vol.240, p.118562, Article 118562

2020

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Identifying Original and Restoration Materials through Spectroscopic Analyses on Saturnino Gatti Mural Paintings: How Far a Noninvasive Approach Can Go

Applied sciences, 2023-05, Vol.13 (11), p.6638

2023

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Special Issue: Results of the II National Research Project of AIAr: Archaeometric Study of the Frescoes by Saturnino Gatti and Workshop at the Church of San Panfilo in Tornimparte (AQ, Italy)

Applied sciences, 2023-08, Vol.13 (15), p.8924

2023

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New Evidence about the Polychromy of Early Imperial Cycle from the Augusteum of Rusellae (Tuscany)

Heritage, 2023-04, Vol.6 (4), p.3385-3401

2023

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Insights into Della Robbia’s Terracotta Monument to Cardinal Federighi: Raw Materials and Technologies

Applied sciences, 2022-05, Vol.12 (9), p.4304

2022

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Chemical Characterization of Pope Pius VII Ancient Ecclesiastical Vestment by a Multi-Analytical Approach

Heritage, 2021-09, Vol.4 (3), p.1616-1638

2021

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“Codex 4D” Project: Interdisciplinary Investigations on Materials and Colors of De Balneis Puteolanis (Angelica Library, Rome, Ms. 1474)

Heritage, 2024-06, Vol.7 (6), p.2755-2791

2024

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Sustainable Restoration Guided by Scientific and Archival Investigations: The Bio-Cleaning of Lorenzo Duke of Urbino’s Sarcophagus, a Michelangelo’s Masterpiece in the Medici Chapels

Heritage, 2022-12, Vol.5 (4), p.3359-3373

2022

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Diagnostics and Monitoring to Preserve a Hypogeum Site: The Case of the Mithraeum of Marino Laziale (Rome)

Heritage, 2021-12, Vol.4 (4), p.4264-4285

2021

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Revealing Mithras’ Color with the ICVBC Mobile Lab in the Museum

Heritage, 2019-09, Vol.2 (3), p.2160-2170

2019

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Brightly Colored to Stay in the Dark. Revealing of the Polychromy of the Lot Sarcophagus in the Catacomb of San Sebastiano in Rome

Heritage, 2020-09, Vol.3 (3), p.858-874

2020

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Advances in archaeological science during COVID-19 pandemic

Journal of archaeological science, reports, 2024-09, p.104750, Article 104750

2024

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Deterioration and discoloration of historical protective treatments on marble

Environmental science and pollution research international, 2022-03, Vol.29 (14), p.20694-20710

2022

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New Evidence about the Polychromy of Early Imperial Cycle from the IAugusteum/I of IRusellae/I

Heritage, 2023-03, Vol.6 (4)

2023

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Exploring street art paintings by microspatially offset Raman spectroscopy

Journal of Raman spectroscopy, 2018-10, Vol.49 (10), p.1652-1659

2018

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Investigation on water content in fresco mock-ups in the microwave and near-IR spectral regions

Measurement science & technology, 2017-02, Vol.28 (2), p.24003

2017

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Evaluation of the efficacy and durability of the “barium hydroxide method” after 40 years. Multi-analytical survey on the Crocifissione by Beato Angelico

Journal of cultural heritage, 2020-09, Vol.45, p.362-369

2020

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Innovative application of portable X-ray fluorescence (XRF) to identify Göktepe white marble artifacts

Archaeological and anthropological sciences, 2018-08, Vol.10 (5), p.1141-1152

2018

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A multi-analytical approach for the characterization of wall painting materials on contemporary buildings

Spectrochimica acta. Part A, Molecular and biomolecular spectroscopy, 2017-02, Vol.173, p.39-45

2017

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An integrated approach to the study of a reworked painting “Madonna with child” attributed to Pietro Lorenzetti

Journal of cultural heritage, 2014-01, Vol.15 (1), p.80-84

2014

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Cross-Section and Staining-Based Techniques for Investigating Organic Materials in Painted and Polychrome Works of Art: A Review

Microscopy and microanalysis, 2012-08, Vol.18 (4), p.860-875

2012

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A study of the blue colors used by Telemaco Signorini (1835–1901)

Journal of cultural heritage, 2009-04, Vol.10 (2), p.275-280

2009

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Enriching the knowledge of Ostia Antica painted fragments: a multi-methodological approach

Non-invasive techniques applied to the alchemical codex of the State Archive of Florence

Identifying Original and Restoration Materials through Spectroscopic Analyses on Saturnino Gatti Mural Paintings: How Far a Noninvasive Approach Can Go

Special Issue: Results of the II National Research Project of AIAr: Archaeometric Study of the Frescoes by Saturnino Gatti and Workshop at the Church of San Panfilo in Tornimparte (AQ, Italy)

New Evidence about the Polychromy of Early Imperial Cycle from the Augusteum of Rusellae (Tuscany)

The Tomb of the Diver and the frescoed tombs in Paestum (southern Italy): New insights from a comparative archaeometric study

Insights into Della Robbia’s Terracotta Monument to Cardinal Federighi: Raw Materials and Technologies

Chemical Characterization of Pope Pius VII Ancient Ecclesiastical Vestment by a Multi-Analytical Approach

“Codex 4D” Project: Interdisciplinary Investigations on Materials and Colors of De Balneis Puteolanis (Angelica Library, Rome, Ms. 1474)

Sustainable Restoration Guided by Scientific and Archival Investigations: The Bio-Cleaning of Lorenzo Duke of Urbino’s Sarcophagus, a Michelangelo’s Masterpiece in the Medici Chapels

Diagnostics and Monitoring to Preserve a Hypogeum Site: The Case of the Mithraeum of Marino Laziale (Rome)

Revealing Mithras’ Color with the ICVBC Mobile Lab in the Museum

Brightly Colored to Stay in the Dark. Revealing of the Polychromy of the Lot Sarcophagus in the Catacomb of San Sebastiano in Rome

Advances in archaeological science during COVID-19 pandemic

Deterioration and discoloration of historical protective treatments on marble

New Evidence about the Polychromy of Early Imperial Cycle from the IAugusteum/I of IRusellae/I

Exploring street art paintings by microspatially offset Raman spectroscopy

Investigation on water content in fresco mock-ups in the microwave and near-IR spectral regions

Evaluation of the efficacy and durability of the “barium hydroxide method” after 40 years. Multi-analytical survey on the Crocifissione by Beato Angelico

Innovative application of portable X-ray fluorescence (XRF) to identify Göktepe white marble artifacts

A multi-analytical approach for the characterization of wall painting materials on contemporary buildings

An integrated approach to the study of a reworked painting “Madonna with child” attributed to Pietro Lorenzetti

The Tomb of the Diver and the frescoed tombs in Paestum

Cross-Section and Staining-Based Techniques for Investigating Organic Materials in Painted and Polychrome Works of Art: A Review

A study of the blue colors used by Telemaco Signorini (1835–1901)

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