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Birth timing for mountain lions (Puma concolor); testing the prey availability hypothesis

PloS one, 2012-09, Vol.7 (9), p.e44625-e44625

2012

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Extreme precipitation variability, forage quality and large herbivore diet selection in arid environments

Oikos, 2017-10, Vol.126 (10), p.1459-1471

2017

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Good Work and Good Works: Work and the Postsecular in George Saunders’s CivilWarLand in Bad Decline

European journal of American studies, 2018-07, Vol.13 (2)

2018

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“It’s Still Real to Me”: Contemporary Professional Wrestling, Neo-Liberalism, and the Problems of Performed/Real Violence

Canadian review of American studies, 2020-07, Vol.50 (2), p.302-330

Jansen, Brian

2020

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“Yes! No! … Maybe?”: Reading the Real in Professional Wrestling's Unreality

Journal of popular culture, 2018-06, Vol.51 (3), p.635-656

Jansen, Brian

2018

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'Oddly Shaped Emptinesses': Capital, the Eerie, and the Place(less)ness of Detroit in Jeffrey Eugenides's Virgin Suicides

Comparative American studies, 2019-07, Vol.16 (3-4), p.101-115

Jansen, Brian

2019

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Distortions Resulting from Residential Land Use Controls in Metropolitan Areas

The journal of real estate finance and economics, 2013, Vol.46 (1), p.193-202

2013

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The End of a Bright and Tranquil Summer＂: Joshua Ferris's Then We Came to the End and the Refusal of 9/11 Representations

Concentric: Literary and Cultural Studies, 2020-03, Vol.46 (1), p.107-132

Jansen, Brian

2020

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Quantifying animal movement for caching foragers: the path identification index (PII) and cougars, Puma concolor

Movement ecology, 2017-11, Vol.5 (1), p.24-24, Article 24

2017

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Responses of Desert Bighorn Sheep to Removal of Water Sources

Wildlife monographs, 2008-09, Vol.171 (1), p.1-32

2008

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Estimating body mass of pumas (Puma concolor)

Wildlife research (East Melbourne), 2011-01, Vol.38 (2), p.147

2011

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Zygmunt Bauman, Postmodern Ethics, and Utopia as Process in Suzanne Collins’s The Hunger Games : “It’s the First Gift That’s Always the Hardest to Pay Back”

Jeunesse, young people, texts, cultures, 2015-06, Vol.7 (1), p.18-41

Jansen, Brian

2015

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“Betch you’ bootsh!”: Jewish Humour, Jewish Identity, and Yiddish Literary Traditions in Abraham Cahan’s Yekl

Journal of the short story in English, 2016, p.285-302

Jansen, Brian

2016

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Zygmunt Bauman, Postmodern Ethics, and Utopia as Process in Suzanne Collins’s The Hunger Games : “It’s the First Gift That’s Always the Hardest to Pay Back”

Jeunesse, young people, texts, cultures, 2015-06, Vol.7 (1), p.18-41

Jansen, Brian

2015

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Planning and Assessment of Activity Budget Studies Employing Instantaneous Sampling

Ethology, 2008-10, Vol.114 (10), p.999-1005

2008

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Population Dynamics and Behavior of Bighorn Sheep with Infectious Keratoconjunctivitis

The Journal of wildlife management, 2007-04, Vol.71 (2), p.571-575

2007

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Surface Mining and Ecology of Desert Bighorn Sheep

The Southwestern naturalist, 2009-12, Vol.54 (4), p.430-438

2009

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“On the Porousness of Certain Borders”: Attending to Objects in David Foster Wallace’s Infinite Jest

English studies in Canada, 2014-12, Vol.40 (4), p.55-77

Jansen, Brian Douglas

2014

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Infectious Keratoconjunctivitis in Bighorn Sheep, Silver Bell Mountains, Arizona, USA

Journal of wildlife diseases, 2006-04, Vol.42 (2), p.407-411

2006

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Birth Timing for Mountain Lions

PloS one, 2012-09, Vol.7 (9), p.e44625

2012

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Influence of topography and GPS fix interval on GPS collar performance

Wildlife Society bulletin, 2005-09, Vol.33 (3), p.926-934

2005

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A Wildlife Biologist with Skin Lesions

Clinical infectious diseases, 2005-07, Vol.41 (2), p.260-261

2005

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INFLUENCE OF MINING ON BEHAVIOR OF BIGHORN SHEEP

The Southwestern naturalist, 2007-09, Vol.52 (3), p.418-423

2007

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MAXILLARY CANINES IN BIGHORN SHEEP

The Southwestern naturalist, 2006-09, Vol.51 (3), p.434-436

2006

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“The End of a Bright and Tranquil Summer”: Joshua Ferris’s Then We Came to the End and the Refusal of 9/11 Representations

Concentric:Literary and Cultural Studies, 2020-03, Vol.46 (1), p.107-132

Brian Jansen

2020

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Birth timing for mountain lions (Puma concolor); testing the prey availability hypothesis

Extreme precipitation variability, forage quality and large herbivore diet selection in arid environments

Good Work and Good Works: Work and the Postsecular in George Saunders’s CivilWarLand in Bad Decline

“It’s Still Real to Me”: Contemporary Professional Wrestling, Neo-Liberalism, and the Problems of Performed/Real Violence

“Yes! No! … Maybe?”: Reading the Real in Professional Wrestling's Unreality

'Oddly Shaped Emptinesses': Capital, the Eerie, and the Place(less)ness of Detroit in Jeffrey Eugenides's Virgin Suicides

Distortions Resulting from Residential Land Use Controls in Metropolitan Areas

The End of a Bright and Tranquil Summer＂: Joshua Ferris's Then We Came to the End and the Refusal of 9/11 Representations

Quantifying animal movement for caching foragers: the path identification index (PII) and cougars, Puma concolor

Responses of Desert Bighorn Sheep to Removal of Water Sources

Estimating body mass of pumas (Puma concolor)

Zygmunt Bauman, Postmodern Ethics, and Utopia as Process in Suzanne Collins’s The Hunger Games : “It’s the First Gift That’s Always the Hardest to Pay Back”

“Betch you’ bootsh!”: Jewish Humour, Jewish Identity, and Yiddish Literary Traditions in Abraham Cahan’s Yekl

Zygmunt Bauman, Postmodern Ethics, and Utopia as Process in Suzanne Collins’s The Hunger Games : “It’s the First Gift That’s Always the Hardest to Pay Back”

Planning and Assessment of Activity Budget Studies Employing Instantaneous Sampling

Population Dynamics and Behavior of Bighorn Sheep with Infectious Keratoconjunctivitis

Surface Mining and Ecology of Desert Bighorn Sheep

“On the Porousness of Certain Borders”: Attending to Objects in David Foster Wallace’s Infinite Jest

Infectious Keratoconjunctivitis in Bighorn Sheep, Silver Bell Mountains, Arizona, USA

Birth Timing for Mountain Lions

Influence of topography and GPS fix interval on GPS collar performance

A Wildlife Biologist with Skin Lesions

INFLUENCE OF MINING ON BEHAVIOR OF BIGHORN SHEEP

MAXILLARY CANINES IN BIGHORN SHEEP

“The End of a Bright and Tranquil Summer”: Joshua Ferris’s Then We Came to the End and the Refusal of 9/11 Representations

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