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Is there a prediction network? Meta-analytic evidence for a cortical-subcortical network likely subserving prediction

Neuroscience and biobehavioral reviews, 2019-10, Vol.105, p.262-275

2019

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The enigma of dyslexic musicians

Neuropsychologia, 2014-02, Vol.54 (Feb), p.28-40

2014

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The Efficacy of Music for Emotional Wellbeing During the COVID-19 Lockdown in Spain: An Analysis of Personal and Context-Related Variables

Frontiers in psychology, 2021-04, Vol.12, p.647837-647837

2021

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Common modulation of limbic network activation underlies musical emotions as they unfold

NeuroImage (Orlando, Fla.), 2016-11, Vol.141, p.517-529

2016

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Feeling the Beat: Temporal Predictability is Associated with Ongoing Changes in Music-Induced Pleasantness

Journal of cognition, 2023-07, Vol.6 (1), p.34-34

2023

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The music we march to: Beyond beat, floating intentionality and improvisation: A comment on “Musical engagement as a duet of tight synchrony and loose interpretability” by Tal-Chen Rabinowitch

Physics of life reviews, 2023-12, Vol.47, p.9-14

Granot, Roni

2023

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The music we march to: Beyond beat, floating intentionality and improvisation

Physics of life reviews, 2023-12, Vol.47, p.9-14

Granot, Roni

2023

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Robust inter-subject audiovisual decoding in functional magnetic resonance imaging using high-dimensional regression

NeuroImage (Orlando, Fla.), 2017-12, Vol.163, p.244-263

2017

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How Music Moves: Musical Parameters and Listeners Images of Motion

Music perception, 2006-02, Vol.23 (3), p.221-248

2006

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The rediscovered motor-related area 55b emerges as a core hub of music perception

Communications biology, 2022-10, Vol.5 (1), p.1104-1104, Article 1104

2022

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Correction: AVPR1a and SLC6A4 Gene Polymorphisms Are Associated with Creative Dance Performance

PLoS genetics, 2019-04, Vol.15 (4), p.e1008135-e1008135

2019

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Musical Tension and the Interaction of Dynamic Auditory Parameters

Music perception, 2011-02, Vol.28 (3), p.219-246

2011

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Spatial vision is superior in musicians when memory plays a role

Journal of vision (Charlottesville, Va.), 2014-08, Vol.14 (9), p.18-18

2014

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AVPR1a and SLC6A4 gene polymorphisms are associated with creative dance performance

PLoS genetics, 2005-09, Vol.1 (3), p.e42-e42

2005

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Accuracy of Pitch Matching Significantly Improved by Live Voice Model

Journal of voice, 2013-05, Vol.27 (3), p.390.e13-390.e20

2013

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Effects of arginine vasopressin on musical working memory

Frontiers in psychology, 2013, Vol.4, p.712-712

2013

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Letter of the guest editors of the special issue on “Music as a multimodal experience”

Psychomusicology, 2016-06, Vol.26 (2), p.101-102

2016

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Consonance Dissonance and Cadences

Music perception, 2023-04, Vol.40 (4), p.293-315

2023

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Growing Oranges on Mozart's Apple Tree: "Inner Form" and Aesthetic Judgment

Music perception, 2008-06, Vol.25 (5), p.397-418

2008

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Thinking Outside the Pattern-Based Box in Jazz Improvisation

Jazz education in research and practice: a journal of the Jazz Education Network, 2023-04, Vol.4 (1), p.64-81

Yossef, Ori

2023

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Automatic extraction and categorization of Faenza Codex figurations

Early music, 2014-11, Vol.42 (4), p.559-566

2014

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Electrophysiological evidence for a two-stage process underlying single chord priming

Neuroreport, 2009-06, Vol.20 (9), p.855-859

2009

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Neural sensitivity to human voices: ERP evidence of task and attentional influences

Psychophysiology, 2003-03, Vol.40 (2), p.291-305

2003

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The Origin and Power of Music According to the 11th-Century Islamic Philosopher Ibn Sīnā

Journal of the Royal Asiatic Society, 2019-10, Vol.29 (4), p.585-598

2019

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The Origin and Power of Music According to the 11 th -Century Islamic Philosopher Ibn Sīnā

Journal of the Royal Asiatic Society, 2019-10, Vol.29 (4), p.585-598

2019

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Is there a prediction network? Meta-analytic evidence for a cortical-subcortical network likely subserving prediction

The enigma of dyslexic musicians

The Efficacy of Music for Emotional Wellbeing During the COVID-19 Lockdown in Spain: An Analysis of Personal and Context-Related Variables

Common modulation of limbic network activation underlies musical emotions as they unfold

Feeling the Beat: Temporal Predictability is Associated with Ongoing Changes in Music-Induced Pleasantness

The music we march to: Beyond beat, floating intentionality and improvisation: A comment on “Musical engagement as a duet of tight synchrony and loose interpretability” by Tal-Chen Rabinowitch

The music we march to: Beyond beat, floating intentionality and improvisation

Robust inter-subject audiovisual decoding in functional magnetic resonance imaging using high-dimensional regression

How Music Moves: Musical Parameters and Listeners Images of Motion

The rediscovered motor-related area 55b emerges as a core hub of music perception

Correction: AVPR1a and SLC6A4 Gene Polymorphisms Are Associated with Creative Dance Performance

Musical Tension and the Interaction of Dynamic Auditory Parameters

Spatial vision is superior in musicians when memory plays a role

AVPR1a and SLC6A4 gene polymorphisms are associated with creative dance performance

Accuracy of Pitch Matching Significantly Improved by Live Voice Model

Effects of arginine vasopressin on musical working memory

Letter of the guest editors of the special issue on “Music as a multimodal experience”

Consonance Dissonance and Cadences

Growing Oranges on Mozart's Apple Tree: "Inner Form" and Aesthetic Judgment

Thinking Outside the Pattern-Based Box in Jazz Improvisation

Automatic extraction and categorization of Faenza Codex figurations

Electrophysiological evidence for a two-stage process underlying single chord priming

Neural sensitivity to human voices: ERP evidence of task and attentional influences

The Origin and Power of Music According to the 11th-Century Islamic Philosopher Ibn Sīnā

The Origin and Power of Music According to the 11 th -Century Islamic Philosopher Ibn Sīnā

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