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Hybrid thermodynamic calculations

Journal of physics. Conference series, 2019-11, Vol.1385 (1), p.12053

2019

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"Live" Formulations of International Association for the properties of Water and Steam (IAPWS)

Journal of physics. Conference series, 2017-11, Vol.891 (1), p.12344

2017

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A Unified Framework for Automated 3-D Segmentation of Surface-Stained Living Cells and a Comprehensive Segmentation Evaluation

IEEE transactions on medical imaging, 2009-05, Vol.28 (5), p.720-738

2009

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Words, Music, and the Popular: Global Perspectives on Intermedial Relations

1, 2022

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Of Silent Notation and Historiographic Relationality: Words, Music, and Notions of the Popular

Words, Music, and the Popular, 2022, p.11-35

2022

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Words, Music, and the Popular

Words, Music, and the Popular, 2022, p.1-10

2022

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Experiencing Dylan: The Effect of Formal Structure and Performance on the Popularity and Interpretation of Two Dylan Songs

Words, Music, and the Popular, p.39-64

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Which Side Is This Ex-Beatle on? A Reassessment of the 1970s Rock Press’ Framing, Interpretation, and Consideration of Paul McCartney and Wings

Words, Music, and the Popular, p.87-107

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Post-Sovietness of the Popular: The West, the Post-Soviet Ukrainian Audience, and the Major Ukrainian Pop Star (1990s)

Words, Music, and the Popular, p.179-200

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A Melopoetic Struggle between East and West: Mickiewicz and the Popular Idiom

Words, Music, and the Popular, p.155-177

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Transmedia Performance in Scandinavian Singalong Shows: On the Transmediation of Liveness and Participation in Community Singing

Words, Music, and the Popular, 2021, p.133-153

2021

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Café-Concert Parodies of Lohengrin (Wagner) and Othello (Verdi) in the Context of Popularisation Efforts of the Opéra de Paris in the 1890s

Words, Music, and the Popular, p.203-223

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PJ Harvey as a Modern War Poet: How Let England Shake Challenges ‘English England’ Through the Pastoral

Words, Music, and the Popular, p.111-132

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Freewheelin’ with Adorno down Highway 61: Bob Dylan’s Transformative Electric Turn

Words, Music, and the Popular, p.65-85

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“The World Wanted to Bleed All the Sass Out My Name”: Interrogating the Popularity of Words and Music in Tyehimba Jess’s Olio

Words, Music, and the Popular, p.225-236

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William H. Gass and the (Un)popularity of Words as Music

Words, Music, and the Popular, p.237-256

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