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Slanted Truths in the "Oblique Light" of Jon Krakauer's Into the Wild

Auto/biography studies, 2021-05, Vol.36 (2), p.393-414

Hustis, Harriet

2021

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Understanding McCloud: (En)Countering Closure in the Context of Trauma

Inks (Columbus, Ohio : 2017), 2022-09, Vol.6 (3), p.348-356

Hustis, Harriet

2022

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"A Different Story Entirely": Crafting Confessions in Capote's In Cold Blood and Atwood's Alias Grace

Literature, interpretation, theory, 2018-07, Vol.29 (3), p.179-196

Hustis, Harriet

2018

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The Art of Indifference in Shalamov’s Kolyma Tales

The Russian review (Stanford), 2017-10, Vol.76 (4), p.732-747

2017

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"Universal Mixing" and Interpenetrating Standing: Disability and Community in Melville's Moby-Dick

Nineteenth-century literature, 2014-06, Vol.69 (1), p.26-55

Hustis, Harriet

2014

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“Universal Mixing” and Interpenetrating Standing

Nineteenth-century literature, 2014-06, Vol.69 (1), p.26-55

Hustis, Harriet

2014

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“Universal Mixing” and Interpenetrating Standing: Disability and Community in Melville’sMoby-Dick

Nineteenth-century literature, 2014-06, Vol.69 (1), p.26-55

Hustis, Harriet

2014

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The Starving Artist: Life, Death, and the Role of the Storyteller in Varlam Shalamov's "the Snake Charmer" and "Cherry Brandy"

Slavic and East European journal, 2014-09, Vol.58 (3), p.465-481

2014

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THE STARVING ARTIST: LIFE, DEATH, AND THE ROLE OF THE STORYTELLER IN VARLAM SHALAMOV'S "THE SNAKE CHARMER" AND "CHERRY BRANDY"

Slavic and East European journal, 2014-10, Vol.58 (3), p.465-481

2014

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Hyding Nietzsche in Robert Louis Stevenson's Gothic of Philosophy

Studies in English literature, 1500-1900, 2009-10, Vol.49 (4), p.993-1007

Hustis, Harriet

2009

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The Architecture of Immersive Writing: Sites of (Self-)Scrutiny in Ted Conover's Newjack: Guarding Sing Sing

Literary Journalism Goes Inside Prison, 2024, p.93-107

1, 2024

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Falling for Dante: The "Inferno" in Albert Camus's "La chute"

Mosaic (Winnipeg), 2007-12, Vol.40 (4), p.1-16

HUSTIS, HARRIET

2007

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Time Will Tell: (Re)Reading the Seductive Simulacra of Nabokov's Lolita

Studies in American fiction, 2007-03, Vol.35 (1), p.89-111

Hustis, Harriet

2007

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Responsible Creativity and the "Modernity" of Mary Shelley's Prometheus

Studies in English literature, 1500-1900, 2003-10, Vol.43 (4), p.845-858

Hustis, Harriet

2003

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Deliberate Unknowing and Strategic Retelling: The Ravages of Cultural Desire in Charles Brockden Brown's Edgar Huntly

Studies in American fiction, 2003-03, Vol.31 (1), p.101-120

Hustis, Harriet

2003

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BLACK AND WHITE AND READ ALL OVER: PERFORMATIVE TEXTUALITY IN BRAM STOKER'S "DRACULA"

Studies in the novel, 2001-04, Vol.33 (1), p.18-33

HUSTIS, HARRIET

2001

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"Three rooms off";: Death and the reader in Tolstoy's The Death of Ivan Ilych

Literature, interpretation, theory, 2000-03, Vol.11 (3), p.261-275

Hustis, Harriet

2000

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Masculinity as/in comic performance in As I Lay Dying and The Sound and the Fury

The Faulkner journal, 2000-10, Vol.15 (1/2), p.107

Hustis, Harriet

2000

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Masculinity As/In Comic Performance in "As I Lay Dying" and "The Sound and The Fury"

The Faulkner journal, 1999-10, Vol.15 (1/2), p.107-123

Hustis, Harriet

1999

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'Reading Encrypted But Persistent': The Gothic of Reading and Poe's 'The Fall Of The House Of Usher'

Studies in American fiction, 1999-04, Vol.27 (1), p.3-20

Hustis, Harriet

1999

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The Tangled Webs We Weave: Faulkner Scholarship and the Significance of Addie Bundren's Monologue

The Faulkner journal, 1996-10, Vol.12 (1), p.3-21

Hustis, Harriet

1996

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Wicked Tongues and Alternative Lifestyles: Lyudmila, Peredonov and the Role of Language in Sologub's The Petty Demon

Slavic and East European journal, 1996-12, Vol.40 (4), p.632-648

Hustis, Harriet

1996

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Pregnant pauses and hanging fire: The communicative function of silence in twentieth century French and American literature

Hustis, Harriet Elizabeth

1993

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Writing Women's Communities: The Politics and Poetics of Contemporary Multi-Genre Anthologies

Transformations, 1998, Vol.9 (2), p.295-297

Hustis, Harriet

1998

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Slanted Truths in the "Oblique Light" of Jon Krakauer's Into the Wild

Understanding McCloud: (En)Countering Closure in the Context of Trauma

"A Different Story Entirely": Crafting Confessions in Capote's In Cold Blood and Atwood's Alias Grace

The Art of Indifference in Shalamov’s Kolyma Tales

"Universal Mixing" and Interpenetrating Standing: Disability and Community in Melville's Moby-Dick

“Universal Mixing” and Interpenetrating Standing

“Universal Mixing” and Interpenetrating Standing: Disability and Community in Melville’sMoby-Dick

The Starving Artist: Life, Death, and the Role of the Storyteller in Varlam Shalamov's "the Snake Charmer" and "Cherry Brandy"

THE STARVING ARTIST: LIFE, DEATH, AND THE ROLE OF THE STORYTELLER IN VARLAM SHALAMOV'S "THE SNAKE CHARMER" AND "CHERRY BRANDY"

Hyding Nietzsche in Robert Louis Stevenson's Gothic of Philosophy

The Architecture of Immersive Writing: Sites of (Self-)Scrutiny in Ted Conover's Newjack: Guarding Sing Sing

Falling for Dante: The "Inferno" in Albert Camus's "La chute"

Time Will Tell: (Re)Reading the Seductive Simulacra of Nabokov's Lolita

Responsible Creativity and the "Modernity" of Mary Shelley's Prometheus

Deliberate Unknowing and Strategic Retelling: The Ravages of Cultural Desire in Charles Brockden Brown's Edgar Huntly

BLACK AND WHITE AND READ ALL OVER: PERFORMATIVE TEXTUALITY IN BRAM STOKER'S "DRACULA"

"Three rooms off";: Death and the reader in Tolstoy's The Death of Ivan Ilych

Masculinity as/in comic performance in As I Lay Dying and The Sound and the Fury

Masculinity As/In Comic Performance in "As I Lay Dying" and "The Sound and The Fury"

'Reading Encrypted But Persistent': The Gothic of Reading and Poe's 'The Fall Of The House Of Usher'

The Tangled Webs We Weave: Faulkner Scholarship and the Significance of Addie Bundren's Monologue

Wicked Tongues and Alternative Lifestyles: Lyudmila, Peredonov and the Role of Language in Sologub's The Petty Demon

Pregnant pauses and hanging fire: The communicative function of silence in twentieth century French and American literature

Writing Women's Communities: The Politics and Poetics of Contemporary Multi-Genre Anthologies

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