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Roman Women in Shakespeare and His Contemporaries

1, 2020

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The Elder Brother, Virgil’s De apibus, and the Chronology of the Plays in the Canon of John Fletcher and His Collaborators, 1617–20

Early Theatre, 2024-06, Vol.27 (1)

Lovascio, Domenico

2024

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Interruptions in Early Modern English Drama

Early modern literary studies, 2023-01, Vol.23 (1), p.1-1

Lovascio, Domenico

2023

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Thomas Kyd's The Householder's Philosophy and Cristoforo Landino's Comento sopra la Comedia di Dante

The Ben Jonson journal, 2020-05, Vol.27 (1), p.84-104

Lovascio, Domenico

2020

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Introduction: Visions of Rome in Shakespeare

Shakespeare (London, England), 2019-10, Vol.15 (4), p.311-315

Lovascio, Domenico

2019

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A Companion to the Cavendishes

2020

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Merchants, usurers and harlots: Genoa in early modern English drama

Renaissance studies, 2018-06, Vol.32 (3), p.346-364

Lovascio, Domenico

2018

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"Da quando ho conosciuto l'arte, 'sta cella è diventata 'na prigione": Cesare deve morire and the Unsettling Self-(Re-)Fashioning Power of Theater

Borrowers and lenders, 2018-10, Vol.XII (1)

Lovascio, Domenico

2018

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Rewriting Julius Caesar as a National Villain in Early Modern English Drama

English literary renaissance, 2017-03, Vol.47 (2), p.218-250

LOVASCIO, DOMENICO

2017

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Darren Freebury-Jones: Reading Robert Greene: Recovering Shakespeare’s Rival (Routledge Studies in Shakespeare). London and New York: Routledge, Taylor & Francis Group, 2022

Archiv für das Studium der neueren Sprachen und Literaturen, 2023-05 (1), Article 28

Lovascio, Domenico

2023

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Spinella’s Name in John Ford’s The Lady’s Trial

Notes and queries, 2017-06, Vol.64 (2), p.330-330

Lovascio, Domenico

2017

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Dukes, Dogi and Mogógni: Genoa in John Marston’s The Malcontent

Notes and queries, 2017-06, Vol.64 (2), p.310-312

Lovascio, Domenico

2017

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Identifying “the cloak of Genoa” in Ben Jonson's The New Inn

The Ben Jonson journal, 2017-05, Vol.24 (1), p.141-144

Lovascio, Domenico

2017

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Leicester’s Men and the Lost Telomo of 1583

Early Theatre, 2017-06, Vol.20 (1), p.9-26

Lovascio, Domenico

2017

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Daniel Cadman, Sovereigns and Subjects in Early Modern Neo-Senecan Drama: Republicanism, Stoicism and Authority

Notes and queries, 2016-10, p.gjw179

Lovascio, Domenico

2016

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Matthew Steggle, Digital Humanities and the Lost Drama of Early Modern England: Ten Case Studies

Notes and queries, 2016-09, Vol.63 (3), p.477-480

Lovascio, Domenico

2016

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Early Theatre 20.1 Leicester's Men and the Lost Telomo of 1583

Early theatre, 2017, Vol.20 (1), p.9-26

Lovascio, Domenico

2017

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'Of higher state / than monarch, king or world's great potentate': the name of Caesar in early modern English drama

Early modern literary studies, 2016-06, Vol.19 (SI 25), p.1

Lovascio, Domenico

2016

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David Mcinnis and Matthew Steggle (eds), Lost Plays in Shakespeare’s England

Notes and queries, 2015-12, Vol.62 (4), p.617-620

Lovascio, Domenico

2015

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'Of higher state / Than monarch, king or world's great potentate': The Name of Caesar in Early Modern English Drama

Early modern literary studies, 2016-01, Vol.19 (1), p.1

Lovascio, Domenico

2016

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"All our lives upon ones lippes depend": Caesar as a Tyrant in William Alexander's "Julius Caesar"

Medieval & Renaissance drama in England, 2016-01, Vol.29, p.68-102

Lovascio, Domenico

2016

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Alison V. Scott, Literature and the Idea of Luxury in Early Modern England

Early Modern Literary Studies, 2015-01, Vol.18 (1-2)

Lovascio, Domenico

2015

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With a “Monster's Heart”: Jonson's Caesar and the Destruction of Roman Liberty

The Ben Jonson journal, 2013-11, Vol.20 (2), p.201-222

Lovascio, Domenico

2013

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Julius Caesar's 'Just Cause' in John Fletcher and Philip Massinger's The False One

Notes and queries, 2015-06, Vol.62 (2), p.245-247

Lovascio, D.

2015

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Review of Shakespeare's Romeo e Giulietta (directed by Gigi Proietti) at the Silvano Toti Globe Theatre, Rome, Italy, 21 July 2013

Shakespeare (London, England), 2014-01, Vol.10 (1), p.98-100

Lovascio, Domenico

2014

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Roman Women in Shakespeare and His Contemporaries

The Elder Brother, Virgil’s De apibus, and the Chronology of the Plays in the Canon of John Fletcher and His Collaborators, 1617–20

Interruptions in Early Modern English Drama

Thomas Kyd's The Householder's Philosophy and Cristoforo Landino's Comento sopra la Comedia di Dante

Introduction: Visions of Rome in Shakespeare

A Companion to the Cavendishes

Merchants, usurers and harlots: Genoa in early modern English drama

"Da quando ho conosciuto l'arte, 'sta cella è diventata 'na prigione": Cesare deve morire and the Unsettling Self-(Re-)Fashioning Power of Theater

Rewriting Julius Caesar as a National Villain in Early Modern English Drama

Darren Freebury-Jones: Reading Robert Greene: Recovering Shakespeare’s Rival (Routledge Studies in Shakespeare). London and New York: Routledge, Taylor & Francis Group, 2022

Spinella’s Name in John Ford’s The Lady’s Trial

Dukes, Dogi and Mogógni: Genoa in John Marston’s The Malcontent

Identifying “the cloak of Genoa” in Ben Jonson's The New Inn

Leicester’s Men and the Lost Telomo of 1583

Daniel Cadman, Sovereigns and Subjects in Early Modern Neo-Senecan Drama: Republicanism, Stoicism and Authority

Matthew Steggle, Digital Humanities and the Lost Drama of Early Modern England: Ten Case Studies

Early Theatre 20.1 Leicester's Men and the Lost Telomo of 1583

'Of higher state / than monarch, king or world's great potentate': the name of Caesar in early modern English drama

David Mcinnis and Matthew Steggle (eds), Lost Plays in Shakespeare’s England

'Of higher state / Than monarch, king or world's great potentate': The Name of Caesar in Early Modern English Drama

"All our lives upon ones lippes depend": Caesar as a Tyrant in William Alexander's "Julius Caesar"

Alison V. Scott, Literature and the Idea of Luxury in Early Modern England

With a “Monster's Heart”: Jonson's Caesar and the Destruction of Roman Liberty

Julius Caesar's 'Just Cause' in John Fletcher and Philip Massinger's The False One

Review of Shakespeare's Romeo e Giulietta (directed by Gigi Proietti) at the Silvano Toti Globe Theatre, Rome, Italy, 21 July 2013

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