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Comedy and the Politics of Representation: Mocking the Weak

1, 2018

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“How is these kids meant to make it out the ghetto now?” Community cohesion and communities of laughter in British multicultural comedy

Journal of Commonwealth literature, 2018-06, Vol.53 (2), p.211-222

Ilott, Sarah

2018

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Generic frameworks and active readership in The Reluctant Fundamentalist

Journal of postcolonial writing, 2014-09, Vol.50 (5), p.571-583

Ilott, Sarah

2014

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British Asian diasporic writing: construction and representation of identities

South Asian Diaspora, 2017-01, Vol.9 (1), p.99-104

Ilott, Sarah

2017

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"We are here to speak the unspeakable": voicing abjection in Raj Kamal Jha's Fireproof

Journal of postcolonial writing, 2014-11, Vol.50 (6), p.664-674

Ilott, Sarah

2014

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Gender, sexuality and the body in comedy: performance, reiteration, resistance

Comedy studies, 2018-01, Vol.9 (1), p.2-5

2018

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Twenty-First-Century Gothic: An Edinburgh Companion

2019

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“Fragmenting and becoming double”: Supplementary twins and abject bodies in Helen Oyeyemi’s The Icarus Girl

Journal of Commonwealth literature, 2016-09, Vol.51 (3), p.402-415

2016

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The Edinburgh Companion to Gothic and the Arts

Punter, David

1, 2019

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Gothic and the Short Story: Revolutions in Form and Genre

The Edinburgh Companion to Gothic and the Arts, 2022, p.332-345

Ilott, Sarah

2022

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Postcolonial Gothic

Twenty-First-Century Gothic, 2022, p.17-32

Ilott, Sarah

2022

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Zadie Smith’s Narratives of the Absurd: A Social Vision Represented through Humor

Reading Contemporary Black British and African American Women Writers, 2020, p.161-177

1, 2020

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Postcolonial Gothic

Twenty-First-Century Gothic, 2019, p.19

2019

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Comic affiliations/comic subversions: The use of humour in contemporary British-Pakistani fiction

The Routledge Companion to Pakistani Anglophone Writing, 2019, Vol.1, p.94-105

Ilott, Sarah

1, 2019

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Subcultural Fiction and the Market for Multiculturalism

Popular Postcolonialisms, 2019, p.147-169

1, 2019

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British Multiculturalism, Romantic Comedy, and the Lie of Social Unification

Comedy and the Politics of Representation, 2018, p.61-77

2018

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Mocking the Weak? Contexts, Theories, Politics

Comedy and the Politics of Representation, 2018, p.1-24

2018

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Gothic Topographies: Language, Nation Building and ‘Race’

Modern Language Review, 2014, Vol.109 (4), p.1054-1056

Ilott, Sarah

2014

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Taking Liberties? Free Speech, Multiculturalism and the Ethics of Satire

Comedy and the Politics of Representation, 2018, p.25-41

2018

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Smile, Hitler? Nazism and Comedy in Popular Culture

Comedy and the Politics of Representation, 2018, p.223-240

2018

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POTUS Stand-Up: The White House Correspondents’ Dinner

Comedy and the Politics of Representation, 2018, p.241-256

2018

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Blackness and Banal Whiteness: Abjection and Identity in the Italian Christmas Comedy

Comedy and the Politics of Representation, 2018, p.99-115

2018

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From Terry and June to Terry and Julian: June Whitfield and the British Suburban Sitcom

Comedy and the Politics of Representation, 2018, p.137-152

2018

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Standing Up to False Binaries in Humour and Autism: A Dialogue

Comedy and the Politics of Representation, 2018, p.171-188

2018

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Theorising Post-Socialist Sitcom: Imported Form, Vernacular Humour and Taste Boundaries on the Global Periphery

Comedy and the Politics of Representation, 2018, p.205-222

2018

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Comedy and the Politics of Representation: Mocking the Weak

“How is these kids meant to make it out the ghetto now?” Community cohesion and communities of laughter in British multicultural comedy

Generic frameworks and active readership in The Reluctant Fundamentalist

British Asian diasporic writing: construction and representation of identities

"We are here to speak the unspeakable": voicing abjection in Raj Kamal Jha's Fireproof

Gender, sexuality and the body in comedy: performance, reiteration, resistance

Twenty-First-Century Gothic: An Edinburgh Companion

“Fragmenting and becoming double”: Supplementary twins and abject bodies in Helen Oyeyemi’s The Icarus Girl

The Edinburgh Companion to Gothic and the Arts

Gothic and the Short Story: Revolutions in Form and Genre

Postcolonial Gothic

Zadie Smith’s Narratives of the Absurd: A Social Vision Represented through Humor

Postcolonial Gothic

Comic affiliations/comic subversions: The use of humour in contemporary British-Pakistani fiction

Subcultural Fiction and the Market for Multiculturalism

British Multiculturalism, Romantic Comedy, and the Lie of Social Unification

Mocking the Weak? Contexts, Theories, Politics

Gothic Topographies: Language, Nation Building and ‘Race’

Taking Liberties? Free Speech, Multiculturalism and the Ethics of Satire

Smile, Hitler? Nazism and Comedy in Popular Culture

POTUS Stand-Up: The White House Correspondents’ Dinner

Blackness and Banal Whiteness: Abjection and Identity in the Italian Christmas Comedy

From Terry and June to Terry and Julian: June Whitfield and the British Suburban Sitcom

Standing Up to False Binaries in Humour and Autism: A Dialogue

Theorising Post-Socialist Sitcom: Imported Form, Vernacular Humour and Taste Boundaries on the Global Periphery

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