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The Western in the Global South

1, 2015

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The ghostly matter of asylum in Kivu Ruhorahoza’s A Tree Has Fallen (Europa)

Tydskrif vir letterkunde, 2019-01, Vol.56 (1), p.24-37

Higgins, MaryEllen

2019

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What is in the draft: A reflection on precarity in Kivu Ruhorahoza’s Europa: ‘Based on a True Story

Empedocles : European journal for the philosophy of communication, 2022-06, Vol.13 (1), p.11-24

Higgins, MaryEllen

2022

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African Cinema and Human Rights edited by Mette Hjort and Eva Jørholt

Film quarterly, 2019-12, Vol.73 (2), p.112-113

Higgins, MaryEllen

2019

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The Winds of African Cinema

African studies review, 2015-12, Vol.58 (3), p.77-92

Higgins, MaryEllen

2015

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Sékou Traoré, director. L’oeil du cyclone (Eye of the Storm). 2015. 104 minutes. French. Burkina Faso. Les Films d’Avalon, Abissia Productions, Vynavy. No price reported

African studies review, 2016-12, Vol.59 (3), p.320-322

Higgins, MaryEllen

2016

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L’oeil du cyclone (Eye of the Storm) by Sékou Traoré (review)

African studies review, 2016, Vol.59 (3), p.320-322

Higgins, MaryEllen

2016

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Sara Blecher, director. Ayanda. 2015. 109minutes. Sesotho, Zulu, and English, with English subtitles. South Africa. Restless Distribution. No price reported

African studies review, 2015-12, Vol.58 (3), p.279-281

Higgins, MaryEllen

2015

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Miguel Llansó, director. Crumbs. 2015. 68minutes. Amharic with English subtitles. Spain, Ethiopia. Lanzadera Films, Indiepix. No price reported

African studies review, 2015-12, Vol.58 (3), p.283-285

Higgins, MaryEllen

2015

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David Constantin, director. Lonbraz Kann (Sugarcane Shadows). 2014. 88minutes. Mauritian Creole with English subtitles. Mauritius. Caméléon Production. No price reported

African studies review, 2015-12, Vol.58 (3), p.281-283

Higgins, MaryEllen

2015

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Lonbraz Kann (Sugarcane Shadows) dir. by David Constantin (review)

African studies review, 2015, Vol.58 (3), p.281-283

Higgins, MaryEllen

2015

Volltextzugriff (PDF)

Crumbs dir. by Miguel Llansó (review)

African studies review, 2015, Vol.58 (3), p.283-285

Higgins, MaryEllen

2015

Volltextzugriff (PDF)

Ayanda dir. by Sara Blecher (review)

African studies review, 2015, Vol.58 (3), p.279-281

Higgins, MaryEllen

2015

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Introduction

Journal of the African Literature Association, 2017-09, Vol.11 (3), p.259-262

2017

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Introduction

Journal of the African Literature Association, 2017-09, Vol.11 (3), p.259-262

2017

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Representing Past Futures: Approaches to Reading Alex Rivera’s Sleep Dealer Today

Comparative literature studies (Urbana), 2023-08, Vol.60 (3), p.578-605

2023

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Introduction

Journal of the African Literature Association, 2017-01, Vol.11 (3), p.259-262

2017

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Transnational, Transcultural Feminisms? Amma Darko's Response in "Beyond the Horizon"

Tulsa studies in women's literature, 2006-10, Vol.25 (2), p.307-322

Higgins, MaryEllen

2006

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At the Intersection of Trauma, Precarity, and African Cinema

A Companion to African Cinema, 2018, p.89-111

2018

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Introduction

Journal of the African Literature Association, 2017-12, Vol.11 (3), p.259-262

2017

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Creating an Alternative Library: Amma Darko Interviewed by Ellie Higgins

Journal of Commonwealth literature, 2004-06, Vol.39 (2), p.111-120

Higgins, Ellie

2004

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Trashing the Western's Revenge Narrative in Mahamat-Saleh Haroun's Daratt

The Western in the Global South, 2015, p.96-109

1, 2015

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Questions of apprenticeship in African and Caribbean narratives: Gender, journey, and development

Higgins, MaryEllen

2001

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The Italian (Southern) Western: From colonial cinema to spaghetti western

The Western in the Global South, 2015, p.42-59

1, 2015

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Introduction: The Western in the Global South

The Western in the Global South, 2015, p.1-8

1, 2015

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The Western in the Global South

The ghostly matter of asylum in Kivu Ruhorahoza’s A Tree Has Fallen (Europa)

What is in the draft: A reflection on precarity in Kivu Ruhorahoza’s Europa: ‘Based on a True Story

African Cinema and Human Rights edited by Mette Hjort and Eva Jørholt

The Winds of African Cinema

Sékou Traoré, director. L’oeil du cyclone (Eye of the Storm). 2015. 104 minutes. French. Burkina Faso. Les Films d’Avalon, Abissia Productions, Vynavy. No price reported

L’oeil du cyclone (Eye of the Storm) by Sékou Traoré (review)

Sara Blecher, director. Ayanda. 2015. 109minutes. Sesotho, Zulu, and English, with English subtitles. South Africa. Restless Distribution. No price reported

Miguel Llansó, director. Crumbs. 2015. 68minutes. Amharic with English subtitles. Spain, Ethiopia. Lanzadera Films, Indiepix. No price reported

David Constantin, director. Lonbraz Kann (Sugarcane Shadows). 2014. 88minutes. Mauritian Creole with English subtitles. Mauritius. Caméléon Production. No price reported

Lonbraz Kann (Sugarcane Shadows) dir. by David Constantin (review)

Crumbs dir. by Miguel Llansó (review)

Ayanda dir. by Sara Blecher (review)

Introduction

Introduction

Representing Past Futures: Approaches to Reading Alex Rivera’s Sleep Dealer Today

Introduction

Transnational, Transcultural Feminisms? Amma Darko's Response in "Beyond the Horizon"

At the Intersection of Trauma, Precarity, and African Cinema

Introduction

Creating an Alternative Library: Amma Darko Interviewed by Ellie Higgins

Trashing the Western's Revenge Narrative in Mahamat-Saleh Haroun's Daratt

Questions of apprenticeship in African and Caribbean narratives: Gender, journey, and development

The Italian (Southern) Western: From colonial cinema to spaghetti western

Introduction: The Western in the Global South

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