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Creative Union: The Professional Organization of Soviet Composers, 1939–1953

Tomoff, Kiril

1, 2018

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Virtuosi Abroad: Soviet Music and Imperial Competition during the Early Cold War, 1945–1958

Tomoff, Kiril

1, 2015

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E leonory G ilburd . To See Paris and Die: The Soviet Lives of Western Culture

The American historical review, 2021-03, Vol.126 (1), p.419-420

Tomoff, Kiril

2021

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Of Gypsy Barons and the Power of Love: Operetta Programming and Popularity in the Postwar Soviet Union

Cambridge opera journal, 2018-03, Vol.30 (1), p.29-59

Tomoff, Kiril

2018

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Writing the Stalin Era: Sheila Fitzpatrick and Soviet Historiography

1, 2011

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Harmony and Discord: Music and the Transformation of Russian Cultural Life . By Lynn M. Sargeant. The New Cultural History of Music. Edited by Jane F. Fulcher. Oxford: Oxford University Press, 2011. Pp. xiv+354. $45.00

The Journal of modern history, 2013-09, Vol.85 (3), p.728-729

Tomoff, Kiril

2013

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Zhdanovshchina and the Ogolevets Affair

Creative Union, 2018, p.97-121

Tomoff, Kiril

2018

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Administering the Creative Process

Creative Union, 2018, p.37-62

Tomoff, Kiril

2018

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Brouhaha! Party Intervention and Professional Consolidation, 1948

Creative Union, 2018, p.122-151

Tomoff, Kiril

2018

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The Results of Party Intervention

Creative Union, 2018, p.189-214

Tomoff, Kiril

2018

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Elite Hierarchies

Creative Union, 2018, p.235-267

Tomoff, Kiril

2018

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Most Respected Comrade...: Informal Networks in the Stalinist Music World

Creative Union, 2018, p.268-299

Tomoff, Kiril

2018

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Muzfond, Royalties, and Popularity

Creative Union, 2018, p.217-234

Tomoff, Kiril

2018

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Anticosmopolitanism and the Music Profession, 1949–53

Creative Union, 2018, p.152-188

Tomoff, Kiril

2018

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The Formation of the Composers’ Union, 1932–41

Creative Union, 2018, p.13-36

Tomoff, Kiril

2018

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Composers on the March, 1941–45

Creative Union, 2018, p.63-94

Tomoff, Kiril

2018

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Shostakovich and The Iron Curtain: Intellectual Property and Transimperial Integration

Virtuosi Abroad, 2015, p.20-45

Tomoff, Kiril

1, 2015

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Oistrakh on Tour, Richter at Home: Display, Control, and the Style of Global Empire

Virtuosi Abroad, 2015, p.114-145

Tomoff, Kiril

1, 2015

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Dueling Pianos: Imperial and National Dynamics in Postwar Music Competitions

Virtuosi Abroad, 2015, p.46-81

Tomoff, Kiril

1, 2015

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Oistrakh and the Impresario: Soviet Concert Tours and Systemic Integration

Virtuosi Abroad, 2015, p.146-176

Tomoff, Kiril

1, 2015

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From a Musical Holiday to the Tchaikovsky Competition: Moscow as a Global Center of Musical Culture

Virtuosi Abroad, 2015, p.82-113

Tomoff, Kiril

1, 2015

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Uzbek Music's Separate Path: Interpreting "Anticosmopolitanism" in Stalinist Central Asia, 1949-52

The Russian review (Stanford), 2004-04, Vol.63 (2), p.212-240

Tomoff, Kiril

2004

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‘Most Respected Comrade . . .’: Patrons, Clients, Brokers and Unofficial Networks in the Stalinist Music World

Contemporary European history, 2002-02, Vol.11 (1), p.33-65

Tomoff, Kiril

2002

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A Pivotal Turn: Prague Spring 1948 and the Soviet Construction of a Cultural Sphere

Slavonica, 2004-11, Vol.10 (2), p.157-176

Tomoff, Kiril

2004

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Introduction

Creative Union, 2018, p.1

Kiril Tomoff

2018

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Creative Union: The Professional Organization of Soviet Composers, 1939–1953

Virtuosi Abroad: Soviet Music and Imperial Competition during the Early Cold War, 1945–1958

E leonory G ilburd . To See Paris and Die: The Soviet Lives of Western Culture

Of Gypsy Barons and the Power of Love: Operetta Programming and Popularity in the Postwar Soviet Union

Writing the Stalin Era: Sheila Fitzpatrick and Soviet Historiography

Harmony and Discord: Music and the Transformation of Russian Cultural Life . By Lynn M. Sargeant. The New Cultural History of Music. Edited by Jane F. Fulcher. Oxford: Oxford University Press, 2011. Pp. xiv+354. $45.00

Zhdanovshchina and the Ogolevets Affair

Administering the Creative Process

Brouhaha! Party Intervention and Professional Consolidation, 1948

The Results of Party Intervention

Elite Hierarchies

Most Respected Comrade...: Informal Networks in the Stalinist Music World

Muzfond, Royalties, and Popularity

Anticosmopolitanism and the Music Profession, 1949–53

The Formation of the Composers’ Union, 1932–41

Composers on the March, 1941–45

Shostakovich and The Iron Curtain: Intellectual Property and Transimperial Integration

Oistrakh on Tour, Richter at Home: Display, Control, and the Style of Global Empire

Dueling Pianos: Imperial and National Dynamics in Postwar Music Competitions

Oistrakh and the Impresario: Soviet Concert Tours and Systemic Integration

From a Musical Holiday to the Tchaikovsky Competition: Moscow as a Global Center of Musical Culture

Uzbek Music's Separate Path: Interpreting "Anticosmopolitanism" in Stalinist Central Asia, 1949-52

‘Most Respected Comrade . . .’: Patrons, Clients, Brokers and Unofficial Networks in the Stalinist Music World

A Pivotal Turn: Prague Spring 1948 and the Soviet Construction of a Cultural Sphere

Introduction

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