UB Paderborn / Katalog / Suche / in CDI

On Watery Borders, Borderlands, and Tania Kovats’ Head to Mouth

Arts (Basel), 2019-09, Vol.8 (3), p.104

Holt, Ysanne

2019

Volltextzugriff (PDF)

Visual Culture in the Northern British Archipelago: Imagining Islands

1st, 2018

Volltextzugriff (PDF)

Introduction: Layered Landscapes

Arts (Basel), 2020-03, Vol.9 (1), p.31

2020

Volltextzugriff (PDF)

Performing the Anglo-Scottish Border: Cultural Landscapes, Heritage and Borderland Identities

Journal of borderlands studies, 2018-01, Vol.33 (1), p.53-68

Holt, Ysanne

2018

Volltextzugriff (PDF)

Sally Madge: acts of reclamation and renewal between site, studio, archive and gallery

Journal of visual art practice, 2022-07, Vol.21 (3), p.259-281

2022

Volltextzugriff (PDF)

A hut on Holy Island: reframing northern landscape

Visual studies (Abingdon, England), 2013-11, Vol.28 (3), p.218-226

Holt, Ysanne

2013

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New York, London, Ireland: Collector John Quinn's Transatlantic Network, c. 1900-1917

Visual culture in Britain, 2013-03, Vol.14 (1), p.55-67

Holt, Ysanne

2013

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Northern peripheries

Visual studies (Abingdon, England), 2013-11, Vol.28 (3), p.203-206

2013

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Rural Modernity in Britain: A Critical Intervention

2017

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Introduction

Visual culture in Britain, 2010-11, Vol.11 (3), p.323-327

Holt, Ysanne

2010

Volltextzugriff (PDF)

Introduction

Visual culture in Britain, 2010-11, Vol.11 (3), p.323-327

Holt, Ysanne

2010

Volltextzugriff (PDF)

Dark skies in southern Scotland and northern England: Border-crossing sites for creative experiment and envisioning connectedness

Dark Skies, 2024, p.53-65

1, 2024

Volltextzugriff (PDF)

Borderlands: Visual and Material Culture in the Interwar Anglo-Scottish Borders

Rural Modernity in Britain, 2022, p.165-186

Holt, Ysanne

2022

Volltextzugriff (PDF)

Marketing Bohemia: The Chenil Gallery in Chelsea, 1905-1926

Oxford art journal, 2010-01, Vol.33 (1), p.45-61

2010

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Rethinking place at the border through the LYC Museum and Art Gallery

The Routledge Handbook of Place, 2020, p.66-74

1, 2020

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Introduction: Visual Culture and Taste in Late-Victorian and Edwardian Britain

Visual culture in Britain, 2005-07, Vol.6 (2), p.1

Holt, Ysanne

2005

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Eddie Marsh: a Picture-Collector's 'Lust for Possession'

Visual culture in Britain, 2005-07, Vol.6 (2), p.125

Holt, Ysanne

2005

Volltextzugriff (PDF)

Bacon Reframed: A themed issue on Francis Bacon

Visual culture in Britain, 2009-12, Vol.10 (3), p.223-226

2009

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'The veriest poem of art in nature': E.A. Hornel's Japanese garden in the Scottish borders

Tate papers, 2004-09 (2), p.np-np

Holt, Ysanne

2004

Volltextzugriff (PDF)

Marketing Bohemia: The Chenil Gallery in Chelsea, 1905–1926

Oxford art journal, 2010-03, Vol.33 (1), p.43-61

2010

Volltextzugriff (PDF)

Islandness and Visual Culture between the Wars

Visual Culture in the Northern British Archipelago, 2018, Vol.1, p.11-29

1, 2018

Volltextzugriff (PDF)

The Case of F. C. B. Cadell: Periodisation, Taste and Professional Identity

Edwardian Culture, 2018, Vol.1, p.92-114

1, 2018

Volltextzugriff (PDF)

Augustus John: anti-tourism and the landscape, health and distinction

Visual culture in Britain, 2003-01, Vol.4 (1), p.45-63

Holt, Ysanne

2003

Volltextzugriff (PDF)

Borderlands: Visual and Material Culture in the Interwar Anglo-Scottish Borders

Rural Modernity in Britain, 2017, p.167

2017

Volltextzugriff (PDF)

London Types

London journal, 2000, Vol.25 (1), p.34-51

Holt, Ysanne

2000

Volltextzugriff (PDF)

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On Watery Borders, Borderlands, and Tania Kovats’ Head to Mouth

Visual Culture in the Northern British Archipelago: Imagining Islands

Introduction: Layered Landscapes

Performing the Anglo-Scottish Border: Cultural Landscapes, Heritage and Borderland Identities

Sally Madge: acts of reclamation and renewal between site, studio, archive and gallery

A hut on Holy Island: reframing northern landscape

New York, London, Ireland: Collector John Quinn's Transatlantic Network, c. 1900-1917

Northern peripheries

Rural Modernity in Britain: A Critical Intervention

Introduction

Introduction

Dark skies in southern Scotland and northern England: Border-crossing sites for creative experiment and envisioning connectedness

Borderlands: Visual and Material Culture in the Interwar Anglo-Scottish Borders

Marketing Bohemia: The Chenil Gallery in Chelsea, 1905-1926

Rethinking place at the border through the LYC Museum and Art Gallery

Introduction: Visual Culture and Taste in Late-Victorian and Edwardian Britain

Eddie Marsh: a Picture-Collector's 'Lust for Possession'

Bacon Reframed: A themed issue on Francis Bacon

'The veriest poem of art in nature': E.A. Hornel's Japanese garden in the Scottish borders

Marketing Bohemia: The Chenil Gallery in Chelsea, 1905–1926

Islandness and Visual Culture between the Wars

The Case of F. C. B. Cadell: Periodisation, Taste and Professional Identity

Augustus John: anti-tourism and the landscape, health and distinction

Borderlands: Visual and Material Culture in the Interwar Anglo-Scottish Borders

London Types

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