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In Between Subjects: A Critical Genealogy of Queer Performance

Jones, Amelia

1, 2021

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A Companion to Contemporary Art in a Global Framework

1, 2023

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Who Is an Artist? Identity, Individualism, and the Neoliberalism of the Art Complex

Arts (Basel), 2023-11, Vol.12 (6), p.234

Jones, Amelia G.

2023

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"I write four times..." : a tribute to the work and teaching of Donald Preziosi

Journal of art historiography, 2016-12, Vol.15, p.15-AJ1

Jones, Amelia

2016

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Seeing Differently

Amelia Jones

2013

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Chronological Dyslexia: Remembering/Representing/Performing Aids

ARTMargins (Cambridge, Mass.), 2023-02, Vol.12 (1), p.92-105

Jones, Amelia

2023

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Suzanne Lacy between Kaprow and Chicago: Pedagogy and Performance

TDR : Drama review, 2021-12, Vol.65 (4), p.103-130

Jones, Amelia

2021

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Questionnaire: visual studies now

Visual studies (Abingdon, England), 2021-05, Vol.36 (3), p.191-194

Jones, Amelia

2021

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"The Artist is Present": Artistic Re-enactments and the Impossibility of Presence

TDR : Drama review, 2011-03, Vol.55 (1), p.16-45

Jones, Amelia

2011

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Material Traces: Performativity, Artistic "Work," and New Concepts of Agency

TDR : Drama review, 2015-12, Vol.59 (4), p.18-35

Jones, Amelia

2015

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Time passing upside down: Julie Rrap's 360 degree self-portrait

Art and Australia, 2012-03, Vol.49 (3), p.476-477

Jones, Amelia

2012

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Ethnic Envy and Other Aggressions in the Contemporary “Global” Art Complex

NKA (Brooklyn, N.Y.), 2021-05, Vol.2021 (48), p.96-110

Jones, Amelia

2021

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FIGURATION AND THE (LIVE) BODY

Texte zur Kunst (Cologne, Germany), 2021-06, Vol.31 (122), p.74

Jones, Amelia

2021

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Self/image : technology, representation, and the contemporary subject

Jones, Amelia

2006

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Clinicopathologic Characteristics, Prevalence, and Risk Factors of Spontaneous Diabetes in Sooty Mangabeys (Cercocebus atys)

Comparative medicine, 2014-06, Vol.64 (3), p.200-210

2014

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Reframing: Michael Parekōwhai's Indigenous Détournement of the Museum

Thresholds (Cambridge, Mass.), 2019-05, Vol.47 (47), p.212-216

Jones, Amelia

2019

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Reframing: Michael Parekōwhai’s Indigenous Détournement of the Museum

Thresholds (Cambridge, Mass.), 2019-01 (47), p.212-216

JONES, AMELIA

2019

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Introduction: Trans-ing performance

Performance research, 2016-09, Vol.21 (5), p.1-11

Jones, Amelia

2016

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The Local versus the Global in Curating and Curatorial Pedagogy

Journal of curatorial studies, 2017-10, Vol.6 (2), p.231-240

Jones, Amelia

2017

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Quantifying three types of abnormal language in semantic variant primary progressive aphasia

Alzheimer's & dementia, 2023-06, Vol.19 (S4), p.n/a

2023

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Introduction

Performance research, 2016-10, Vol.21 (5), p.1

Jones, Amelia

2016

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Mindfulness as a mediator in the relationship between social media engagement and depression in young adults

Personality and individual differences, 2022-02, Vol.185, p.111284, Article 111284

2022

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Evaluation of psychological provision into an acute inpatient unit

Mental health review journal, 2012-03, Vol.17 (1), p.26-38

2012

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'I write four times....': A tribute to the work and teaching of Donald Preziosi

Journal of art historiography, 2016-12 (15), p.1

Jones, Amelia

2016

Volltextzugriff (PDF)

'I write four times...': A tribute to the work and teaching of Donald Preziosi

Journal of art historiography, 2016-12 (15), p.np-np

Jones, Amelia

2016

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In Between Subjects: A Critical Genealogy of Queer Performance

A Companion to Contemporary Art in a Global Framework

Who Is an Artist? Identity, Individualism, and the Neoliberalism of the Art Complex

"I write four times..." : a tribute to the work and teaching of Donald Preziosi

Seeing Differently

Chronological Dyslexia: Remembering/Representing/Performing Aids

Suzanne Lacy between Kaprow and Chicago: Pedagogy and Performance

Questionnaire: visual studies now

"The Artist is Present": Artistic Re-enactments and the Impossibility of Presence

Material Traces: Performativity, Artistic "Work," and New Concepts of Agency

Time passing upside down: Julie Rrap's 360 degree self-portrait

Ethnic Envy and Other Aggressions in the Contemporary “Global” Art Complex

FIGURATION AND THE (LIVE) BODY

Self/image : technology, representation, and the contemporary subject

Clinicopathologic Characteristics, Prevalence, and Risk Factors of Spontaneous Diabetes in Sooty Mangabeys (Cercocebus atys)

Reframing: Michael Parekōwhai's Indigenous Détournement of the Museum

Reframing: Michael Parekōwhai’s Indigenous Détournement of the Museum

Introduction: Trans-ing performance

The Local versus the Global in Curating and Curatorial Pedagogy

Quantifying three types of abnormal language in semantic variant primary progressive aphasia

Introduction

Mindfulness as a mediator in the relationship between social media engagement and depression in young adults

Evaluation of psychological provision into an acute inpatient unit

'I write four times....': A tribute to the work and teaching of Donald Preziosi

'I write four times...': A tribute to the work and teaching of Donald Preziosi

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