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Music Performance Encounters: Collaborations and Confrontations

1, 2024

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Eric Wen, Graphic Music Analysis: an Introduction to Schenkerian Theory and Practice ( Lanham : Rowman & Littlefield, 2020 ). xiv + 390 pp. $89 (pb). ISBN 9781538104668. Eric Wen, Structurally Sound: Seven Musical Masterworks Deconstructed ( New York : Dover, 2017 ). xiv + 320 pp. $24.95 (pb). ISBN 9780486806778

Music analysis, 2022-03, Vol.41 (1), p.183-207

Koslovsky, John

2022

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A Arte de Modular, Preludiar e Fantasiar: o pensamento de Schenker sobre tonalidade e modulação reconsiderado

Orfeu, 2021-10, Vol.6 (3)

Koslovsky, John

2021

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Tristan und Isolde at the Margins of Music-Analytical Discourse: A Dialogic Perspective

Music theory and analysis, 2021-04, Vol.8 (1), p.88-113

Koslovsky, John

2021

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Explorations in Schenkerian Analysis. Ed. by David Beach and Su Yin Mak

Music & letters, 2018-02, Vol.99 (1), p.130-133

Koslovsky, John

2018

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Heinrich Schenker, Walter Dahms, and the Music of the South

The Journal of musicology (St. Joseph, Mich.), 2017-07, Vol.34 (3), p.391-431

KOSLOVSKY, JOHN

2017

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Timeless Reflections: Form, Cadence and Tonal Structure in the Scherzo and Finale of Schubert's String Quintet

Music analysis, 2014-07, Vol.33 (2), p.168-193

Koslovsky, John

2014

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Timeless Reflections: Form, Cadence and Tonal Structure in the S cherzo and F inale of S chubert's String Q uintet

Music analysis, 2014-07, Vol.33 (2), p.168-193

Koslovsky, John

2014

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Conference Report: “Fifth International Schenker Symposium”

Music theory online, 2013-07, Vol.19 (2)

Koslovsky, John

2013

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The Contrapuntal Legacy of the French fin-de-siècle: A Look at Dukas's Piano Sonata in E-flat

Intégral (Rochester, N.Y.), 2016-01, Vol.30, p.129-152

2016

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Tonal Prolongations in Bartók's Hungarian Folk Tunes for Violin and Piano: A Case Study

Theory and practice, 2012-01, Vol.37-38, p.139-183

Koslovsky, John

2012

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Tonal Prolongations in Bartók's Hungarian Folktunes for Violin and Piano: A Case Study

Theory and practice, 2012-01, Vol.37/38, p.139-183

KOSLOVSKY, JOHN

2012

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Tracing the Improvisatory Impulse in Early Schenkerian Theory

Intégral (Rochester, N.Y.), 2010-01, Vol.24, p.57-79

Koslovsky, John

2010

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"Che hanno contrapunto": Counterpoint Training and the Performance of Diminution in the Sixteenth and Seventeenth Centuries 1

Music Performance Encounters, 2024, p.19-44

1, 2024

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Knowing the World through Music 1

Music Performance Encounters, 2024, p.183-204

1, 2024

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Preparing Music Students for a Public Recital: Applying Principles of Practice from Sport Sciences and Other Disciplines 1

Music Performance Encounters, 2024, p.164-178

1, 2024

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The Italian Imitative and Interdisciplinary Musical Ethos of the Sixteenth Century: Ganassi's Fontegara 1

Music Performance Encounters, 2024, p.45-64

1, 2024

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Echos of Cor Alto and Cor Basse: In Search of an Ideal Horn Sound 1

Music Performance Encounters, 2024, p.65-80

1, 2024

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The Absent Teacher Approach 1

Music Performance Encounters, 2024, p.133-163

1, 2024

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Performing Jennifer Walshe's SELF-CARE 1

Music Performance Encounters, 2024, p.205-216

1, 2024

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Analysing and Playing Chopin's Nocturne op. 27, no. 1: An Empirical Study of the Interaction between an Analyst and a Performer 1

Music Performance Encounters, 2024, p.85-105

1, 2024

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Introduction: "Who Are You?": On Performers, Scholars, Masters, and Pupils

Music Performance Encounters, 2024, p.1-14

1, 2024

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Resonant Openings: Collaborating on Crumb's Nocturnes 1

Music Performance Encounters, 2024, p.106-126

1, 2024

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Part II: Scholars and Performers in Dialogue

Music Performance Encounters, 2023

2023

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Part I: Tools of (Historical) Performance Practice

Music Performance Encounters, 2023

2023

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Music Performance Encounters: Collaborations and Confrontations

A Arte de Modular, Preludiar e Fantasiar: o pensamento de Schenker sobre tonalidade e modulação reconsiderado

Tristan und Isolde at the Margins of Music-Analytical Discourse: A Dialogic Perspective

Explorations in Schenkerian Analysis. Ed. by David Beach and Su Yin Mak

Heinrich Schenker, Walter Dahms, and the Music of the South

Timeless Reflections: Form, Cadence and Tonal Structure in the Scherzo and Finale of Schubert's String Quintet

Timeless Reflections: Form, Cadence and Tonal Structure in the S cherzo and F inale of S chubert's String Q uintet

Conference Report: “Fifth International Schenker Symposium”

The Contrapuntal Legacy of the French fin-de-siècle: A Look at Dukas's Piano Sonata in E-flat

Tonal Prolongations in Bartók's Hungarian Folk Tunes for Violin and Piano: A Case Study

Tonal Prolongations in Bartók's Hungarian Folktunes for Violin and Piano: A Case Study

Tracing the Improvisatory Impulse in Early Schenkerian Theory

"Che hanno contrapunto": Counterpoint Training and the Performance of Diminution in the Sixteenth and Seventeenth Centuries 1

Knowing the World through Music 1

Preparing Music Students for a Public Recital: Applying Principles of Practice from Sport Sciences and Other Disciplines 1

The Italian Imitative and Interdisciplinary Musical Ethos of the Sixteenth Century: Ganassi's Fontegara 1

Echos of Cor Alto and Cor Basse: In Search of an Ideal Horn Sound 1

The Absent Teacher Approach 1

Performing Jennifer Walshe's SELF-CARE 1

Analysing and Playing Chopin's Nocturne op. 27, no. 1: An Empirical Study of the Interaction between an Analyst and a Performer 1

Introduction: "Who Are You?": On Performers, Scholars, Masters, and Pupils

Resonant Openings: Collaborating on Crumb's Nocturnes 1

Part II: Scholars and Performers in Dialogue

Part I: Tools of (Historical) Performance Practice

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