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In Praise of Eclecticism: Relational Thinking and Theoretical Assemblage

Current musicology, 2018-03 (102), p.191-288

Monson, Ingrid

2018

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Blues People: Amiri Baraka as Social Theorist

The Black scholar, 2024-01, Vol.54 (1), p.43-49

Monson, Ingrid

2024

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Yusef Lateef’s Autophysiopsychic Quest

Daedalus (Cambridge, Mass.), 2019-04, Vol.148 (2), p.104-114

Monson, Ingrid

2019

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Music Analysis and the Dignity of African Music

Ghana studies, 2022, Vol.24 (1), p.76-81

Monson, Ingrid

2022

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Music Analysis and the Dignity of African Music

Ghana studies, 2021, Vol.24 (1), p.76-81

Monson, Ingrid

2021

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Jazz Transatlantic, Volume I: The African Undercurrent in Twentieth-Century Jazz CultureJazz Transatlantic, Volume II: Jazz Derivatives and Developments in Twentieth-Century Africa

Ethnomusicology, 2020-01, Vol.64 (1), p.167-171

Monson, Ingrid

2020

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On Ownership and Value: Response

Black music research journal, 2010-09, Vol.30 (2), p.375-378

Monson, Ingrid

2010

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Improvisation and Social Aesthetics

1, 2017

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Why Jazz Still Matters

Daedalus (Cambridge, Mass.), 2019-04, Vol.148 (2), p.5-12

2019

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Hearing, Seeing, and Perceptual Agency

Critical inquiry, 2008, Vol.34 (S2), p.S36-S58

Monson, Ingrid

2008

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Musical Echoes: South African Women Thinking in Jazz. Carol Ann Muller and Sathima Bea Benjamin. 2011. Durham, NC: Duke University Press. 348 pp

African music, 2012, Vol.9 (2), p.170-172

Monson, Ingrid

2012

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Hotter than That: The Trumpet, Jazz, and American Culture. By Krin Gabbard. New York: Faber and Faber, 2008

Journal of the Society for American Music, 2010-02, Vol.4 (1), p.98-100

Monson, Ingrid

2010

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From the American Civil Rights Movement to Mali: Reflections on Social Aesthetics and Improvisation

Improvisation and Social Aesthetics, 2020, p.78-90

2020

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FITTING THE PART

Big Ears, 2020, p.267-288

2020

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The Problem with White Hipness: Race, Gender, and Cultural Conceptions in Jazz Historical Discourse

Journal of the American Musicological Society, 1995-10, Vol.48 (3), p.396-422

Monson, Ingrid

1995

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On Serving as an Expert Witness in the ‘Blurred Lines’ Case

The Cambridge Companion to Music in Digital Culture, 2019, p.58-62

Monson, Ingrid

2019

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Riffs, Repetition, and Theories of Globalization

Ethnomusicology, 1999-01, Vol.43 (1), p.31-65

Monson, Ingrid

1999

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Improvisation and Social Aesthetics

2017

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ECCENTRIC, GIFTED, AND BLACK: THELONIOUS MONK REVEALED

Du Bois review, 2010-12, Vol.7 (2), p.381-402

2010

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ON OWNERSHIP AND VALUE/ON OWNERSHIP AND VALUE: RESPONSE/ON OWNERSHIP AND VALUE: RESPONSE/ON OWNERSHIP AND VALUE: RESPONSE

Black music research journal, 2010-10, Vol.30 (2), p.363

2010

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Doubleness and Jazz Improvisation: Irony, Parody, and Ethnomusicology

Critical inquiry, 1994-01, Vol.20 (2), p.283-313

Monson, Ingrid

1994

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An Interview with George Walker Mickey Thomas Terry

The Musical quarterly, 2000-10, Vol.84 (3), p.372

Monson, Ingrid

2000

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Forced Migration, Asymmetrical Power Relations and African-American Music: Reformulation of Cultural Meaning and Musical Form

World of music, 1990-01, Vol.32 (3), p.22-47

Monson, Ingrid T.

1990

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Monk Meets SNCC

Black music research journal, 1999-10, Vol.19 (2), p.187-200

Monson, Ingrid

1999

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Big Ears: Listening for Gender in Jazz Studies

2008

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In Praise of Eclecticism: Relational Thinking and Theoretical Assemblage

Blues People: Amiri Baraka as Social Theorist

Yusef Lateef’s Autophysiopsychic Quest

Music Analysis and the Dignity of African Music

Music Analysis and the Dignity of African Music

Jazz Transatlantic, Volume I: The African Undercurrent in Twentieth-Century Jazz CultureJazz Transatlantic, Volume II: Jazz Derivatives and Developments in Twentieth-Century Africa

On Ownership and Value: Response

Improvisation and Social Aesthetics

Why Jazz Still Matters

Hearing, Seeing, and Perceptual Agency

Musical Echoes: South African Women Thinking in Jazz. Carol Ann Muller and Sathima Bea Benjamin. 2011. Durham, NC: Duke University Press. 348 pp

Hotter than That: The Trumpet, Jazz, and American Culture. By Krin Gabbard. New York: Faber and Faber, 2008

From the American Civil Rights Movement to Mali: Reflections on Social Aesthetics and Improvisation

FITTING THE PART

The Problem with White Hipness: Race, Gender, and Cultural Conceptions in Jazz Historical Discourse

On Serving as an Expert Witness in the ‘Blurred Lines’ Case

Riffs, Repetition, and Theories of Globalization

Improvisation and Social Aesthetics

ECCENTRIC, GIFTED, AND BLACK: THELONIOUS MONK REVEALED

ON OWNERSHIP AND VALUE/ON OWNERSHIP AND VALUE: RESPONSE/ON OWNERSHIP AND VALUE: RESPONSE/ON OWNERSHIP AND VALUE: RESPONSE

Doubleness and Jazz Improvisation: Irony, Parody, and Ethnomusicology

An Interview with George Walker Mickey Thomas Terry

Forced Migration, Asymmetrical Power Relations and African-American Music: Reformulation of Cultural Meaning and Musical Form

Monk Meets SNCC

Big Ears: Listening for Gender in Jazz Studies

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