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Another Example of Monteverdi's Self-borrowing: The First Dixit Dominus in the Messa a quattro voci et salmi (1650) and the Dixit Dominus primo of the Selva morale et spirituale (1641)

Journal of seventeenth-century music, 2019-01, Vol.25 (1)

Kurtzman, Jeffrey

2019

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Monteverdi’s Confitebor primo from the Selva morale et spirituale of 1641: context, text and structure

Early music, 2017-08, Vol.45 (3), p.403-414

Kurtzman, Jeffrey

2017

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Interlocutory Appeals and District Courts' Gatekeeping Function

American Bankruptcy Institute journal, 2017-06, Vol.36 (6), p.18

Kurtzman, Jeffrey

2017

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Transposition in Monteverdi

Early music, 2007-11, Vol.35 (4), p.687-689

Kurtzman, Jeffrey

2007

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Clefs high and low

Early music, 2007-02, Vol.35 (1), p.166-166

Kurtzman, Jeffrey

2007

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Civic Identity and Civic Glue: Venetian Processions and Ceremonies of the Sixteenth and Seventeenth Centuries

Yale Journal of Music & Religion, 2016-09, Vol.2 (2)

Kurtzman, Jeffrey G

2016

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Lessons Learned from the Iconography of Venetian Ceremonies: Claudio Monteverdi and "trombe squarciate"

Music in art, 2007-04, Vol.32 (1/2), p.113-132

Kurtzman, Jeffrey G.

2007

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Civic Identity and Civic Glue: Venetian Processions and Ceremonies of the Sixteenth and Seventeenth Century

Yale journal of music & religion, 2016-01, Vol.2 (2), p.49-76

Kurtzman, Jeffrey G

2016

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Monteverdi's Mass and Vespers of 1610: The Economic, Social, and Courtly Context

Journal of seventeenth-century music, 2012-01, Vol.18 (1)

Kurtzman, Jeffrey

2012

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Introduction

Journal of seventeenth-century music, 2012-01, Vol.18 (1)

Kurtzman, Jeffrey

2012

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Clef High and Low

Early music, 2007-02, Vol.35 (1), p.166-166

Kurtzman, Jeffrey

2007

Volltextzugriff (PDF)

Review: The Sounds of Milan by Robert L. Kendrick

Journal of the American Musicological Society, 2006-04, Vol.59 (1), p.185-190

KURTZMAN, JEFFREY

2006

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Curb Appeal: The Limits of Appellate Jurisdiction of Nonfinal Orders

American Bankruptcy Institute journal, 2006-09, Vol.25 (7), p.38

Kurtzman, Jeffrey

2006

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Collected Works of Claudio Monteverdi: The Malipiero and Cremona Editions

Musikeditionen Im Wandel der Geschichte, 2015, Vol.5, p.69-96

2015

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CORRESPONDENCE

The Journal of musicological research, 2004-07, Vol.23 (3-4), p.351-351

Kurtzman, Jeffrey

2004

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CORRESPONDENCE

The Journal of musicological research, 2004-07, Vol.23 (3-4), p.351-351

Kurtzman, Jeffrey

2004

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Motets, Vespers antiphons and the performance of the post-Tridentine liturgy in Italy

Mapping the Motet in the Post-Tridentine Era, 2019, p.36-56

1, 2019

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Back to Basics: Exempting Real Estate Transfers from Taxation Post-Hechinger

American Bankruptcy Institute journal, 2004-07, Vol.23 (6), p.1

Kurtzman, Jeffrey

2004

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Monteverdi's 'Mass of Thanksgiving' Revisited

Early music, 1994-02, Vol.22 (1), p.63-84

Kurtzman, Jeffrey G.

1994

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A Monteverdi Vespers in 1611

Early music, 2008-11, Vol.36 (4), p.547-556

2008

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Deconstructing Gender in Monteverdi's "L'Orfeo"

Journal of seventeenth-century music, 2003-01, Vol.9

Kurtzman, Jeffrey

2003

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Tones, Modes, Clefs and Pitch in Roman Cyclic Magnificats of the 16th Century

Early music, 1994-11, Vol.22 (4), p.641-664

Kurtzman, Jeffrey G.

1994

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Trombe, Trombe d'argento, Trombe squarciate, Tromboni, and Pifferi in Venetian Processions and Ceremonies of the Sixteenth and Seventeenth Centuries

Journal of seventeenth-century music, 2002-01, Vol.8

Kurtzman, Jeffrey

2002

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Editions, Scholarship and Performance

Early music, 2001-02, Vol.29 (1), p.157-157

Kurtzman, Jeffrey

2001

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Lessons Learned from the Iconography of Venetian Ceremonies: Claudio Monteverdi and

Music in art, 2007, Vol.XXXII (1-2), p.32

Jeffrey G. Kurtzman

2007

Volltextzugriff (PDF)

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Another Example of Monteverdi's Self-borrowing: The First Dixit Dominus in the Messa a quattro voci et salmi (1650) and the Dixit Dominus primo of the Selva morale et spirituale (1641)

Monteverdi’s Confitebor primo from the Selva morale et spirituale of 1641: context, text and structure

Interlocutory Appeals and District Courts' Gatekeeping Function

Transposition in Monteverdi

Clefs high and low

Civic Identity and Civic Glue: Venetian Processions and Ceremonies of the Sixteenth and Seventeenth Centuries

Lessons Learned from the Iconography of Venetian Ceremonies: Claudio Monteverdi and "trombe squarciate"

Civic Identity and Civic Glue: Venetian Processions and Ceremonies of the Sixteenth and Seventeenth Century

Monteverdi's Mass and Vespers of 1610: The Economic, Social, and Courtly Context

Introduction

Clef High and Low

Review: The Sounds of Milan by Robert L. Kendrick

Curb Appeal: The Limits of Appellate Jurisdiction of Nonfinal Orders

Collected Works of Claudio Monteverdi: The Malipiero and Cremona Editions

CORRESPONDENCE

CORRESPONDENCE

Motets, Vespers antiphons and the performance of the post-Tridentine liturgy in Italy

Back to Basics: Exempting Real Estate Transfers from Taxation Post-Hechinger

Monteverdi's 'Mass of Thanksgiving' Revisited

A Monteverdi Vespers in 1611

Deconstructing Gender in Monteverdi's "L'Orfeo"

Tones, Modes, Clefs and Pitch in Roman Cyclic Magnificats of the 16th Century

Trombe, Trombe d'argento, Trombe squarciate, Tromboni, and Pifferi in Venetian Processions and Ceremonies of the Sixteenth and Seventeenth Centuries

Editions, Scholarship and Performance

Lessons Learned from the Iconography of Venetian Ceremonies: Claudio Monteverdi and

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