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A Georgia Civil War Film with a Bosnian War Subtext: The Case of John Frankenheimer's Andersonville

The journal of popular film and television, 2020-07, Vol.48 (3), p.122-133

Haspel, Paul

2020

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Berlin’s Own Rip Van Winkle: The Washington Irving Connection in Wolfgang Becker’s Good Bye, Lenin

Seminar : a journal of Germanic studies (Toronto), 2017-11, Vol.53 (4), p.382-406

Haspel, Paul

2017

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Letter from Editorial Team

Learning disabilities research and practice, 2021-11, Vol.36 (4), p.277-277

2021

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Abandoned Roanoke: A Sixteenth-Century Mystery, Interwar Anxiety, and Historical Speculation in Paul Green's The Lost Colony

North Carolina literary review, 2024-01 (33), p.88-105

Haspel, Donald Paul

2024

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Bells of Freedom and Foreboding: Liberty Bell Ideology and the Clock Motif in Edgar Allan Poe's "The Masque of the Red Death"

The Edgar Allan Poe review, 2012-04, Vol.13 (1), p.46-70

Haspel, Paul

2012

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Bells of Freedom and Foreboding: Liberty Bell Ideology and the Clock Motif in Edgar Allan Poe's "The Masque of the Red Death"

The Edgar Allan Poe review, 2012-04, Vol.13 (1), p.46-70

Haspel, Paul

2012

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Agency Games in Cold War Washington: Politics and Gender in No Way Out

The journal of popular film and television, 2010-07, Vol.38 (3), p.133-142

Haspel, Paul

2010

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The Dearth of Published Intervention Studies about English Learners with Learning Disabilities or Emotional and Behavioral Disorders in Special Education

Learning disabilities (Pittsburgh, Pa.), 2020, Vol.25 (1), p.18

2020

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Being There in the nation's capital: Hal Ashby's subversive take on the Washington, D.C., movie

Post script, 2010-09, Vol.30 (1), p.3

Haspel, Paul

2010

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Avalon Lost: Suburbanization and Its Discontents in Barry Levinson's Avalon

Journal of American culture (Malden, Mass.), 2008-12, Vol.31 (4), p.383-392

Haspel, Paul

2008

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Patterns of Procrastination, Motivation, and Strategy Use across Class Contexts and Students’ Abilities

Journal of psychology and behavioral science (Print), 2015, Vol.3 (2)

2015

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Arthur on a Quest in Baltimore Mythic Archetypes, Social Criticism, and Civic Self-Promotion in ...And Justice for All

The journal of popular film and television, 2007-09, Vol.35 (3), p.127-132

Haspel, Paul

2007

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Studies in Outlawry: The Strange Career of Josey Wales

Quarterly review of film and video, 2005-03, Vol.22 (2), p.155-167

Haspel, Paul

2005

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Antietam, James Island, and Fort Wagner:The Battle Sequences in Edward Zwick's "Glory"

Studies in popular culture, 2007-10, Vol.30 (1), p.65-85

Haspel, Paul

2007

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Algeria Revisited: Opposing Commanders as Warring Doubles in The Battle of Algiers

Journal of film and video, 2006-10, Vol.58 (3), p.33-42

HASPEL, PAUL

2006

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Future Shock on the National Mall

The journal of popular film and television, 2006-07, Vol.34 (2), p.62

Haspel, Paul

2006

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Future Shock on the National Mall: Washington, DC, as Disputed Ideological Space in Robert Wise's The Day the Earth Stood Still

The journal of popular film and television, 2006-07, Vol.34 (2), p.63-71

Haspel, Paul

2006

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Future Shock on the National Mall: Washington, DC, as Disputed Ideological Space in Robert Wise's "The Day the Earth Stood Still"

The journal of popular film and television, 2006-07, Vol.34 (2), p.62-71

Haspel, Paul

2006

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Ariel and Prospero's Modern-English Adventure: Language, Social Criticism, and Adaptation in Paul Mazursky's "Tempest"

Literature film quarterly, 2006-04, Vol.34 (2), p.130-139

Haspel, Paul

2006

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Letter from Editor

Learning disabilities research and practice, 2017-11, Vol.32 (4), p.205-206

2017

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Letter from Editor

Learning disabilities research and practice, 2017-11, Vol.32 (4), p.205-206

2017

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Letter from Editor

Learning disabilities research and practice, 2017-11, Vol.32 (4), p.205-206

2017

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Roller Coasters and Civil Rights: John Waters's "Hairspray" and the Desegregation of the Gwynn Oak Amusement Park

Studies in popular culture, 2003-10, Vol.26 (2), p.23-35

Haspel, Paul

2003

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Y2K+1: Technology, Community-College Students, the Millennium, and Stanley Kubrick's "2001: A Space Odyssey."

Teaching English in the two-year college, 2002-03, Vol.29 (3), p.250-258

Haspel, Paul

2002

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From Hero to Villain to Unknown Other: The Confederate Soldier in American Film

Studies in popular culture, 1996-10, Vol.19 (2), p.131-140

Haspel, Paul

1996

Volltextzugriff (PDF)

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A Georgia Civil War Film with a Bosnian War Subtext: The Case of John Frankenheimer's Andersonville

Berlin’s Own Rip Van Winkle: The Washington Irving Connection in Wolfgang Becker’s Good Bye, Lenin

Letter from Editorial Team

Abandoned Roanoke: A Sixteenth-Century Mystery, Interwar Anxiety, and Historical Speculation in Paul Green's The Lost Colony

Bells of Freedom and Foreboding: Liberty Bell Ideology and the Clock Motif in Edgar Allan Poe's "The Masque of the Red Death"

Bells of Freedom and Foreboding: Liberty Bell Ideology and the Clock Motif in Edgar Allan Poe's "The Masque of the Red Death"

Agency Games in Cold War Washington: Politics and Gender in No Way Out

The Dearth of Published Intervention Studies about English Learners with Learning Disabilities or Emotional and Behavioral Disorders in Special Education

Being There in the nation's capital: Hal Ashby's subversive take on the Washington, D.C., movie

Avalon Lost: Suburbanization and Its Discontents in Barry Levinson's Avalon

Patterns of Procrastination, Motivation, and Strategy Use across Class Contexts and Students’ Abilities

Arthur on a Quest in Baltimore Mythic Archetypes, Social Criticism, and Civic Self-Promotion in ...And Justice for All

Studies in Outlawry: The Strange Career of Josey Wales

Antietam, James Island, and Fort Wagner:The Battle Sequences in Edward Zwick's "Glory"

Algeria Revisited: Opposing Commanders as Warring Doubles in The Battle of Algiers

Future Shock on the National Mall

Future Shock on the National Mall: Washington, DC, as Disputed Ideological Space in Robert Wise's The Day the Earth Stood Still

Future Shock on the National Mall: Washington, DC, as Disputed Ideological Space in Robert Wise's "The Day the Earth Stood Still"

Ariel and Prospero's Modern-English Adventure: Language, Social Criticism, and Adaptation in Paul Mazursky's "Tempest"

Letter from Editor

Letter from Editor

Letter from Editor

Roller Coasters and Civil Rights: John Waters's "Hairspray" and the Desegregation of the Gwynn Oak Amusement Park

Y2K+1: Technology, Community-College Students, the Millennium, and Stanley Kubrick's "2001: A Space Odyssey."

From Hero to Villain to Unknown Other: The Confederate Soldier in American Film

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