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Music and Mental Imagery

1, 2023

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Music listening evokes story-like visual imagery with both idiosyncratic and shared content

PloS one, 2023-10, Vol.18 (10), p.e0293412-e0293412

2023

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Taqsīm as a Creative Musical Process in Arabic Music

Frontiers in psychology, 2021-06, Vol.12, p.640409-640409

2021

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Come on Baby, Light My Fire: Sparking Further Research in Socio-Affective Mechanisms of Music Using Computational Advancements

Frontiers in psychology, 2020-12, Vol.11, p.557162-557162

2020

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Music Teachers' Perspectives and Experiences of Ensemble and Learning Skills

Frontiers in psychology, 2020-03, Vol.11, p.291-291

2020

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The roles of superficial amygdala and auditory cortex in music-evoked fear and joy

NeuroImage (Orlando, Fla.), 2013-11, Vol.81, p.49-60

2013

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Music performance anxiety and its relation to parenting style and sensory processing sensitivity

Jahrbuch der Deutschen Gesellschaft für Musikpsychologie, 2023-03, Vol.31

2023

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Marble melancholy: using crossmodal correspondences of shapes, materials, and music to predict music-induced emotions

Frontiers in psychology, 2023-08, Vol.14, p.1168258-1168258

2023

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A Review of Music-Evoked Visual Mental Imagery: Conceptual Issues, Relation to Emotion, and Functional Outcome

Psychomusicology, 2019-06, Vol.29 (2-3), p.62-74

2019

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Saccadic Eye-Movements Suppress Visual Mental Imagery and Partly Reduce Emotional Response During Music Listening

Music & science, 2020, Vol.3, p.205920432095958

2020

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Modalities and causal routes in music-induced mental imagery

Trends in cognitive sciences, 2023-02, Vol.27 (2), p.114-115

2023

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Investigating the influence of musical training on cross-modal correspondences and sensorimotor skills in a real-time drawing paradigm

Psychology of music, 2014-05, Vol.42 (3), p.448-469

2014

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Musicians are more consistent: Gestural cross-modal mappings of pitch, loudness and tempo in real-time

Frontiers in psychology, 2014-07, Vol.5, p.789-789

2014

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Music, Emotion, and Visual Imagery: Where Are We Now?

Psychomusicology, 2019-06, Vol.29 (2-3), p.59-61

2019

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The neuro-oscillatory profiles of static and dynamic music-induced visual imagery

International journal of psychophysiology, 2024-05, Vol.199, p.112309-112309, Article 112309

2024

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Visual figures of musical form between musicological examination and auditory perception based on Morgan’s analysis of the “Tristan” Prelude

Music & science, 2018, Vol.1, p.205920431879436

2018

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Eysenck's Theory of Personality and the Role of Background Music in Cognitive Task Performance: A Mini-Review of Conflicting Findings and a New Perspective

Frontiers in psychology, 2017-11, Vol.8, p.1991-1991

Kussner, Mats B

2017

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EEG Beta Power but Not Background Music Predicts the Recall Scores in a Foreign-Vocabulary Learning Task

PloS one, 2016-08, Vol.11 (8), p.e0161387-e0161387

2016

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The Content and Functions of Vivid and Soothing Visual Imagery During Music Listening: Findings From a Survey Study

Psychomusicology, 2019-06, Vol.29 (2-3), p.90-99

2019

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"'A huge man is bursting out of a rock'": bodies, motion, and creativity in verbal reports of musical connotation

Journal of new music research, 2023-01, Vol.52 (1), p.73-86

2023

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All Eyes on Me: Behaving as Soloist in Duo Performances Leads to Increased Body Movements and Attracts Observers’ Visual Attention

Music perception, 2020-12, Vol.38 (2), p.195-213

2020

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The Experience of Music in Aphantasia: Emotion, Reward, and Everyday Functions

Music & science, 2024-01, Vol.7

2024

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The need to consider pluralistic functions of music from a global perspective: Comment on “Physics of mind: Experimental confirmations of theoretical predictions” by Felix Schoeller et al

Physics of life reviews, 2018-08, Vol.25, p.88-89

2018

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Key Performance Dimensions of the "Well-Tempered Musician": A Framework for Artist Management

International journal of arts management, 2021, Vol.23 (2), p.18-29

2021

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The need to consider pluralistic functions of music from a global perspective

Physics of life reviews, 2018-08, Vol.25, p.88-89

2018

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Music and Mental Imagery

Music listening evokes story-like visual imagery with both idiosyncratic and shared content

Taqsīm as a Creative Musical Process in Arabic Music

Come on Baby, Light My Fire: Sparking Further Research in Socio-Affective Mechanisms of Music Using Computational Advancements

Music Teachers' Perspectives and Experiences of Ensemble and Learning Skills

The roles of superficial amygdala and auditory cortex in music-evoked fear and joy

Music performance anxiety and its relation to parenting style and sensory processing sensitivity

Marble melancholy: using crossmodal correspondences of shapes, materials, and music to predict music-induced emotions

A Review of Music-Evoked Visual Mental Imagery: Conceptual Issues, Relation to Emotion, and Functional Outcome

Saccadic Eye-Movements Suppress Visual Mental Imagery and Partly Reduce Emotional Response During Music Listening

Modalities and causal routes in music-induced mental imagery

Investigating the influence of musical training on cross-modal correspondences and sensorimotor skills in a real-time drawing paradigm

Musicians are more consistent: Gestural cross-modal mappings of pitch, loudness and tempo in real-time

Music, Emotion, and Visual Imagery: Where Are We Now?

The neuro-oscillatory profiles of static and dynamic music-induced visual imagery

Visual figures of musical form between musicological examination and auditory perception based on Morgan’s analysis of the “Tristan” Prelude

Eysenck's Theory of Personality and the Role of Background Music in Cognitive Task Performance: A Mini-Review of Conflicting Findings and a New Perspective

EEG Beta Power but Not Background Music Predicts the Recall Scores in a Foreign-Vocabulary Learning Task

The Content and Functions of Vivid and Soothing Visual Imagery During Music Listening: Findings From a Survey Study

"'A huge man is bursting out of a rock'": bodies, motion, and creativity in verbal reports of musical connotation

All Eyes on Me: Behaving as Soloist in Duo Performances Leads to Increased Body Movements and Attracts Observers’ Visual Attention

The Experience of Music in Aphantasia: Emotion, Reward, and Everyday Functions

The need to consider pluralistic functions of music from a global perspective: Comment on “Physics of mind: Experimental confirmations of theoretical predictions” by Felix Schoeller et al

Key Performance Dimensions of the "Well-Tempered Musician": A Framework for Artist Management

The need to consider pluralistic functions of music from a global perspective

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