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Befriending the Commedia Dell’arte of Flaminio Scala: The Comic Scenarios by Natalie Crohn Schmitt (review)

Theatre journal (Washington, D.C.), 2015-12, Vol.67 (4), p.763-764

Heck, Thomas F

2015

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Guitarists in the balconies and rafters: the musical frescoes of Genoa’s Spinola palaces

Early music, 2014-02, Vol.42 (1), p.85-93

Heck, Thomas F.

2014

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The New Complete Works for Guitar. Re-Engraved in Eleven Volumes

Notes, 2002-12, Vol.59 (2), p.435-438

Heck, Thomas F.

2002

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The Complete Guitar Works: A Transcription and Translation of the Complete Music and Text in Sanz's Instrucción de música sobre la guitarra española (Zaragoza, 1674/5 & 1697)

Music Library Association. Notes, 2003-09, Vol.60 (1), p.275-277

Heck, Thomas F.

2003

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The Routledge Companion to Commedia dell'Arte

1, 2015

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Toward a Bibliography of Operas on Columbus: A Quincentennial Checklist

Notes (Music Library Association), 1992-12, Vol.49 (2), p.474-497

Heck, Thomas F.

1992

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BEFRIENDING THE COMMEDIA DELL'ARTE OF FLAMINIO SCALA: THE COMIC SCENARIOS

Theatre Journal, 2015, Vol.67 (4), p.763-764

Heck, Thomas F

2015

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Incidental Music in Commedia dell'Arte Performances

The Routledge Companion to Commedia dell'Arte, 2015, p.255-267

1, 2015

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The Art of Commedia: A Study in the Commedia dell'Arte 1560-1620 with Special Reference to the Visual Records

Music & Letters, 2007, Vol.88 (4), p.652-653

Heck, Thomas F.

2007

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UAP/Music: A retrospective of the Working Group's activities, 1983—1990

Fontes Artis Musicae, 1992-07, Vol.39 (3/4), p.271-274

Heck, Thomas F.

1992

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Fernando Sor, Composer-Guitarist

Early Music, 2004, Vol.32 (1), p.148-149

Heck, Thomas F.

2004

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Communications

Music in art, 2000-04, Vol.25 (1/2), p.153-155

2000

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The Relevance of the "Arts & Humanities" Data Base to Musicological Research

Fontes artis musicae, 1981-01, Vol.28 (1/2), p.81-87

Heck, Thomas F.

1981

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Arlecchino a Parigi: Lo Scenario di Domenico Biancolelli

Theatre Journal, 1998, Vol.50 (4), p.545-546

Heck, Thomas F.

1998

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The Early Guitar: A History and Handbook

Notes, 1981, Vol.37 (3), p.588-589

1981

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Lute, Vihuela, Guitar to 1800: A Bibliography

Notes, 1979, Vol.36 (1), p.107-108

1979

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The Illustration of Music Periodicals, 1880-1914: A Question of Halftones and "Whole"-Tones

Fontes artis musicae, 1997-10, Vol.44 (4), p.307

Heck, Thomas F

1997

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THE ILLUSTRATION OF MUSIC PERIODICALS, C. 1880—1914: A Question of Halftones and "Whole"-Tones

Fontes artis musicae, 1997-10, Vol.44 (4), p.307-330

Heck, Thomas F.

1997

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Periodica musicalia (1789 bis 1830). Im Auftrag des Staatlichen Instituts für Musikforschung Preußischer Kulturbesitz (Studien zur Musikgeschichte des 19. Jahrhunderts. Band 55)

Fontes Artis Musicae, 1988, Vol.35 (3), p.207-208

Heck, Thomas F.

1988

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BEFRIENDING THE COMMEDIA DELL'ARTE OF FLAMINIO SCALA: THE COMIC SCENARIOS. Toronto Italian Studies

Theatre Journal, 2015, Vol.67 (4), p.763-764

HECK, THOMAS F.

2015

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Valentine Bakfark. "Opera Omnia 3: Einzelne Werke", ed. by I. Homolya and D. Benkö

Notes (Music Library Association), 1984-12, Vol.41 (2), p.371

Heck, Thomas F

1984

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Working Group on the Universal Availability of Publications (UAP-Music)

Fontes artis musicae, 1991-01, Vol.38 (1), p.23-23

Heck, Thomas F.

1991

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Reiko Yoshimura: Japanese Musical Term Retrieval in "RILM" on-line: A Status Report and Comparison to "The Music Index" and "Zeitschriftendienst Musik"

Fontes artis musicae, 1989-01, Vol.36 (1), p.31

Heck, Thomas F

1989

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The Guitar from the Renaissance to the Present Day . Harvey Turnbull

Journal of the American Musicological Society, 1975-04, Vol.28 (1), p.142-143

Heck, Thomas F.

1975

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Review: The Guitar from the Renaissance to the Present Day by Harvey Turnbull

Journal of the American Musicological Society, 1975-04, Vol.28 (1), p.142-143

Heck, Thomas F.

1975

Volltextzugriff (PDF)

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Befriending the Commedia Dell’arte of Flaminio Scala: The Comic Scenarios by Natalie Crohn Schmitt (review)

Guitarists in the balconies and rafters: the musical frescoes of Genoa’s Spinola palaces

The New Complete Works for Guitar. Re-Engraved in Eleven Volumes

The Complete Guitar Works: A Transcription and Translation of the Complete Music and Text in Sanz's Instrucción de música sobre la guitarra española (Zaragoza, 1674/5 & 1697)

The Routledge Companion to Commedia dell'Arte

Toward a Bibliography of Operas on Columbus: A Quincentennial Checklist

BEFRIENDING THE COMMEDIA DELL'ARTE OF FLAMINIO SCALA: THE COMIC SCENARIOS

Incidental Music in Commedia dell'Arte Performances

The Art of Commedia: A Study in the Commedia dell'Arte 1560-1620 with Special Reference to the Visual Records

UAP/Music: A retrospective of the Working Group's activities, 1983—1990

Fernando Sor, Composer-Guitarist

Communications

The Relevance of the "Arts & Humanities" Data Base to Musicological Research

Arlecchino a Parigi: Lo Scenario di Domenico Biancolelli

The Early Guitar: A History and Handbook

Lute, Vihuela, Guitar to 1800: A Bibliography

The Illustration of Music Periodicals, 1880-1914: A Question of Halftones and "Whole"-Tones

THE ILLUSTRATION OF MUSIC PERIODICALS, C. 1880—1914: A Question of Halftones and "Whole"-Tones

Periodica musicalia (1789 bis 1830). Im Auftrag des Staatlichen Instituts für Musikforschung Preußischer Kulturbesitz (Studien zur Musikgeschichte des 19. Jahrhunderts. Band 55)

BEFRIENDING THE COMMEDIA DELL'ARTE OF FLAMINIO SCALA: THE COMIC SCENARIOS. Toronto Italian Studies

Valentine Bakfark. "Opera Omnia 3: Einzelne Werke", ed. by I. Homolya and D. Benkö

Working Group on the Universal Availability of Publications (UAP-Music)

Reiko Yoshimura: Japanese Musical Term Retrieval in "RILM" on-line: A Status Report and Comparison to "The Music Index" and "Zeitschriftendienst Musik"

The Guitar from the Renaissance to the Present Day . Harvey Turnbull

Review: The Guitar from the Renaissance to the Present Day by Harvey Turnbull

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