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Dreams of Germany: Musical Imaginaries from the Concert Hall to the Dance Floor

1, 2018

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Dreams of Germany: Music and Transnational Imaginaries in the Modern Era

Neil Gregor, Thomas Irvine, Neil Gregor, Thomas Irvine

2018

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The Nazi-Fascist New Order for European Culture by Benjamin G. Martin (review)

Journal of social history, 2018-06, Vol.51 (4), p.1128-1129

Gregor, Neil

2018

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Refugees and Migrants

German history, 2022-06, Vol.40 (2), p.e1-e2

2022

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Siegmund von Hausegger, the Munich Philharmonic Orchestra and Civic Musical Culture in the Third Reich

German history, 2018-11, Vol.36 (4), p.544-573

Gregor, Neil

2018

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Inklusion & Exklusion: ‘Deutsche’ Musik in Europa und Nordamerika 1848–1945

German history, 2017-09, Vol.35 (3), p.455-456

Gregor, Neil

2017

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Die Geschichte des Nationalsozialismus und der Cultural-Historical Turn

Vierteljahrshefte für Zeitgeschichte, 2017-04, Vol.65 (2), p.233-246

Gregor, Neil

2017

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Why does Music Matter?

German history, 2016-03, Vol.34 (1), p.113-130

Gregor, Neil

2016

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Monica Black . Death in Berlin: From Weimar to Divided Germany . (Publications of the German Historical Institute.) New York: Cambridge University Press. Washington, D.C.: German Historical Institute. 2010. Pp. xvi, 308. $80.00

The American historical review, 2012-04, Vol.117 (2), p.625-626

Gregor, Neil

2012

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MUSIC, MEMORY, EMOTION: RICHARD STRAUSS AND THE LEGACIES OF WAR

Music & letters, 2015-02, Vol.96 (1), p.55-76

Gregor, Neil

2015

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After the Dresden Bombing: Pathways of Memory, 1945 to the Present by Anne Fuchs (review)

German studies review, 2013-10, Vol.36 (3), p.732-733

Gregor, Neil

2013

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GEROFIT TO HOME: REDUCING BARRIERS TO GROUP EXERCISE TO RURAL AND NONRURAL OLDER ADULTS IN A SUCCESSFUL FASHION

Innovation in aging, 2022-12, Vol.6 (Supplement_1), p.323-323

2022

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Clare Morton (1972–2022)

German history, 2022-12, Vol.40 (4), p.469-469

Whaley, Joachim

2022

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Beethoven, Bayreuth and the origins of the Federal Republic of Germany

The English historical review, 2011-08, Vol.126 (521), p.836

Gregor, Neil

2011

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Beethoven, Bayreuth and the Origins of the Federal Republic of Germany

The English historical review, 2011-08, Vol.CXXVI (521), p.835-877

GREGOR, NEIL

2011

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After Hitler: Recivilizing Germans, 1945–1995 . By Konrad H. Jarausch. Translated by, Brandon Hunziker. Oxford: Oxford University Press, 2006. Pp. xiii+379. $35.00

The Journal of modern history, 2009-06, Vol.81 (2), p.478-479

Gregor, Neil

2009

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Bruckner, Munich, and the Longue Durée of Musical Listening between the Imperial and Postwar Eras

Dreams of Germany, 2018, Vol.18, p.97

1, 2018

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Female Musicians and “Jewish” Music in the Jewish Kulturbund in Bavaria, 1934–38

Dreams of Germany, 2018, Vol.18, p.123

1, 2018

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Hubert Parry, Germany, and the “North”

Dreams of Germany, 2018, Vol.18, p.194

1, 2018

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Politics, Culture, Political Culture: Recent Work on the Third Reich and Its Aftermath

The Journal of Modern History, 2006-09, Vol.78 (3), p.643-683

Gregor, Neil

2006

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Bruckner, Munich, and the Longue Durée of Musical Listening between the Imperial and Postwar Eras

Dreams of Germany, 2022, Vol.18, p.97-122

2022

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Is There a British Approach to German History?

Journal of modern European history, 2016-08, Vol.14 (3), p.297-314

2016

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‘Is he still alive, or long since dead?’: Loss, Absence and Remembrance in Nuremberg, 1945–1956

German history, 2003-05, Vol.21 (2), p.183-203

Gregor, Neil

2003

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Section two : books : reviews : art and identity : how Jewish identity shaped artistic patronage in turn-of-the-century Vienna

Art newspaper (International ed.), 2016-10, Vol.26 (283), p.26-26

Gregor, Neil

2016

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Books : reviews : the Reich's romance with the Renaissance : how Germany fashioned its identity through 15th- and 16th-century Italian art

Art newspaper (International ed.), 2016-02, Vol.25 (276), p.62-62

Gregor, Neil

2016

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Dreams of Germany: Musical Imaginaries from the Concert Hall to the Dance Floor

Dreams of Germany: Music and Transnational Imaginaries in the Modern Era

The Nazi-Fascist New Order for European Culture by Benjamin G. Martin (review)

Refugees and Migrants

Siegmund von Hausegger, the Munich Philharmonic Orchestra and Civic Musical Culture in the Third Reich

Inklusion & Exklusion: ‘Deutsche’ Musik in Europa und Nordamerika 1848–1945

Die Geschichte des Nationalsozialismus und der Cultural-Historical Turn

Why does Music Matter?

Monica Black . Death in Berlin: From Weimar to Divided Germany . (Publications of the German Historical Institute.) New York: Cambridge University Press. Washington, D.C.: German Historical Institute. 2010. Pp. xvi, 308. $80.00

MUSIC, MEMORY, EMOTION: RICHARD STRAUSS AND THE LEGACIES OF WAR

After the Dresden Bombing: Pathways of Memory, 1945 to the Present by Anne Fuchs (review)

GEROFIT TO HOME: REDUCING BARRIERS TO GROUP EXERCISE TO RURAL AND NONRURAL OLDER ADULTS IN A SUCCESSFUL FASHION

Clare Morton (1972–2022)

Beethoven, Bayreuth and the origins of the Federal Republic of Germany

Beethoven, Bayreuth and the Origins of the Federal Republic of Germany

After Hitler: Recivilizing Germans, 1945–1995 . By Konrad H. Jarausch. Translated by, Brandon Hunziker. Oxford: Oxford University Press, 2006. Pp. xiii+379. $35.00

Bruckner, Munich, and the Longue Durée of Musical Listening between the Imperial and Postwar Eras

Female Musicians and “Jewish” Music in the Jewish Kulturbund in Bavaria, 1934–38

Hubert Parry, Germany, and the “North”

Politics, Culture, Political Culture: Recent Work on the Third Reich and Its Aftermath

Bruckner, Munich, and the Longue Durée of Musical Listening between the Imperial and Postwar Eras

Is There a British Approach to German History?

‘Is he still alive, or long since dead?’: Loss, Absence and Remembrance in Nuremberg, 1945–1956

Section two : books : reviews : art and identity : how Jewish identity shaped artistic patronage in turn-of-the-century Vienna

Books : reviews : the Reich's romance with the Renaissance : how Germany fashioned its identity through 15th- and 16th-century Italian art

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