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Dissonance in metal music: Musical and sociocultural reasons for metal’s appreciation of dissonance

Metal music studies, 2022-09, Vol.8 (3), p.351-379

2022

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Lorna Shore’s ‘To the Hellfire’: A study in heaviness

Metal music studies, 2023-06, Vol.9 (2), p.189-213

2023

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From Bach to Helloween: ‘Teutonic’ stereotypes in the history of popular music and heavy metal

Metal music studies, 2020-03, Vol.6 (1), p.87-108

Herbst, Jan-Peter

2020

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Early Rehabilitation Feasibility in a COVID-19 ICU

Chest, 2021-12, Vol.160 (6), p.2146-2148

2021

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Harmonic structures in twenty-first-century metal music: A harmonic analysis of five major metal genres

Metal music studies, 2023-03, Vol.9 (1), p.27-58

2023

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Keeper of the Seven Keys: Audio heritage in metal music production

Metal music studies, 2022-03, Vol.8 (1), p.109-126

Herbst, Jan-Peter

2022

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Culture-specific production and performance characteristics: An interview study with ‘Teutonic’ metal producers

Metal music studies, 2021-09, Vol.7 (3), p.445-467

Herbst, Jan-Peter

2021

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Metal music studies at the intersection of theory and practice

Metal music studies, 2021-09, Vol.7 (3), p.351-356

2021

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Distortion and Rock Guitar Harmony: The Influence of Distortion Level and Structural Complexity on Acoustic Features and Perceived Pleasantness of Guitar Chords

Music perception, 2019-04, Vol.36 (4), p.335-352

Herbst, Jan-Peter

2019

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Recording studios as museums? Record producers’ perspectives on German rock studios and accounts of their heritage practice

Popular music, 2021-02, Vol.40 (1), p.91-113

Herbst, Jan-Peter

2021

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Guitar profiling technology in metal music production: Public reception, capability, consequences and perspectives

Metal music studies, 2018-09, Vol.4 (3), p.481-506

2018

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What is "Heavy" in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers

Popular music and society, 2022-10, Vol.45 (5), p.633-653

2022

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The Politics of Rammstein’s Sound: Decoding a Production Aesthetic

Journal of popular music studies, 2021-06, Vol.33 (2), p.51-76

Herbst, Jan-Peter

2021

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Nail the Mix: Standardization in Mixing Metal Music?

Popular music and society, 2021-10, Vol.44 (5), p.628-649

2021

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Toward a Systematic Understanding of "Heaviness" in Metal Music Production

Rock music studies, 2023-01, Vol.10 (1), p.16-37

2023

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“I Just Go with What Feels Right”. Variance and Commonality in Metal Music Mixing Practice

El oído pensante, 2023-03, Vol.11 (1), p.4

2023

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(No?) Adventures in Recording Land: Engineering Conventions in Metal Music

Rock music studies, 2022-05, Vol.9 (2), p.137-156

2022

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The Work Realities of Professional Studio Musicians in the German Popular Music Recording Industry: Careers, Practices and Economic Situations

IASPM@journal, 2018-12, Vol.8 (2), p.18-37

Herbst, Jan Peter

2018

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The formation of the West German power metal scene and the question of a ‘Teutonic’ sound

Metal music studies, 2019-06, Vol.5 (2), p.201-223

Herbst, Jan-Peter

2019

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Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures

Metal music studies, 2018-03, Vol.4 (1), p.95-113

Herbst, Jan-Peter

2018

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Old sounds with new technologies? Examining the creative potential of guitar ‘profiling’ technology and the future of metal music from producers’ perspectives

Metal music studies, 2019-03, Vol.5 (1), p.53-69

Herbst, Jan-Peter

2019

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Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music

Metal music studies, 2017-03, Vol.3 (1), p.23-46

Herbst, Jan-Peter

2017

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Rhythm and booze: contesting leisure mobilities on the Transpennine Real Ale Trail

Mobilities, 2021-05, Vol.16 (3), p.322-338

2021

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Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos

Metal music studies, 2017-06, Vol.3 (2), p.231-250

Herbst, Jan-Peter

2017

Volltextzugriff (PDF)

Empirical Explorations of Guitar Players’ Attitudes Towards Their Equipment and the Role of Distortion in Rock Music

Current musicology, 2020-03 (105)

Jan-Peter Herbst

2020

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Dissonance in metal music: Musical and sociocultural reasons for metal’s appreciation of dissonance

Lorna Shore’s ‘To the Hellfire’: A study in heaviness

From Bach to Helloween: ‘Teutonic’ stereotypes in the history of popular music and heavy metal

Early Rehabilitation Feasibility in a COVID-19 ICU

Harmonic structures in twenty-first-century metal music: A harmonic analysis of five major metal genres

Keeper of the Seven Keys: Audio heritage in metal music production

Culture-specific production and performance characteristics: An interview study with ‘Teutonic’ metal producers

Metal music studies at the intersection of theory and practice

Distortion and Rock Guitar Harmony: The Influence of Distortion Level and Structural Complexity on Acoustic Features and Perceived Pleasantness of Guitar Chords

Recording studios as museums? Record producers’ perspectives on German rock studios and accounts of their heritage practice

Guitar profiling technology in metal music production: Public reception, capability, consequences and perspectives

What is "Heavy" in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers

The Politics of Rammstein’s Sound: Decoding a Production Aesthetic

Nail the Mix: Standardization in Mixing Metal Music?

Toward a Systematic Understanding of "Heaviness" in Metal Music Production

“I Just Go with What Feels Right”. Variance and Commonality in Metal Music Mixing Practice

(No?) Adventures in Recording Land: Engineering Conventions in Metal Music

The Work Realities of Professional Studio Musicians in the German Popular Music Recording Industry: Careers, Practices and Economic Situations

The formation of the West German power metal scene and the question of a ‘Teutonic’ sound

Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures

Old sounds with new technologies? Examining the creative potential of guitar ‘profiling’ technology and the future of metal music from producers’ perspectives

Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music

Rhythm and booze: contesting leisure mobilities on the Transpennine Real Ale Trail

Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos

Empirical Explorations of Guitar Players’ Attitudes Towards Their Equipment and the Role of Distortion in Rock Music

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