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‘Distant Reading’ in French Music Criticism

Nineteenth-century music review, 2022-08, Vol.19 (2), p.291-315

Joubert, Estelle

2022

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RIPM: A Retrospective Index to Music Periodicals (1760–1966)

Nineteenth - Century Music Review, 2022-08, Vol.19 (2), p.381-388

Joubert, Estelle

2022

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Morality and Viennese Opera in the Age of Mozart and Beethoven by Martin Nedbal (review)

Music & letters, 2018-08, Vol.99 (3), p.481-483

Joubert, Estelle

2018

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Review: Composing the Canon in the German Democratic Republic: Narratives of Nineteenth-Century Music, by Elaine Kelly

Journal of the American Musicological Society, 2016-08, Vol.69 (2), p.575-579

Joubert, Estelle

2016

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BEETHOVEN AND THE LAST GENERATION OF COURT MUSICIANS IN GERMANY / BEETHOVEN UND ANDERE HOFMUSIKER SEINER ZEIT IM DEUTSCHSPRACHIGEN RAUM BEETHOVEN-HAUS, BONN, 3–6 DECEMBER 2015

Eighteenth-century music, 2017-03, Vol.14 (1), p.149-150

JOUBERT, ESTELLE

2017

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Reviews: "Bohemian Baroque: Czech Musical Culture and Style, 1600-1750" by Robert G. Rawson

Music & letters, 2016-02, Vol.97 (1), p.161-163

Joubert, Estelle

2016

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Bohemian Baroque: Czech Musical Culture and Style, 1600–1750 by Robert G. Rawson (review)

Music & letters, 2016-02, Vol.97 (1), p.161-163

Joubert, Estelle

2016

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PERFORMING SOVEREIGNTY, SOUNDING AUTONOMY: POLITICAL REPRESENTATION IN THE OPERAS OF MARIA ANTONIA OF SAXONY

Music & letters, 2015-08, Vol.96 (3), p.344-389

Joubert, Estelle

2015

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Performing sovereinty, sounding autonomy: political representation in the operas of Maria Antonia of Saxony

Music & letters, 2015-08, Vol.96 (3), p.344

Joubert, Estelle

2015

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Performing sovereignty, sounding autonomy: Political representation in the operas of Maria Andonia of Saxony

Music & letters, 2015-08, Vol.96 (3), p.344-389

Joubert, Estelle

2015

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Maria Antonia of Saxony and the Emergence of Music Analysis in Opera Criticism

Cambridge opera journal, 2013-03, Vol.25 (1), p.37-73

Joubert, Estelle

2013

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JUSTIN HEINRICH KNECHT (1752–1817) DIE AEOLSHARFE, ODER DER TRIUMPH DER MUSIK UND LIEBE Christina Landshamer (soprano), Mark Adler (tenor), Andrea Lauren Brown (soprano), Patrick Pobeschin (baritone), Andreas Macco (bass), Thomas E. Bauer (bass), Johannes Kaleschke (tenor), Markus Brutscher (tenor), Sarah Wegener (soprano), Maria van Eldik (soprano), Adolph Seidel (bass) / Kammerchor Stuttgart / Hofkapelle Stuttgart / Frieder Bernius Carus-Verlag, Carus 83.220, 2009; three discs, 149 minutes

Eighteenth-century music, 2011-03, Vol.8 (1), p.145-146

JOUBERT, ESTELLE

2011

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New music in the Office of Thomas Becket from the Diocese of Trier

Plainsong & medieval music, 2009-04, Vol.18 (1), p.33-52

Joubert, Estelle

2009

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SONGS TO SHAPE A GERMAN NATION: HILLER’S COMIC OPERAS AND THE PUBLIC SPHERE

Eighteenth-century music, 2006-09, Vol.3 (2), p.213-230

JOUBERT, ESTELLE

2006

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DIE AEOLSHARFE, ODER DER TRIUMPH DER MUSIK UND LIEBE

Eighteenth-century music, 2011-03, Vol.8 (1), p.145

2011

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The Cambridge Companion to Eighteenth-Century Opera

2009

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Analytical encounters: Global music criticism and enlightenment ethnomusicology 1

Studies on a Global History of Music, 2018, p.42-60

1, 2018

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Genre and form in German opera

The Cambridge Companion to Eighteenth-Century Opera, 2009, p.184-201

Joubert, Estelle

2009

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Morality and Viennese Opera in the Age of Mozart and Beethoven. Ashgate Interdisciplinary Studies in Opera

Music & Letters, 2018, Vol.99 (3), p.481-483

Joubert, Estelle

2018

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Composing the Canon in the German Democratic Republic: Narratives of Nineteenth-Century Music

Journal of the American Musicological Society, 2016, Vol.69 (2), p.575-579

JOUBERT, ESTELLE

2016

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Bohemian Baroque: Czech Musical Culture and Style, 1600-1750

Music & Letters, 2016, Vol.97 (1), p.161-163

Joubert, Estelle

2016

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KNECHTJUSTIN HEINRICH (1752–1817) DIE AEOLSHARFE, ODER DER TRIUMPH DER MUSIK UND LIEBE Christina Landshamer (soprano), Mark Adler (tenor), Andrea Lauren Brown (soprano), Patrick Pobeschin (baritone), Andreas Macco (bass), Thomas E. Bauer (bass), Johannes Kaleschke (tenor), Markus Brutscher (tenor), Sarah Wegener (soprano), Maria van Eldik (soprano), Adolph Seidel (bass) / Kammerchor Stuttgart / Hofkapelle Stuttgart / Frieder Bernius Carus-Verlag, Carus 83.220, 2009; three discs, 149 minutes

JOUBERT, ESTELLE

2011

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Comparison of bacterial filtration efficiency vs. particle filtration efficiency to assess the performance of non-medical face masks

Scientific reports, 2022-01, Vol.12 (1), p.1188-1188, Article 1188

2022

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High-Mobility Group Box 1-Signaling Inhibition With Glycyrrhizin Prevents Cerebral T-Cell Infiltration After Cardiac Arrest

Journal of the American Heart Association, 2023-02, Vol.12 (3), p.e027749-e027749

2023

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Cardiovascular and renal diseases in type 2 diabetes patients: 5-year cumulative incidence of the first occurred manifestation and hospitalization cost: a cohort within the French SNDS nationwide claims database

Cardiovascular diabetology, 2024-01, Vol.23 (1), p.22-22, Article 22

2024

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‘Distant Reading’ in French Music Criticism

RIPM: A Retrospective Index to Music Periodicals (1760–1966)

Morality and Viennese Opera in the Age of Mozart and Beethoven by Martin Nedbal (review)

Review: Composing the Canon in the German Democratic Republic: Narratives of Nineteenth-Century Music, by Elaine Kelly

BEETHOVEN AND THE LAST GENERATION OF COURT MUSICIANS IN GERMANY / BEETHOVEN UND ANDERE HOFMUSIKER SEINER ZEIT IM DEUTSCHSPRACHIGEN RAUM BEETHOVEN-HAUS, BONN, 3–6 DECEMBER 2015

Reviews: "Bohemian Baroque: Czech Musical Culture and Style, 1600-1750" by Robert G. Rawson

Bohemian Baroque: Czech Musical Culture and Style, 1600–1750 by Robert G. Rawson (review)

PERFORMING SOVEREIGNTY, SOUNDING AUTONOMY: POLITICAL REPRESENTATION IN THE OPERAS OF MARIA ANTONIA OF SAXONY

Performing sovereinty, sounding autonomy: political representation in the operas of Maria Antonia of Saxony

Performing sovereignty, sounding autonomy: Political representation in the operas of Maria Andonia of Saxony

Maria Antonia of Saxony and the Emergence of Music Analysis in Opera Criticism

New music in the Office of Thomas Becket from the Diocese of Trier

SONGS TO SHAPE A GERMAN NATION: HILLER’S COMIC OPERAS AND THE PUBLIC SPHERE

DIE AEOLSHARFE, ODER DER TRIUMPH DER MUSIK UND LIEBE

The Cambridge Companion to Eighteenth-Century Opera

Analytical encounters: Global music criticism and enlightenment ethnomusicology 1

Genre and form in German opera

Morality and Viennese Opera in the Age of Mozart and Beethoven. Ashgate Interdisciplinary Studies in Opera

Composing the Canon in the German Democratic Republic: Narratives of Nineteenth-Century Music

Bohemian Baroque: Czech Musical Culture and Style, 1600-1750

Comparison of bacterial filtration efficiency vs. particle filtration efficiency to assess the performance of non-medical face masks

High-Mobility Group Box 1-Signaling Inhibition With Glycyrrhizin Prevents Cerebral T-Cell Infiltration After Cardiac Arrest

Cardiovascular and renal diseases in type 2 diabetes patients: 5-year cumulative incidence of the first occurred manifestation and hospitalization cost: a cohort within the French SNDS nationwide claims database

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