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Tourism Art and Souvenirs: The material culture of tourism

Hume, David L.

1, 2014

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The development of tourist art and souvenirs - the arc of the boomerang: from hunting, fighting and ceremony to tourist souvenir

The international journal of tourism research, 2009-01, Vol.11 (1), p.55-70

Hume, David L.

2009

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Tourism art and souvenirs: the material culture of tourism

Hume, David L

2014

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Wunderkammer 02 : An Exhibition of Art, Craft and Souvenirs from World Heritage Sites in Tasmania and Far North Queensland

Current issues in tourism, 2004-10, Vol.7 (4-5), p.449-455

Hume, David L.

2004

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Tableware Wear Where?

Ceramics, Art and Perception, 2018-11 (110), p.24

Hume, David L

2018

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America Pinched and Pulled: Jenn Brazelton

Ceramics, Art and Perception, 2016-09 (104), p.100-103

Hume, David L

2016

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Wu Song: The Age of Plastic

Ceramics, Art and Perception, 2013-03 (91), p.8

Hume, David L

2013

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Touch: An Independent Review of an Exhibition by Sara Wright and Peter Battaglene

Ceramics, Art and Perception, 2009 (77), p.22

Hume, David L

2009

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The peasants are coming - soul collection gallery, factory 798

Ceramics, Art and Perception, 2006-01 (65), p.57

Hume, David

2006

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Contexts of display: Tourist art in recent museogallery exhibitions

Tourism Art and Souvenirs, 2014, p.84-120

Hume, David L.

1, 2014

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The European collection of 'Other' cultures: A historical structure from which to assess tourist art and souvenirs

Tourism Art and Souvenirs, 2014, p.11-20

Hume, David L.

1, 2014

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The language of souvenirs: Three discrete groups - the Sampled, Crafted and Representative

Tourism Art and Souvenirs, 2014, p.121-174

Hume, David L.

1, 2014

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Souvenirs and the anthropological gaze: The study and reception of souvenirs over the last half century

Tourism Art and Souvenirs, 2014, p.21-49

Hume, David L.

1, 2014

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The souvenir and the fetish

Tourism Art and Souvenirs, 2014, p.50-83

Hume, David L.

1, 2014

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City of Hobart Art Prize: Tasmanian Museum and Art Gallery

Ceramics, Art and Perception, 2019-01 (111), p.70-73

Hume, David L

2019

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Introduction

Tourism Art and Souvenirs, 2014, p.1-10

Hume, David L.

1, 2014

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Conclusion

Tourism Art and Souvenirs, 2014, p.175-177

Hume, David L.

1, 2014

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Turn Turn Turn: The Studio Ceramics Tradition at the National Art School, Sydney, Australia

Ceramics, Art and Perception, 2016-09 (104), p.62-67

Hume, David L

2016

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Three Nudes: Spring Palace Painting

Ceramics, Art and Perception, 2005-01 (62), p.58

Hume, David L

2005

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Tourism art and souvenirs: the material culture of tourism

Canadian geographer, 2015, Vol.59 (2), p.47-47

2015

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The Freedom to Trade: AGRICULTURE IS AMERICA'S LARGEST BUSINESS

Vital speeches of the day, 1977-02, Vol.43 (8), p.244

Hume, David L

1977

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Prospects and Problems for U.S. Farm Trade

AgExporter (Washington, D.C.), 1976-11, Vol.14 (48), p.5

Hume, David L

1976

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Ceramic Sculpture: Fifth Biennial Ceramic Art Exhibition at the China Art Academy, Hangzhou

Ceramics, Art and Perception, 2008 (70), p.62

Hume, David L

2008

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Foreign Market Access Vital Concern to U.S. Agriculture

AgExporter (Washington, D.C.), 1976-08, Vol.14 (34), p.2

Hume, David L

1976

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U.S. Agricultural Exports - "a National Asset"

AgExporter (Washington, D.C.), 1975-11, Vol.13 (47), p.2

Hume, David L

1975

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Tourism Art and Souvenirs: The material culture of tourism

The development of tourist art and souvenirs - the arc of the boomerang: from hunting, fighting and ceremony to tourist souvenir

Tourism art and souvenirs: the material culture of tourism

Wunderkammer 02 : An Exhibition of Art, Craft and Souvenirs from World Heritage Sites in Tasmania and Far North Queensland

Tableware Wear Where?

America Pinched and Pulled: Jenn Brazelton

Wu Song: The Age of Plastic

Touch: An Independent Review of an Exhibition by Sara Wright and Peter Battaglene

The peasants are coming - soul collection gallery, factory 798

Contexts of display: Tourist art in recent museogallery exhibitions

The European collection of 'Other' cultures: A historical structure from which to assess tourist art and souvenirs

The language of souvenirs: Three discrete groups - the Sampled, Crafted and Representative

Souvenirs and the anthropological gaze: The study and reception of souvenirs over the last half century

The souvenir and the fetish

City of Hobart Art Prize: Tasmanian Museum and Art Gallery

Introduction

Conclusion

Turn Turn Turn: The Studio Ceramics Tradition at the National Art School, Sydney, Australia

Three Nudes: Spring Palace Painting

Tourism art and souvenirs: the material culture of tourism

The Freedom to Trade: AGRICULTURE IS AMERICA'S LARGEST BUSINESS

Prospects and Problems for U.S. Farm Trade

Ceramic Sculpture: Fifth Biennial Ceramic Art Exhibition at the China Art Academy, Hangzhou

Foreign Market Access Vital Concern to U.S. Agriculture

U.S. Agricultural Exports - "a National Asset"

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