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Shakespeare’s Artists: The Painters, Sculptors, Poets and Musicians in His Plays and Poems by B. J. Sokol (review)

Theatre Journal, 2018-12, Vol.70 (4), p.578-580

Londré, Felicia Hardison

2018

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Editors’ Note: Crises on Stage: Imagining New Worlds

American, British, and Canadian studies, 2022-12, Vol.39 (1), p.1-6

2022

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The Theatre of Tennessee Williams

Murphy, Brenda

1, 2014

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A Companion to Twentieth-Century American Drama

Krasner, David

1. Aufl., 2008

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Directing Shakespeare in America: Historical Perspectives by Charles Ney (review)

Theatre history studies, 2020, Vol.39 (1), p.255-257

Londré, Felicia Hardison

2020

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A Theater of Diplomacy: International Relations and the Performing Arts in Early Modern France by Ellen R. Welch (review)

Theatre history studies, 2019, Vol.38 (1), p.228-230

Londré, Felicia Hardison

2019

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Tennessee Williams and Italy: A Transcultural Perspective by Alessandro Clericuzio (review)

Theatre Journal, 2017-03, Vol.69 (1), p.119-120

Londre, Felicia Hardison

2017

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Collecting Shakespeare: The Story of Henry and Emily Folger by Stephen H. Grant, and: Shakespeare in America: An Anthology from the Revolution to Now ed. by James Shapiro (review)

Theatre journal (Washington, D.C.), 2014-12, Vol.66 (4), p.635-637

Londre, Felicia Hardison

2014

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Eugene O’Neill: A Life in Four Acts by Robert M. Dowling, and: Eugene O’Neill: The Contemporary Reviews ed. by Jackson R. Bryer and Robert M. Dowling (review)

Theatre history studies, 2016, Vol.35 (1), p.351-353

Londré, Felicia Hardison

2016

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EN AVANT! TENNESSEE WILLIAMS BETWEEN HYPERBOREA AND THE MEDITERRANEAN

DQR studies in literature, 2014-07, Vol.54, p.27

Londré, Felicia Hardison

2014

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Molière on Stage: What’s So Funny? by Robert W. Goldsby (review)

Theatre history studies, 2014, Vol.33 (1), p.285-286

Londré, Felicia Hardison

2014

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Historical Dictionary of French Theater by Edward Forman, and: Medieval Roles for Modern Times: Theater and the Battle for the French Republic by Helen Solterer (review)

Theatre history studies, 2012, Vol.32 (1), p.215-218

Londré, Felicia Hardison

2012

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Slavery and Sentiment on the American Stage, 1787–1861: Lifting the Veil of Black. By Heather S. Nathans. New York: Cambridge University Press, 2009; pp. x+275, 9 illustrations. $98 cloth

Theatre survey, 2011-05, Vol.52 (1), p.185-187

Londré, Felicia Hardison

2011

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The Unreported Miracle of Paul Robeson and The Miracle

Theatre history studies, 2010, Vol.30 (1), p.73-82

Londre, Felicia Hardison

2010

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Slavery and Sentiment on the American Stage, 1787-1861: Lifting the Veil of Black

Theatre survey, 2011-05, Vol.52 (1), p.185

2011

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The Enchanted Years of the Stage: Kansas City at the Crossroads of American Theater, 1870-1930

Theatre research international, 2010-03, Vol.35 (1), p.83

2010

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The Samartian Review: Scholarship and Discernment

The Sarmatian review, 2016, Vol.XXXVI (2), p.1997-2018

2016

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No Applause—Just Throw Money: The Book That Made Vaudeville Famous (review)

Theatre History Studies, 2007, Vol.27 (1), p.142-143

Londre, Felicia Hardison

2007

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Places of Performance: The Semiotics of Theatre Architecture by Marvin Carlson (review)

Comparative Drama, 1990-07, Vol.24 (2), p.189-191

Londré, Felicia Hardison

1990

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Stanislavski's Champion: Sonia Moore and Her Crusade to Save the American Theatre

Theatre history studies, 2004-01, Vol.24, p.11-24

Londre, Felicia Hardison

2004

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Around the Moscow Art Theatre

Theatre history studies, 2004, Vol.24, p.7

Londré, Felicia Hardison

2004

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Twitting O'Neill: His Plays of the 1920s Subjected to "La Critique Créatrice"

The Eugene O'Neill review, 2004-01, Vol.26, p.118-143

Londré, Felicia Hardison

2004

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Poetry in the Plumbing: Stylistic Clash and Reconciliation in Recent American Stagings of A Streetcar Named Desire

Cercles (Rouen, France), 2004, Vol.10, p.124

Londré, Felicia Hardison

2004

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Women's Contribution to Nineteenth-Century American Theatre

Theatre History Studies, 2005, Vol.25, p.200

Londre, Felicia Hardison

2005

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The World's Greatest Entertainer Al Jolson (1886-1950)

Theatre history studies, 2003, Vol.23, p.1

Londré, Felicia Hardison

2003

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Shakespeare’s Artists: The Painters, Sculptors, Poets and Musicians in His Plays and Poems by B. J. Sokol (review)

Editors’ Note: Crises on Stage: Imagining New Worlds

The Theatre of Tennessee Williams

A Companion to Twentieth-Century American Drama

Directing Shakespeare in America: Historical Perspectives by Charles Ney (review)

A Theater of Diplomacy: International Relations and the Performing Arts in Early Modern France by Ellen R. Welch (review)

Tennessee Williams and Italy: A Transcultural Perspective by Alessandro Clericuzio (review)

Collecting Shakespeare: The Story of Henry and Emily Folger by Stephen H. Grant, and: Shakespeare in America: An Anthology from the Revolution to Now ed. by James Shapiro (review)

Eugene O’Neill: A Life in Four Acts by Robert M. Dowling, and: Eugene O’Neill: The Contemporary Reviews ed. by Jackson R. Bryer and Robert M. Dowling (review)

EN AVANT! TENNESSEE WILLIAMS BETWEEN HYPERBOREA AND THE MEDITERRANEAN

Molière on Stage: What’s So Funny? by Robert W. Goldsby (review)

Historical Dictionary of French Theater by Edward Forman, and: Medieval Roles for Modern Times: Theater and the Battle for the French Republic by Helen Solterer (review)

Slavery and Sentiment on the American Stage, 1787–1861: Lifting the Veil of Black. By Heather S. Nathans. New York: Cambridge University Press, 2009; pp. x+275, 9 illustrations. $98 cloth

The Unreported Miracle of Paul Robeson and The Miracle

Slavery and Sentiment on the American Stage, 1787-1861: Lifting the Veil of Black

The Enchanted Years of the Stage: Kansas City at the Crossroads of American Theater, 1870-1930

The Samartian Review: Scholarship and Discernment

No Applause—Just Throw Money: The Book That Made Vaudeville Famous (review)

Places of Performance: The Semiotics of Theatre Architecture by Marvin Carlson (review)

Stanislavski's Champion: Sonia Moore and Her Crusade to Save the American Theatre

Around the Moscow Art Theatre

Twitting O'Neill: His Plays of the 1920s Subjected to "La Critique Créatrice"

Poetry in the Plumbing: Stylistic Clash and Reconciliation in Recent American Stagings of A Streetcar Named Desire

Women's Contribution to Nineteenth-Century American Theatre

The World's Greatest Entertainer Al Jolson (1886-1950)

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