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Perspectives on Early Keyboard Music and Revival in the Twentieth Century

1, 2018

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The organ of the German Church in Stockholm: To Övertorneå and Hietaniemi and back again

Perspectives on Early Keyboard Music and Revival in the Twentieth Century, 2018, p.61-73

1, 2018

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Introduction

Perspectives on Early Keyboard Music and Revival in the Twentieth Century, 2018, p.1-6

1, 2018

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The soloist, seconda pratica, and the madrigal as a template for the new toccata

Perspectives on Early Keyboard Music and Revival in the Twentieth Century, 2018, p.199-229

1, 2018

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Hubert Bédard (1933–89): A visionary of the early keyboard movement

Perspectives on Early Keyboard Music and Revival in the Twentieth Century, 2018, p.98-122

1, 2018

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Some examples of transformative imitation in late seventeenth-century French organ music

Perspectives on Early Keyboard Music and Revival in the Twentieth Century, 2018, p.123-134

1, 2018

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Frescobaldi’s contrapuntal “audacities”: Structures, processes, and affetti in keyboard Fantasia IX

Perspectives on Early Keyboard Music and Revival in the Twentieth Century, 2018, p.162-172

1, 2018

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Four decades after French Harpsichord Music of the Seventeenth Century: Newly discovered sources

Perspectives on Early Keyboard Music and Revival in the Twentieth Century, 2018, p.7-45

1, 2018

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The challenges of caring for a playing collection

Perspectives on Early Keyboard Music and Revival in the Twentieth Century, 2018, p.86-97

1, 2018

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The thirteen non-liturgical fugues à 4 in Le Livre d’orgue de Montréal

Perspectives on Early Keyboard Music and Revival in the Twentieth Century, 2018, p.135-161

1, 2018

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The saga of the 1753 organ of the Cathedral of Quebec: Its installation, destruction, and rebirth

Perspectives on Early Keyboard Music and Revival in the Twentieth Century, 2018, p.74-85

1, 2018

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The new Frescobaldi edition

Perspectives on Early Keyboard Music and Revival in the Twentieth Century, 2018, p.188-198

1, 2018

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The harpsichord class at the Paris Conservatoire: An administrative history

Perspectives on Early Keyboard Music and Revival in the Twentieth Century, 2018, p.46-60

1, 2018

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Kenneth Gilbert’s recording legacy

Perspectives on Early Keyboard Music and Revival in the Twentieth Century, 2018, p.230-269

1, 2018

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Chambonnières’s Pieces de claveßin of 1670 and the preservation of a performing style

Perspectives on Early Keyboard Music and Revival in the Twentieth Century, 2018, p.173-187

1, 2018

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Direct satellite inference of ecosystem light use efficiency for carbon exchange using MODIS on Terra and Aqua

IGARSS 2004. 2004 IEEE International Geoscience and Remote Sensing Symposium, 2004, Vol.3, p.2038-2041 vol.3

2004

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Perspectives on Early Keyboard Music and Revival in the Twentieth Century

The organ of the German Church in Stockholm: To Övertorneå and Hietaniemi and back again

Introduction

The soloist, seconda pratica, and the madrigal as a template for the new toccata

Hubert Bédard (1933–89): A visionary of the early keyboard movement

Some examples of transformative imitation in late seventeenth-century French organ music

Frescobaldi’s contrapuntal “audacities”: Structures, processes, and affetti in keyboard Fantasia IX

Four decades after French Harpsichord Music of the Seventeenth Century: Newly discovered sources

The challenges of caring for a playing collection

The thirteen non-liturgical fugues à 4 in Le Livre d’orgue de Montréal

The saga of the 1753 organ of the Cathedral of Quebec: Its installation, destruction, and rebirth

The new Frescobaldi edition

The harpsichord class at the Paris Conservatoire: An administrative history

Kenneth Gilbert’s recording legacy

Chambonnières’s Pieces de claveßin of 1670 and the preservation of a performing style

Direct satellite inference of ecosystem light use efficiency for carbon exchange using MODIS on Terra and Aqua

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