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The Routledge Handbook to Music under German Occupation, 1938-1945: Propaganda, Myth and Reality

1, 2020

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Classical Music in Weimar Germany: Culture and Politics before the Third Reich . By Brendan Fay. London: Bloomsbury Academic, 2020. Pp. viii+204. $115.00 (cloth); $103.50 (e-book)

The Journal of modern history, 2021-03, Vol.93 (1), p.227-228

Levi, Erik

2021

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Mozart and the Nazis: How the Third Reich Abused a Cultural Icon

Levi, Erik

1, 2011

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Pamela M. Potter, Art of Suppression: Confronting the Nazi Past in Histories of the Visual and Performing Arts: Oakland, University of California Press, 2016

Transposition, 2018-09 (7)

Levi, Erik

2018

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Mozart and the Nazis: The Abuse of a Cultural Icon

ERIK LEVI

2011

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Towards an Aesthetic of Fascist Opera

Fascism and Theatre, 2022, p.260-276

2022

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MOZART SERVES GERMAN IMPERIALISM

Mozart and the Nazis, 2011, p.190

Levi, Erik

2011

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TRUE HUMANITARIAN MUSIC: EXILED WRITERS ON MOZART

Mozart and the Nazis, 2011, p.120

Levi, Erik

2011

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THE MOZART DIASPORA

Mozart and the Nazis, 2011, p.88

Levi, Erik

2011

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PROLOGUE: 1931, A MOZART YEAR

Mozart and the Nazis, 2011, p.4

Levi, Erik

2011

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DER DEUTSCHE MOZART

Mozart and the Nazis, 2011, p.16

Levi, Erik

2011

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EPILOGUE: NAZI LEGACIES

Mozart and the Nazis, 2011, p.236

Levi, Erik

2011

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ARYANISING MOZART

Mozart and the Nazis, 2011, p.53

Levi, Erik

2011

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MOZART AND THE FREEMASONS: A NAZI PROBLEM

Mozart and the Nazis, 2011, p.33

Levi, Erik

2011

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MOZART PERFORMANCE AND PROPAGANDA: FROM THE ANSCHLUSS TO THE END OF WORLD WAR II

Mozart and the Nazis, 2011, p.145

Levi, Erik

2011

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An Expedient Alliance? Musical Relationships between Nazi Germany and Fascist Italy in the period between 1933 and 1945

Italian Jewish Musicians and Composers under Fascism, 2021, p.169-199

2021

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Review: Music and Nazism: Art under Tyranny, 1933–1945

Music & Letters, 2005-05, Vol.86 (2), p.318-320

Levi, Erik

2005

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Atonality, 12–Tone Music and the Third Reich

Tempo (London), 1991-09, Vol.178 (178), p.17-21

Levi, Erik

1991

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The Rome-Berlin Axis: Musical interactions between Fascist Italy and Nazi Germany in redrawing a 'New Order for European Culture'

The Routledge Handbook to Music under German Occupation, 1938-1945, 2020, p.103-121

1, 2020

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The Censorship of Musical Modernism in German, 1918-1945

Critical studies (Amsterdam, Netherlands), 2004-01, Vol.22 (1), p.63-85

Levi, Erik

2004

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Celebrating a Mozart Anniversary in Occupied Belgium: The Mozart Herdenking in Vlaanderen (1942) 1

The Routledge Handbook to Music under German Occupation, 1938-1945, 2020, p.193-210

1, 2020

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Music, Culture and the Church in the German-Occupied USSR: The Smolensk area and other provinces 1

The Routledge Handbook to Music under German Occupation, 1938-1945, 2020, p.170-190

1, 2020

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The Ambiguous Reception of Antonín Dvořák's Music During the Reichsprotektorat Böhmen und Mähren (The Protectorate of Bohemia and Moravia), 1939-1945

The Routledge Handbook to Music under German Occupation, 1938-1945, 2020, p.211-230

1, 2020

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Introduction: The foundations of Nazi musical imperialism

The Routledge Handbook to Music under German Occupation, 1938-1945, 2020, p.1-16

1, 2020

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Paul von Klenau's Ninth Symphony: A case study 1

The Routledge Handbook to Music under German Occupation, 1938-1945, 2020, p.399-417

1, 2020

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The Routledge Handbook to Music under German Occupation, 1938-1945: Propaganda, Myth and Reality

Classical Music in Weimar Germany: Culture and Politics before the Third Reich . By Brendan Fay. London: Bloomsbury Academic, 2020. Pp. viii+204. $115.00 (cloth); $103.50 (e-book)

Mozart and the Nazis: How the Third Reich Abused a Cultural Icon

Pamela M. Potter, Art of Suppression: Confronting the Nazi Past in Histories of the Visual and Performing Arts: Oakland, University of California Press, 2016

Mozart and the Nazis: The Abuse of a Cultural Icon

Towards an Aesthetic of Fascist Opera

MOZART SERVES GERMAN IMPERIALISM

TRUE HUMANITARIAN MUSIC: EXILED WRITERS ON MOZART

THE MOZART DIASPORA

PROLOGUE: 1931, A MOZART YEAR

DER DEUTSCHE MOZART

EPILOGUE: NAZI LEGACIES

ARYANISING MOZART

MOZART AND THE FREEMASONS: A NAZI PROBLEM

MOZART PERFORMANCE AND PROPAGANDA: FROM THE ANSCHLUSS TO THE END OF WORLD WAR II

An Expedient Alliance? Musical Relationships between Nazi Germany and Fascist Italy in the period between 1933 and 1945

Review: Music and Nazism: Art under Tyranny, 1933–1945

Atonality, 12–Tone Music and the Third Reich

The Rome-Berlin Axis: Musical interactions between Fascist Italy and Nazi Germany in redrawing a 'New Order for European Culture'

The Censorship of Musical Modernism in German, 1918-1945

Celebrating a Mozart Anniversary in Occupied Belgium: The Mozart Herdenking in Vlaanderen (1942) 1

Music, Culture and the Church in the German-Occupied USSR: The Smolensk area and other provinces 1

The Ambiguous Reception of Antonín Dvořák's Music During the Reichsprotektorat Böhmen und Mähren (The Protectorate of Bohemia and Moravia), 1939-1945

Introduction: The foundations of Nazi musical imperialism

Paul von Klenau's Ninth Symphony: A case study 1

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