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Richard Caton Woodville (1856-1927) at the "Illustrated London News"

Victorian periodicals review, 2015-03, Vol.48 (1), p.87-120

GRETTON, TOM

2015

Volltextzugriff (PDF)

From La Meduse to the Titanic: Gericault’s Raft in Journalistic Illustration up to 1912

19: interdisciplinary studies in the long nineteenth century, 2013-04 (16)

Gretton, Tom

2013

Volltextzugriff (PDF)

‘Un Moyen Puissant de Vulgarisation Artistique’. Reproducing Salon Pictures in Parisian Illustrated Weekly Magazines c .1860– c .1895: From Wood Engraving to the Half Tone Screen (and Back)

Oxford art journal, 2016-08, Vol.39 (2), p.285-310

Gretton, Tom

2016

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'Un Moyen Puissant de Vulgarisation Artistique'. Reproducing Salon Pictures in Parisian Illustrated Weekly Magazines c.1860—c.1895: From Wood Engraving to the Half Tone Screen (and Back)

Oxford art journal, 2016-08, Vol.39 (2), p.285-310

Gretton, Tom

2016

Volltextzugriff (PDF)

'Un Moyen Puissant de Vulgarisation Artistique'. Reproducing Salon Pictures in Parisian Illustrated Weekly Magazines c.1860c.1895 : From Wood Engraving to the Half Tone Screen (and Back)

Oxford art journal, 2016-08, Vol.39 (2), p.285-310

Gretton, Tom

2016

Volltextzugriff (PDF)

Waterloo in Richard Caton Woodville's "Battles of the British Army" Series for the "Illustrated London News", 1893–99

Victorian periodicals review, 2015-12, Vol.48 (4), p.531-556

GRETTON, TOM

2015

Volltextzugriff (PDF)

The Pragmatics of Page Design in Nineteenth-Century General-Interest Weekly Illustrated News Magazines in London and Paris

Art history, 2010-09, Vol.33 (4), p.680-709

Gretton, Tom

2010

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Helen Weston 'in Three Positions'

Oxford art journal, 2016-08, Vol.39 (2), p.167-173

2016

Volltextzugriff (PDF)

Signs for Labour-Value in Printed Pictures After the Photomechanical Revolution: Mainstream Changes and Extreme Cases around 1900

Oxford art journal, 2005-10, Vol.28 (3), p.371-390

Gretton, Tom

2005

Volltextzugriff (PDF)

Reproduction and facsimile : adventures in the commodity forms of printed photographs

History of photography, 2008-01, Vol.32 (1), p.94-96

Gretton, Tom

2008

Volltextzugriff (PDF)

Le statut subalterne de la photographie: Étude de la présentation des images dans les hebdomadaires illustrés (Londres, Paris, 1885-1910)

Etudes photographiques, 2007-06, Vol.20, p.34

Gretton, Tom

2007

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Le statut subalterne de la photographie

Etudes photographiques, 2007, p.34-49

Gretton, Tom

2007

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Signs for labour-value in printed pictures after the photomechanical revolution: mainstream changes and extreme cases around 1960

Oxford art journal, 2005-01, Vol.28 (3), p.371-390

Gretton, Tom

2005

Volltextzugriff (PDF)

Signs for labour value in printed pictures after the photochemical revolution - Mainstream changes and extreme cases around 1900

Oxford art journal, 2005-01, Vol.28 (3), p.371-390

Gretton, Tom

2005

Volltextzugriff (PDF)

Signs for Labour-Value in Printed Pictures after the Photomechanical Revolution: Mainstream Changes and Extreme Cases around 1900

Oxford art journal, 2005-01, Vol.28 (3), p.373-390

Gretton, Tom

2005

Volltextzugriff (PDF)

Edgy Encounters in North Africa and the Balkans: R. C. Woodville’s Pictures of Conflict-Zone Life for the Illustrated London News, 1880–1903

Militarized Cultural Encounters in the Long Nineteenth Century, 2018, p.223-248

2018

Volltextzugriff (PDF)

Review of Renew Marxist Art History

The Art bulletin (New York, N.Y.), 2016-10, Vol.98 (4), p.534-534

2016

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Difference and Competition: The Imitation and Reproduction of Fine Art in a Nineteenth-Century Illustrated Weekly News Magazine

Oxford art journal, 2000-01, Vol.23 (2), p.145-162

Gretton, Tom

2000

Volltextzugriff (PDF)

The Place of the King in the City: Urban Morphology in Ancien-Régime France

Art History, 2000-09, Vol.23 (3), p.456-458

Gretton, Tom

2000

Volltextzugriff (PDF)

Difference and Competition: The Imitation and Reproduction of Fine Art in a Nineteenth-Century Illustrated Weekly News Magazine

Oxford art journal, 2000, Vol.23 (2), p.143-162

Gretton, T.

2000

Volltextzugriff (PDF)

Clastic icons : prints taken from broken or reassembled blocks in some "popular prints" of the western tradition

Iconoclasm : contested objects, contested terms, 2007, p.145-167

2007

Volltextzugriff (PDF)

REVIEWS

History workshop journal, 1994-10, Vol.38 (1), p.246-248

GRETTON, TOM

1994

Volltextzugriff (PDF)

David's Portrait of Zénaïde and Charlotte Bonaparte : overt and covert Napoleonic subjects in the summer of 1821

2007

Volltextzugriff (PDF)

Quamoscas at Work: Upstairs, Downstairs at the Hayward Gallery

Oxford art journal, 1989-01, Vol.12 (2), p.111

Gretton, Tom

1989

Volltextzugriff (PDF)

La trame des images/Histoires de l'illustration photographique

Etudes photographiques, 2007

2007

Volltextzugriff (PDF)

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Richard Caton Woodville (1856-1927) at the "Illustrated London News"

From La Meduse to the Titanic: Gericault’s Raft in Journalistic Illustration up to 1912

‘Un Moyen Puissant de Vulgarisation Artistique’. Reproducing Salon Pictures in Parisian Illustrated Weekly Magazines c .1860– c .1895: From Wood Engraving to the Half Tone Screen (and Back)

'Un Moyen Puissant de Vulgarisation Artistique'. Reproducing Salon Pictures in Parisian Illustrated Weekly Magazines c.1860—c.1895: From Wood Engraving to the Half Tone Screen (and Back)

'Un Moyen Puissant de Vulgarisation Artistique'. Reproducing Salon Pictures in Parisian Illustrated Weekly Magazines c.1860c.1895 : From Wood Engraving to the Half Tone Screen (and Back)

Waterloo in Richard Caton Woodville's "Battles of the British Army" Series for the "Illustrated London News", 1893–99

The Pragmatics of Page Design in Nineteenth-Century General-Interest Weekly Illustrated News Magazines in London and Paris

Helen Weston 'in Three Positions'

Signs for Labour-Value in Printed Pictures After the Photomechanical Revolution: Mainstream Changes and Extreme Cases around 1900

Reproduction and facsimile : adventures in the commodity forms of printed photographs

Le statut subalterne de la photographie: Étude de la présentation des images dans les hebdomadaires illustrés (Londres, Paris, 1885-1910)

Le statut subalterne de la photographie

Signs for labour-value in printed pictures after the photomechanical revolution: mainstream changes and extreme cases around 1960

Signs for labour value in printed pictures after the photochemical revolution - Mainstream changes and extreme cases around 1900

Signs for Labour-Value in Printed Pictures after the Photomechanical Revolution: Mainstream Changes and Extreme Cases around 1900

Edgy Encounters in North Africa and the Balkans: R. C. Woodville’s Pictures of Conflict-Zone Life for the Illustrated London News, 1880–1903

Review of Renew Marxist Art History

Difference and Competition: The Imitation and Reproduction of Fine Art in a Nineteenth-Century Illustrated Weekly News Magazine

The Place of the King in the City: Urban Morphology in Ancien-Régime France

Difference and Competition: The Imitation and Reproduction of Fine Art in a Nineteenth-Century Illustrated Weekly News Magazine

Clastic icons : prints taken from broken or reassembled blocks in some "popular prints" of the western tradition

REVIEWS

David's Portrait of Zénaïde and Charlotte Bonaparte : overt and covert Napoleonic subjects in the summer of 1821

Quamoscas at Work: Upstairs, Downstairs at the Hayward Gallery

La trame des images/Histoires de l'illustration photographique

Suchergebnisse filtern