UB Paderborn / Katalog / Suche / in CDI

Late Soviet Music in a Time of Russia’s War

The Russian review (Stanford), 2024-01, Vol.83 (1), p.134-136

Karnes, Kevin C.

2024

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A German DJ, Postmodern Dreams, and the Ambivalent Politics of East–West Exchange at the First Exhibition of Approximate Art in Riga, April 1987

Arts (Basel), 2024-06, Vol.13 (3), p.88

Karnes, Kevin C.

2024

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Korngold and His World

1, 2019

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Inventing Eastern Europe in the Ear of the Enlightenment

Journal of the American Musicological Society, 2018-04, Vol.71 (1), p.75-108

KARNES, KEVIN C.

2018

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Arvo Pärt: Sounding the Sacred

1, 2020

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Brahms and his world

Rev. ed., 2009

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Brahms and his world, revised edition

1, 2009

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Recollecting Jewish Musics from the Baltic Bloodlands

Acta musicologica, 2012-01, Vol.84 (2), p.253-288

Karnes, Kevin C.

2012

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Wagner, Klimt, and the Metaphysics of Creativity in fin-de-siècle Vienna

Journal of the American Musicological Society, 2009-12, Vol.62 (3), p.647-697

Karnes, Kevin C

2009

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Soviet musicology and the 'nationalities question': the case of latvia

Journal of Baltic studies, 2008-09, Vol.39 (3), p.283-305

Karnes, Kevin C.

2008

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AUDITORY SNAPSHOTS FROM THE EDGES OF EUROPE

Transactions of the Royal Historical Society, 2012-12, Vol.22, p.199-221

2012

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Stephen Muir and Anastasia Belina-Johnson, eds, Wagner in Russia, Poland and the Czech Lands: Musical, Literary and Cultural Perspectives (Farnham and Burlington, VT: Ashgate, 2013). xxxvii + 216 pp. $149.95

Nineteenth-century music review, 2016-12, Vol.13 (2), p.312-316

Karnes, Kevin C.

2016

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A Garland of Songs for a Nation of Singers: An Episode in the History of Russia, the Herderian Tradition and the Rise of Baltic Nationalism

Journal of the Royal Musical Association, 2005-01, Vol.130 (2), p.197-235

Karnes, Kevin C.

2005

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Urlinie

Enzyklopädie jüdischer Geschichte und Kultur, 2016

Karnes, Kevin C

2016

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Urlinie

Enzyklopädie jüdischer Geschichte und Kultur, 2016

Karnes, Kevin C

2016

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Music and Change in the Eastern Baltics Before and After 1989

1, 2022

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Schenker's Brahms: Composer, Critic, and the Problem of Creativity in Late Nineteenth-Century Vienna

The Journal of musicological research, 2005-04, Vol.24 (2), p.145-176

Karnes, Kevin C.

2005

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Disco Culture and the Ritual Journey in the Soviet 1980s

Music and Change in the Eastern Baltics Before and After 1989, 2022, p.221

2022

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Review: Wagner and the Erotic Impulse by Laurence Dreyfus

Journal of the American Musicological Society, 2012-08, Vol.65 (2), p.607-611

Karnes, Kevin C.

2012

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Another Look at Critical Partisanship in the Viennese fin de siècle: Schenker's Reviews of Brahms's Vocal Music, 1891-92

19th century music, 2002-07, Vol.26 (1), p.73-93

Karnes, Kevin C.

2002

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Faith in Music

Korngold and His World, 2019

2019

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Arvo Pärt’s Tintinnabuli and the 1970s Soviet Underground

Arvo Pärt, 2020, p.68

1, 2020

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Wagner, Klimt, and the Metaphysics of Creativity infin-de-siècleVienna

Journal of the American Musicological Society, 2009-12, Vol.62 (3), p.647-697

Karnes, Kevin C.

2009

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INTRODUCTION

Journal of Baltic studies, 2008-09, Vol.39 (3), p.229-230

Karnes, Kevin C.

2008

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The Song Collector, the Year of Terrors and the Catastrophe that Followed: A life in occupied Latvia

The Routledge Handbook to Music under German Occupation, 1938-1945, 2020, p.253-264

1, 2020

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Late Soviet Music in a Time of Russia’s War

A German DJ, Postmodern Dreams, and the Ambivalent Politics of East–West Exchange at the First Exhibition of Approximate Art in Riga, April 1987

Korngold and His World

Inventing Eastern Europe in the Ear of the Enlightenment

Arvo Pärt: Sounding the Sacred

Brahms and his world

Brahms and his world, revised edition

Recollecting Jewish Musics from the Baltic Bloodlands

Wagner, Klimt, and the Metaphysics of Creativity in fin-de-siècle Vienna

Soviet musicology and the 'nationalities question': the case of latvia

AUDITORY SNAPSHOTS FROM THE EDGES OF EUROPE

Stephen Muir and Anastasia Belina-Johnson, eds, Wagner in Russia, Poland and the Czech Lands: Musical, Literary and Cultural Perspectives (Farnham and Burlington, VT: Ashgate, 2013). xxxvii + 216 pp. $149.95

A Garland of Songs for a Nation of Singers: An Episode in the History of Russia, the Herderian Tradition and the Rise of Baltic Nationalism

Urlinie

Urlinie

Music and Change in the Eastern Baltics Before and After 1989

Schenker's Brahms: Composer, Critic, and the Problem of Creativity in Late Nineteenth-Century Vienna

Disco Culture and the Ritual Journey in the Soviet 1980s

Review: Wagner and the Erotic Impulse by Laurence Dreyfus

Another Look at Critical Partisanship in the Viennese fin de siècle: Schenker's Reviews of Brahms's Vocal Music, 1891-92

Faith in Music

Arvo Pärt’s Tintinnabuli and the 1970s Soviet Underground

Wagner, Klimt, and the Metaphysics of Creativity infin-de-siècleVienna

INTRODUCTION

The Song Collector, the Year of Terrors and the Catastrophe that Followed: A life in occupied Latvia

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