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Epistemologische Zyklen durchbrechen. Geschichte, Theorie und Aufführung in Schuberts Winterreise

Zeitschrift der Gesellschaft für Musiktheorie, 2021-11, Vol.18 (Sonderausgabe [Special Issue]), p.309-326

Natasha Loges

2021

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Epistemologische Zyklen durchbrechen. Geschichte, Theorie und Aufführung in Schuberts Winterreise

Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory], 2021, Vol.18 (Sonderausgabe [Special Issue]), p.309-326

Loges, Natasha

2021

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Julius Stockhausen's Early Performances of Franz Schubert's Die schöne Müllerin

19th century music, 2018-03, Vol.41 (3), p.206-224

LOGES, NATASHA

2018

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Buying and Selling Music in the (Very) Long Nineteenth Century

Journal of the Royal Musical Association, 2019-01, Vol.144 (1), p.223-232

Loges, Natasha

2019

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The Social Worlds of Nineteenth-Century Chamber Music: Composers, Consumers, Communities by Marie Sumner Lott (review)

Music & letters, 2017-02, Vol.98 (1), p.144-147

Loges, Natasha

2017

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Lied und populäre Kultur / Song and Popular Culture: Jahrbuch des Zentrums für Populäre Kultur und Musik. 68. Jahrgang – 2023. Weltmusik und ihre Kritik: Postkoloniale Zugänge zu globaler Musik. World Music and its Critique: Postcolonial Approaches to Global Music

2024

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Paul Berry, Brahms Among Friends: Listening, Performance and the Rhetoric of Allusion (Oxford: Oxford University Press, 2014). xiii + 379 pp. £29.99

Nineteenth-century music review, 2016-12, Vol.13 (2), p.316-320

Loges, Natasha

2016

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HOW TO MAKE A 'VOLKSLIED': EARLY MODELS IN THE SONGS OF JOHANNES BRAHMS

Music & letters, 2012-08, Vol.93 (3), p.316-349

Loges, Natasha

2012

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The Late Nineteenth-Century Concert As Public Musicology

The Routledge Companion to Applied Musicology, 2024, Vol.1, p.34-45

1, 2024

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Singing in the Age of Anxiety: Lieder Performances in New York and London between the World Wars by Laura Tunbridge (review)

Fontes artis musicae, 2019-04, Vol.66 (2), p.228-230

Loges, Natasha

2019

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Exoticism, Artifice and the Supernatural in the Brahmsian Lied

Nineteenth-century music review, 2006-11, Vol.3 (2), p.137-168

Loges, Natasha

2006

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Singing Lieder with a Foreign Accent: Brahms' Slavic Songs

Indiana theory review, 2005-04, Vol.26 (1-2), p.73-103

Loges, Natasha

2005

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Singing Lieder with a Foreign Accent: Brahms's Slavic Songs

Indiana theory review, 2005-04, Vol.26, p.73-103

Loges, Natasha

2005

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Singer-songwriters of the German Lied

The Cambridge Companion to the Singer-Songwriter, 2016, p.21-42

2016

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Text and Context in Brahms’ Lieder

Loges, Natasha Catherine

2006

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The Social Worlds of Nineteenth-Century Chamber Music: Composers, Consumers, Communities

Music & Letters, 2017, Vol.98 (1), p.144-147

Loges, Natasha

2017

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Brahms Among Friends: Listening, Performance and the Rhetoric of Allusion

Nineteenth - Century Music Review, 2016, Vol.13 (2), p.316

Loges, Natasha

2016

Volltextzugriff (PDF)

Berry Paul , Brahms Among Friends: Listening, Performance and the Rhetoric of Allusion (Oxford: Oxford University Press, 2014). xiii + 379 pp. £29.99

Nineteenth-Century Music Review, 2016, Vol.13 (2), p.316-320

Loges, Natasha

2016

Volltextzugriff (PDF)

Singing in the Age of Anxiety: Lieder Performances in New York and London between the World Wars

Fontes Artis Musicae, 2019, Vol.66 (2), p.228-230

Loges, Natasha

2019

Volltextzugriff (PDF)

Singing in the Age of Anxiety: Lieder Per - formances in New York and London between the World Wars

Fontes Artis Musicae, 2019, Vol.66 (2), p.228-230

Loges, Natasha

2019

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Epistemologische Zyklen durchbrechen. Geschichte, Theorie und Aufführung in Schuberts Winterreise

Epistemologische Zyklen durchbrechen. Geschichte, Theorie und Aufführung in Schuberts Winterreise

Julius Stockhausen's Early Performances of Franz Schubert's Die schöne Müllerin

Buying and Selling Music in the (Very) Long Nineteenth Century

The Social Worlds of Nineteenth-Century Chamber Music: Composers, Consumers, Communities by Marie Sumner Lott (review)

Lied und populäre Kultur / Song and Popular Culture: Jahrbuch des Zentrums für Populäre Kultur und Musik. 68. Jahrgang – 2023. Weltmusik und ihre Kritik: Postkoloniale Zugänge zu globaler Musik. World Music and its Critique: Postcolonial Approaches to Global Music

Paul Berry, Brahms Among Friends: Listening, Performance and the Rhetoric of Allusion (Oxford: Oxford University Press, 2014). xiii + 379 pp. £29.99

HOW TO MAKE A 'VOLKSLIED': EARLY MODELS IN THE SONGS OF JOHANNES BRAHMS

The Late Nineteenth-Century Concert As Public Musicology

Singing in the Age of Anxiety: Lieder Performances in New York and London between the World Wars by Laura Tunbridge (review)

Exoticism, Artifice and the Supernatural in the Brahmsian Lied

Singing Lieder with a Foreign Accent: Brahms' Slavic Songs

Singing Lieder with a Foreign Accent: Brahms's Slavic Songs

Singer-songwriters of the German Lied

Text and Context in Brahms’ Lieder

The Social Worlds of Nineteenth-Century Chamber Music: Composers, Consumers, Communities

Brahms Among Friends: Listening, Performance and the Rhetoric of Allusion

Berry Paul , Brahms Among Friends: Listening, Performance and the Rhetoric of Allusion (Oxford: Oxford University Press, 2014). xiii + 379 pp. £29.99

Singing in the Age of Anxiety: Lieder Performances in New York and London between the World Wars

Singing in the Age of Anxiety: Lieder Per - formances in New York and London between the World Wars

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