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The science and art of Renaissance music

2014

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Chanson and Madrigal, 1480-1530: Studies in Comparison and Contrast, a Conference at Isham Memorial Library, September 13-14 1961

Haar, James

1, 2013

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Blake Wilson. Singing Poetry in Renaissance Florence: The Cantasi Come Tradition (1375–1550). Italian Medieval and Renaissance Studies. Florence: Leo S. Olschki, 2009. 291 pp. + CD-ROM. index. append. illus. tbls. 荤35. ISBN: 978–88–222–5810–6

Renaissance quarterly, 2010, Vol.63 (1), p.273-274

Haar, James

2010

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Palestrina as Historicist: The Two L'homme armé Masses

Journal of the Royal Musical Association, 1996, Vol.121 (2), p.191-205

Haar, James

1996

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The Medici, the Signoria, the pope: sacred polyphony in Florence, 1432-1448

Recercare (Lucca), 2008-01, Vol.20 (1/2), p.25-93

2008

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I cantori di San Giovanni a Firenze negli anni 1448-1469

Rivista italiana di musicologia, 2011-01, Vol.46 (1-2), p.78-103

2011

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A Musical Accompaniment to Petrarchan "lezioni" at the Accademia Fiorentina

Annali d'italianistica, 2004-01, Vol.22, p.267-280

Haar, James

2004

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Fiona Kisby, ed., Music and Musicians in Renaissance Cities and Towns Cambridge: Cambridge University Press, 2001. xiv + 188 pp. n.p. ISBN: 0-521-66171-4

Renaissance quarterly, 2002, Vol.55 (1), p.327-329

Haar, James

2002

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CRISTLE COLLINS JUDD, Reading Renaissance Music Theory: Hearing with the Eyes. Cambridge Studies in Music Theory, 14. Cambridge, Cambridge University Press. 2000. xxiii + 339 pp

Early Music History, 2001-09, Vol.20, p.267-321

Haar, James

2001

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Review: Music in the Age of the Renaissance by Leeman L. Perkins

Journal of the American Musicological Society, 2000-10, Vol.53 (3), p.629-636

Haar, James

2000

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Johannes de Anglia (John Hothby): Notes on His Career in Italy

Acta musicologica, 2007-01, Vol.79 (2), p.291-358

2007

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ANTONIO SQUARCIALUPI: MAN AND MYTH

Early music history, 2006-10, Vol.25, p.105-168

2006

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Composers at Work: The Craft of Musical Composition, 1450-1600 Jessie Ann Owens

Music theory spectrum, 1999-10, Vol.21 (2), p.294-301

Haar, James

1999

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Composers at Work: The Craft of Musical Composition, 1450-1600 . Jessie Ann Owens

Music theory spectrum, 1999-10, Vol.21 (2), p.294-301

Haar, James

1999

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Petrucci's "Justiniane" Revisited

Journal of the American Musicological Society, 1999-04, Vol.52 (1), p.1-38

Haar, James

1999

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BIBLIOGRAPHICAL ABBREVIATIONS

The Science and Art of Renaissance Music, 2014, p.xv

2014

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The Courtier as Musician: Castiglione’s View of the Science and Art of Music

The Science and Art of Renaissance Music, 2014, p.20

2014

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The Science and Art of Renaissance Music, 2014, p.vii

2014

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Berlioz and the “First Opera”

The Science and Art of Renaissance Music, 2014, p.353

2014

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The Libraria of Antonfrancesco Doni

The Science and Art of Renaissance Music, 2014, p.323

2014

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INDEX OF NAMES

The Science and Art of Renaissance Music, 2014, p.383

2014

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Back Matter

The Science and Art of Renaissance Music, 2014, p.391

2014

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PREFACE

The Science and Art of Renaissance Music, 2014, p.ix

2014

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The Frontispiece of Gafori’s Practica Musicae (1496)

The Science and Art of Renaissance Music, 2014, p.79

2014

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EDITOR’S PREFACE

The Science and Art of Renaissance Music, 2014, p.xiii

2014

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The science and art of Renaissance music

Chanson and Madrigal, 1480-1530: Studies in Comparison and Contrast, a Conference at Isham Memorial Library, September 13-14 1961

Blake Wilson. Singing Poetry in Renaissance Florence: The Cantasi Come Tradition (1375–1550). Italian Medieval and Renaissance Studies. Florence: Leo S. Olschki, 2009. 291 pp. + CD-ROM. index. append. illus. tbls. 荤35. ISBN: 978–88–222–5810–6

Palestrina as Historicist: The Two L'homme armé Masses

The Medici, the Signoria, the pope: sacred polyphony in Florence, 1432-1448

I cantori di San Giovanni a Firenze negli anni 1448-1469

A Musical Accompaniment to Petrarchan "lezioni" at the Accademia Fiorentina

Fiona Kisby, ed., Music and Musicians in Renaissance Cities and Towns Cambridge: Cambridge University Press, 2001. xiv + 188 pp. n.p. ISBN: 0-521-66171-4

CRISTLE COLLINS JUDD, Reading Renaissance Music Theory: Hearing with the Eyes. Cambridge Studies in Music Theory, 14. Cambridge, Cambridge University Press. 2000. xxiii + 339 pp

Review: Music in the Age of the Renaissance by Leeman L. Perkins

Johannes de Anglia (John Hothby): Notes on His Career in Italy

ANTONIO SQUARCIALUPI: MAN AND MYTH

Composers at Work: The Craft of Musical Composition, 1450-1600 Jessie Ann Owens

Composers at Work: The Craft of Musical Composition, 1450-1600 . Jessie Ann Owens

Petrucci's "Justiniane" Revisited

BIBLIOGRAPHICAL ABBREVIATIONS

The Courtier as Musician: Castiglione’s View of the Science and Art of Music

Table of Contents

Berlioz and the “First Opera”

The Libraria of Antonfrancesco Doni

INDEX OF NAMES

Back Matter

PREFACE

The Frontispiece of Gafori’s Practica Musicae (1496)

EDITOR’S PREFACE

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