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Thomas Stothard, Milton and the Illustrative Vignette: The Houghton Library Designs for The Royal Engagement Pocket Atlas

The Yearbook of English studies, 2015-01, Vol.45, p.137-158

Jung, Sandro

2015

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Georgian Literary Needlework Pictures, Realization, and Iconic Meaning‐Making

Journal for eighteenth-century studies, 2024-09, Vol.47 (3), p.233-257

Jung, Sandro

2024

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Mediating a Western Classic in China: Woodcuts, Iconic Narrative, and the 1903 Chinese Translation of J. D. Wyss’s The Swiss Family Robinson

Style (University Park, PA), 2023-11, Vol.57 (4), p.495-518

Jung, Sandro

2023

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Community and Georgic transformation in Goldsmith’s The Deserted Village and Crabbe’s The Village

Studia neophilologica, 2024-03, p.1-20

Jung, Sandro

2024

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Function and Transformation in the Design and Interpretive Inscription of Frontispieces to Thomson's The Seasons, 1767-1825

English studies, 2023-10, Vol.104 (7), p.1139-1165

Jung, Sandro

2023

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James Montgomery's "Gazing Maniac" and James Thomson's Celadon

ANQ (Lexington, Ky.), 2024-01, Vol.37 (1), p.33-34

Jung, Sandro

2024

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Poetical Siblings: Thomson’s Vignette of Celadon and Amelia Transformed

Style (University Park, PA), 2023-02, Vol.57 (1), p.34-55

Jung, Sandro

2023

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"The Robber's Daughter" and "Die Nymphe des Brunnens"

ANQ (Lexington, Ky.), 2023-10, Vol.36 (4), p.510-511

Jung, Sandro

2023

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The Visual Anatomy of Falconer's The Shipwreck, 1762–1818

Eighteenth-century life, 2023-04, Vol.47 (2), p.134-165

Jung, Sandro

2023

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Editor’s Note

ANQ (Lexington, Ky.), 2023-01, Vol.36 (1), p.1-2

Jung, Sandro

2023

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Editor's Note

ANQ (Lexington, Ky.), 2023-01, Vol.36 (1), p.1-2

Jung, Sandro

2023

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Editor's Note

ANQ (Lexington, Ky.), 2023-01, Vol.36 (1), p.1

Jung, Sandro

2023

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Visual Literary Criticism and Eighteenth-Century Literary Illustration. Introduction

Oxford German studies, 2022-10, Vol.51 (4), p.369-383

Jung, Sandro

2022

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Preissler's Plates for Zachariae's Die Tageszeiten (1756): Strategies of Iconotextual Meaning-Making and Visual Criticism

Oxford German studies, 2022-10, Vol.51 (4), p.437-454

Jung, Sandro

2022

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Amplifying Reading Experience: Illustrations to Longueville's The English Hermit, 1727-1799

English studies, 2022-01, Vol.103 (1), p.42-62

Jung, Sandro

2022

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William Shenstone, Visual Culture and Relational Media Practices

ANQ (Lexington, Ky.), 2022-07, Vol.35 (3), p.325-335

Jung, Sandro

2022

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Winding the Horn: Collins's Beetle and Rogers's Bee

ANQ (Lexington, Ky.), 2022-04, Vol.35 (2), p.126-127

Jung, Sandro

2022

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Iconological Criticism: Repositioning Illustrations within Literary Studies

Arbeiten aus Anglistik und Amerikanistik, 2021-01, Vol.46 (1), p.3-14

Jung, Sandro

2021

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Dominant Visual Narrative, the Competitive Marketing and Metacritical Functions of Illustrations, and Robert Morison’s 1793 Edition of James Thomson’s The Seasons

Arbeiten aus Anglistik und Amerikanistik, 2021-06, Vol.46 (1), p.43

Jung, Sandro

2021

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Dominant Visual Narrative, the Competitive Marketing and Metacritical Functions of Illustrations, and Robert Morison’s 1793 Edition of James Thomson’s The Seasons

Arbeiten aus Anglistik und Amerikanistik, 2021-01, Vol.46 (1), p.43-72

Jung, Sandro

2021

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Book Illustration and the Transnational Mediation of Robinson Crusoe in 1720

Philological quarterly, 2020-03, Vol.99 (2), p.171-201

Jung, Sandro

2020

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An American Parody of Thomson's "Celadon and Amelia" Tale

ANQ (Lexington, Ky.), 2021-01, Vol.34 (1), p.34-35

Jung, Sandro

2021

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G. L. Crusius, Leipzig Artist and Engraver, and His Literary Illustrations in the 1750s

Oxford German studies, 2020-07, Vol.49 (3), p.209-227

Jung, Sandro

2020

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Literary Ephemera: Understanding the Media of Literacy and Culture Formation

Eighteenth-century life, 2020-04, Vol.44 (2), p.1-16

Jung, Sandro

2020

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William Hymers and the Editing of William Collins's Poems, 1765–1797

The Modern language review, 2011, Vol.106 (2), p.333-354

Sandro Jung

2011

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Thomas Stothard, Milton and the Illustrative Vignette: The Houghton Library Designs for The Royal Engagement Pocket Atlas

Georgian Literary Needlework Pictures, Realization, and Iconic Meaning‐Making

Mediating a Western Classic in China: Woodcuts, Iconic Narrative, and the 1903 Chinese Translation of J. D. Wyss’s The Swiss Family Robinson

Community and Georgic transformation in Goldsmith’s The Deserted Village and Crabbe’s The Village

Function and Transformation in the Design and Interpretive Inscription of Frontispieces to Thomson's The Seasons, 1767-1825

James Montgomery's "Gazing Maniac" and James Thomson's Celadon

Poetical Siblings: Thomson’s Vignette of Celadon and Amelia Transformed

"The Robber's Daughter" and "Die Nymphe des Brunnens"

The Visual Anatomy of Falconer's The Shipwreck, 1762–1818

Editor’s Note

Editor's Note

Editor's Note

Visual Literary Criticism and Eighteenth-Century Literary Illustration. Introduction

Preissler's Plates for Zachariae's Die Tageszeiten (1756): Strategies of Iconotextual Meaning-Making and Visual Criticism

Amplifying Reading Experience: Illustrations to Longueville's The English Hermit, 1727-1799

William Shenstone, Visual Culture and Relational Media Practices

Winding the Horn: Collins's Beetle and Rogers's Bee

Iconological Criticism: Repositioning Illustrations within Literary Studies

Dominant Visual Narrative, the Competitive Marketing and Metacritical Functions of Illustrations, and Robert Morison’s 1793 Edition of James Thomson’s The Seasons

Dominant Visual Narrative, the Competitive Marketing and Metacritical Functions of Illustrations, and Robert Morison’s 1793 Edition of James Thomson’s The Seasons

Book Illustration and the Transnational Mediation of Robinson Crusoe in 1720

An American Parody of Thomson's "Celadon and Amelia" Tale

G. L. Crusius, Leipzig Artist and Engraver, and His Literary Illustrations in the 1750s

Literary Ephemera: Understanding the Media of Literacy and Culture Formation

William Hymers and the Editing of William Collins's Poems, 1765–1797

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