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The Routledge Companion to Indigenous Art Histories in the United States and Canada

1, 2023

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Curating Inuit Qaujimajatuqangit: Inuit Knowledge in the Qallunaat Art Museum

Art journal (New York. 1960), 2017-04, Vol.76 (2), p.100-113

Igloliorte, Heather

2017

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Ko Te Moananui-a-Kiwa te wāhi whakarahi. The Pacific Ocean Joins Us All

Australian and New Zealand journal of art, 2023-07, Vol.23 (2), p.133-135

2023

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Tilllutarniit: History, Land and Resilience in Inuit Film and Video

Public (Toronto), 2016-12, Vol.27 (54), p.104-109

Igloliorte, Heather

2016

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Continuities Between Eras: Indigenous Art Histories

RACAR, 2017-07, Vol.42 (2), p.5

2017

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INTRODUCTION: Continuities Between Eras: Indigenous Art Histories / INTRODUCTION: Continuité entre les époques: histoires des arts autochtones

RACAR, 2017-01, Vol.42 (2), p.5-12

2017

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Introduction: Continuities Between Eras: Indigenous Art Histories

RACAR, 2017, Vol.42 (2), p.5-12

2017

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Introduction: Continuities Between Eras: Indigenous Art Histories

RACAR, 2017, Vol.42 (2), p.5

2017

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Critical Museum Theory/Museum Studies in Canada: A Conversation

Acadiensis (Fredericton), 2017-07, Vol.46 (2), p.223-241

2017

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Critical Museum Theory/Museum Studies in Canada: A Conversatsion

Acadiensis (Fredericton), 2017-10, Vol.46 (2), p.223-241

2017

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Transmissions: The Future Possibilities of Indigenous Digital and New Media Art

Public (Toronto), 2016-12, Vol.27 (54), p.5-13

2016

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Foregrounding Pivalliatitsinik/Piggautigijaunikkut: Indigenous Mentorship in Creative Spaces

The Routledge Companion to Indigenous Art Histories in the United States and Canada, 2023, p.389-401

1, 2023

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Shifting the Paradigm of Art History: A Multi-sited Indigenous Approach

The Routledge Companion to Indigenous Art Histories in the United States and Canada, 2023, p.42-52

1, 2023

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Balancing Curatorial Indigenous and Queer Belonging: In Conversation with Artist and Curator Adrian Stimson (Blackfoot Siksika Nation)

The Routledge Companion to Indigenous Art Histories in the United States and Canada, 2023, p.103-114

1, 2023

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TWO “Hooked Forever on Primitive Peoples”: James Houston and the Transformation of “Eskimo Handicrafts” to Inuit Art

Mapping Modernisms, 2020, p.62-90

2020

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Telling the Stories of Objects in Museum Collections: Some Thoughts and Approaches

The Routledge Companion to Indigenous Art Histories in the United States and Canada, 2023, p.296-306

1, 2023

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"The Words You Choose are Purposeful": On Inuit Writing and Editing

The Routledge Companion to Indigenous Art Histories in the United States and Canada, 2023, p.352-361

1, 2023

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Alaska Native Artistic Reclamation and the Persistence of Indigenous Aesthetics

The Routledge Companion to Indigenous Art Histories in the United States and Canada, 2023, p.381-388

1, 2023

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Frontrunners as an Exploration of Indigenous Littoral Curation

The Routledge Companion to Indigenous Art Histories in the United States and Canada, 2023, p.180-188

1, 2023

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Indigenous Curation in LA: The People's Home: Winston Street 1974

The Routledge Companion to Indigenous Art Histories in the United States and Canada, 2023, p.159-170

1, 2023

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Overclock Our Imagination: Mapping the Indigenous Future Imaginary

The Routledge Companion to Indigenous Art Histories in the United States and Canada, 2023, p.64-75

1, 2023

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There are No Metaphors: A Proposal for Dreaming Indigenous Philosophies into Studio Arts Education

The Routledge Companion to Indigenous Art Histories in the United States and Canada, 2023, p.223-232

1, 2023

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A Manifesto of Close Encounters

The Routledge Companion to Indigenous Art Histories in the United States and Canada, 2023, p.76-82

1, 2023

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Art, Visual Sovereignty and Pushing Perceptions

The Routledge Companion to Indigenous Art Histories in the United States and Canada, 2023, p.21-29

1, 2023

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Writing and Sharing Our Art Histories: Storying Histories of Art: Activating the Visual

The Routledge Companion to Indigenous Art Histories in the United States and Canada, 2023, p.333-342

1, 2023

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The Routledge Companion to Indigenous Art Histories in the United States and Canada

Curating Inuit Qaujimajatuqangit: Inuit Knowledge in the Qallunaat Art Museum

Ko Te Moananui-a-Kiwa te wāhi whakarahi. The Pacific Ocean Joins Us All

Tilllutarniit: History, Land and Resilience in Inuit Film and Video

Continuities Between Eras: Indigenous Art Histories

INTRODUCTION: Continuities Between Eras: Indigenous Art Histories / INTRODUCTION: Continuité entre les époques: histoires des arts autochtones

Introduction: Continuities Between Eras: Indigenous Art Histories

Introduction: Continuities Between Eras: Indigenous Art Histories

Critical Museum Theory/Museum Studies in Canada: A Conversation

Critical Museum Theory/Museum Studies in Canada: A Conversatsion

Transmissions: The Future Possibilities of Indigenous Digital and New Media Art

Foregrounding Pivalliatitsinik/Piggautigijaunikkut: Indigenous Mentorship in Creative Spaces

Shifting the Paradigm of Art History: A Multi-sited Indigenous Approach

Balancing Curatorial Indigenous and Queer Belonging: In Conversation with Artist and Curator Adrian Stimson (Blackfoot Siksika Nation)

TWO “Hooked Forever on Primitive Peoples”: James Houston and the Transformation of “Eskimo Handicrafts” to Inuit Art

Telling the Stories of Objects in Museum Collections: Some Thoughts and Approaches

"The Words You Choose are Purposeful": On Inuit Writing and Editing

Alaska Native Artistic Reclamation and the Persistence of Indigenous Aesthetics

Frontrunners as an Exploration of Indigenous Littoral Curation

Indigenous Curation in LA: The People's Home: Winston Street 1974

Overclock Our Imagination: Mapping the Indigenous Future Imaginary

There are No Metaphors: A Proposal for Dreaming Indigenous Philosophies into Studio Arts Education

A Manifesto of Close Encounters

Art, Visual Sovereignty and Pushing Perceptions

Writing and Sharing Our Art Histories: Storying Histories of Art: Activating the Visual

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