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Schroder, ‘A Marvel to Behold’: Gold and Silver at the Court of Henry VIII, (The Boydell Press, 2020)

Royal Studies Journal, 2022-12, Vol.9 (2), p.204-205

Maria Hayward

2022

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Schroder, ‘A Marvel to Behold’: Gold and Silver at the Court of Henry VIII, (The Boydell Press, 2020)

Royal Studies Journal, 2022-12, Vol.9 (2), p.204-205

Hayward, Maria

2022

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Teaching as a primary therapeutic intervention for learners from refugee backgrounds

Intercultural education (London, England), 2017-03, Vol.28 (2), p.165-181

Hayward, Maria

2017

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'We should dress us fairly for our end': The Significance of the Clothing Worn at Elite Executions in England in the Long Sixteenth Century

History (London), 2016-04, Vol.101 (345), p.222-245

HAYWARD, MARIA

2016

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Dress at the court of King Henry VIII : the Wardrobe book of the Wardrobe of the Robes prepared by James Worsley in December 1516, edited from Harley MS 2284, and his inventory prepared on 17 January 1521, edited from Harley MS 4217, both in the British Library

Hayward, Maria

2007

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Robert Dudley, Earl of Leicester, and the World of Elizabethan Art: Painting and Patronage at the Court of Elizabeth I. Elizabeth Goldring. New Haven: Yale University Press, 2014. xx + 380 pp. $75

Renaissance quarterly, 2016, Vol.69 (2), p.680-682

Hayward, Maria

2016

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In the Eye of the Beholder: 'Seeing' Textiles in the Early Modern Interior

Textile history, 2016-01, Vol.47 (1), p.27-42

Hayward, Maria

2016

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Dressed in Blue: The Impact of Woad on English Clothing, c. 1350–c. 1670

Costume, 2015-06, Vol.49 (2), p.168-185

Hayward, Maria

2015

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Dressed in Blue: The Impact of Woad on English Clothing, c. 1350–c. 1670

Costume, 2015, Vol.49 (2), p.168-185

Hayward, Maria

2015

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In Fine Style: The Art of Tudor and Stuart Fashion - Edited by Anna Reynolds

Renaissance studies, 2014-11, Vol.28 (5), p.777

Hayward, Maria

2014

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Dressing Charles II : The King’s Clothing Choices (1660–85)

Apparence(s), 2015-08

Hayward, Maria

2015

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Dressing Charles II : The King’s Clothing Choices (1660–85)

Apparence(s), 2015-08 (6)

Hayward, Maria

2015

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'The Australian Dress Register'. Online Resource Hosted by the Powerhouse Museum, Sydney

Textile history, 2014-11, Vol.45 (2), p.263-266

Hayward, Maria

2014

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[Review] : "Tapestry in the Baroque : new aspects of production and patronage," by Thomas P. Campbell and edited by Elizabeth A. H. Cleland

The Sixteenth century journal, 2013-01, Vol.44 (2), p.596-598

Hayward, Maria

2013

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Sartorial Politics in Early Modern Europe: Fashioning Women

Griffey, Erin

1, 2019

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Bella Mirabella. Ornamentalism: The Art of Renaissance Accessories. Ann Arbor: University of Michigan Press, 2011. 342 pp. + 36 plates. $60. ISBN: 978–0–472–07117–3

Renaissance quarterly, 2012, Vol.65 (3), p.910-912

Hayward, Maria

2012

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The 'Empresse of Flowers': The Significance of Floral Imagery in Two Portraits of Elizabeth I at Jesus College, Oxford

Costume, 2010-06, Vol.44 (1), p.20-27

Hayward, Maria

2010

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The 'Empresse of Flowers': The Significance of Floral Imagery in Two Portraits of Elizabeth I at Jesus College, Oxford

Costume, 2010, Vol.44 (1), p.20-27

Hayward, Maria

2010

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Crimson, Scarlet, Murrey and Carnation: Red at the Court of Henry VIII

Textile history, 2007-11, Vol.38 (2), p.135-150

Hayward, Maria

2007

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Inclusiveness, power sharing and critical enquiry: intercultural programme model for new settlers

Intercultural education (London, England), 2013-10, Vol.24 (5), p.430-441

2013

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Reviews : "Tapestry in the Baroque : threads of splendor," by Thomas P. Campbell; and "European tapestries in the Art Institute of Chicago," by Koenraad Brosens

Antiquaries journal, 2009-09, p.457-459

Hayward, Maria

2009

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Roze Hentschell. The Culture of Cloth in Early Modern England: Textual Constructions of a National Identity. Aldershot: Ashgate Publishing Company, 2008. vii + 209 pp. index. illus. bibl. $99.95. ISBN: 978–0–7546–6301–0

Renaissance quarterly, 2009, Vol.62 (1), p.307-309

Hayward, Maria

2009

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On Display: The Role of Clothing and Livery on Henry VIII's Progresses

Royal Journeys in Early Modern Europe, 2023, p.70-83

1, 2023

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The Dressing and Trimming of the Parliament Chamber, 1509-58

Parliamentary history, 2010-06, Vol.29 (2), p.229-237

2010

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Sartorial Politics in Early Modern Europe: Fashioning Women

Erin Griffey

2019

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1 – 25 von 391

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Schroder, ‘A Marvel to Behold’: Gold and Silver at the Court of Henry VIII, (The Boydell Press, 2020)

Schroder, ‘A Marvel to Behold’: Gold and Silver at the Court of Henry VIII, (The Boydell Press, 2020)

Teaching as a primary therapeutic intervention for learners from refugee backgrounds

'We should dress us fairly for our end': The Significance of the Clothing Worn at Elite Executions in England in the Long Sixteenth Century

Dress at the court of King Henry VIII : the Wardrobe book of the Wardrobe of the Robes prepared by James Worsley in December 1516, edited from Harley MS 2284, and his inventory prepared on 17 January 1521, edited from Harley MS 4217, both in the British Library

Robert Dudley, Earl of Leicester, and the World of Elizabethan Art: Painting and Patronage at the Court of Elizabeth I. Elizabeth Goldring. New Haven: Yale University Press, 2014. xx + 380 pp. $75

In the Eye of the Beholder: 'Seeing' Textiles in the Early Modern Interior

Dressed in Blue: The Impact of Woad on English Clothing, c. 1350–c. 1670

Dressed in Blue: The Impact of Woad on English Clothing, c. 1350–c. 1670

In Fine Style: The Art of Tudor and Stuart Fashion - Edited by Anna Reynolds

Dressing Charles II : The King’s Clothing Choices (1660–85)

Dressing Charles II : The King’s Clothing Choices (1660–85)

'The Australian Dress Register'. Online Resource Hosted by the Powerhouse Museum, Sydney

[Review] : "Tapestry in the Baroque : new aspects of production and patronage," by Thomas P. Campbell and edited by Elizabeth A. H. Cleland

Sartorial Politics in Early Modern Europe: Fashioning Women

Bella Mirabella. Ornamentalism: The Art of Renaissance Accessories. Ann Arbor: University of Michigan Press, 2011. 342 pp. + 36 plates. $60. ISBN: 978–0–472–07117–3

The 'Empresse of Flowers': The Significance of Floral Imagery in Two Portraits of Elizabeth I at Jesus College, Oxford

The 'Empresse of Flowers': The Significance of Floral Imagery in Two Portraits of Elizabeth I at Jesus College, Oxford

Crimson, Scarlet, Murrey and Carnation: Red at the Court of Henry VIII

Inclusiveness, power sharing and critical enquiry: intercultural programme model for new settlers

Reviews : "Tapestry in the Baroque : threads of splendor," by Thomas P. Campbell; and "European tapestries in the Art Institute of Chicago," by Koenraad Brosens

Roze Hentschell. The Culture of Cloth in Early Modern England: Textual Constructions of a National Identity. Aldershot: Ashgate Publishing Company, 2008. vii + 209 pp. index. illus. bibl. $99.95. ISBN: 978–0–7546–6301–0

On Display: The Role of Clothing and Livery on Henry VIII's Progresses

The Dressing and Trimming of the Parliament Chamber, 1509-58

Sartorial Politics in Early Modern Europe: Fashioning Women

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