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The Transnational History of Settler Colonialism and the Music of the Urban West: Resituating a Local Music History

American music (Champaign, Ill.), 2014-09, Vol.32 (3), p.272-291

Gramit, David

2014

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Music in Canada in the Nineteenth Century

Nineteenth-century music review, 2014-12, Vol.11 (2), p.191-194

Gramit, David

2014

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What Does a City Sound Like? The Musical Dynamics of a Colonial Settler City

Nineteenth-century music review, 2014-12, Vol.11 (2), p.273-290

Gramit, David

2014

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Everyday Extraordinary: Music in the Letters of a German Amateur, 1803–08

19th century music, 2010-11, Vol.34 (2), p.109-140

Gramit, David

2010

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Discs 20–26

Nineteenth-century music review, 2008-11, Vol.5 (2), p.138-143

Gramit, David

2008

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Review: Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music by James Garratt

Journal of the American Musicological Society, 2005-08, Vol.58 (2), p.458-467

GRAMIT, DAVID

2005

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Orientalism and the Lied: Schubert's "Du liebst mich nicht"

19th century music, 2003-11, Vol.27 (2), p.97-115

Gramit, David

2003

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Between "Täuschung" and "Seligkeit:" Situating Schubert's Dances

The Musical quarterly, 2000-07, Vol.84 (2), p.221-237

Gramit, David

2000

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Excerpts from Beyträge zur Bildung für Jünglinge, 1817–1818

Franz Schubert and His World, 2014, Vol.37, p.39-66

2014

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Constructing a Victorian Schubert: Music, Biography, and Cultural Values

Schubert, 2015, p.73-86

1, 2015

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Review: Distant Cycles: Schubert and the Conceiving of Song by Richard Kramer

Journal of the American Musicological Society, 1996-10, Vol.49 (3), p.569-580

Gramit, David

1996

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Distant Cycles: Schubert and the Conceiving of Song . Richard Kramer

Journal of the American Musicological Society, 1996-10, Vol.49 (3), p.569-580

Gramit, David

1996

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Constructing a Victorian Schubert: Music, Biography, and Cultural Values

19th century music, 1993-07, Vol.17 (1), p.65-78

Gramit, David

1993

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Schubert's wanderers and the autonomous lied

The Journal of musicological research, 1995-01, Vol.14 (2), p.147-168

Gramit, David

1995

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Schubert's Wanderers and the Autonomous Lied

The Journal of musicological research, 1995-01, Vol.14 (3-4), p.147-168

Gramit, David

1995

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SCHUBERT AND THE BIEDERMEIER: THE AESTHETICS OF JOHANN MAYRHOFER'S ‘HELIOPOLIS’

Music & letters, 1993-08, Vol.74 (3), p.355-382

Gramit, David

1993

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REVIEWS OF BOOKS

Music & letters, 1995, Vol.76 (4), p.625-627

GRAMIT, DAVID

1995

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Constructing a Victorian Schubert: Music, Biography, and Cultural Values

19th century music, 1993-07, Vol.17 (1), p.65-78

Gramit, David

1993

Volltextzugriff (PDF)

Lieder, Listeners, and Ideology: Schubert's "Alinde" and Opus 81

Current musicology, 1995-01, Vol.58 (58), p.28-60

Gramit, David

1995

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Anja Bunzel and Natasha Loges, eds, Musical Salon Culture in the Long Nineteenth Century (Woodbridge: The Boydell Press, 2019). xviii + 284 pp. $115.00

Nineteenth-Century Music Review, 2021, Vol.18 (2), p.323-326

Gramit, David

2021

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Musical Salon Culture in the Long Nineteenth Century ( Woodbridge: The Boydell Press, 2019 ). xviii + 284 pp. $115.00

Nineteenth - Century Music Review, 2021, Vol.18 (2), p.323-326

Gramit, David

2021

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The circulation of the Lied: the double life of an artwork and a commodity

The Cambridge Companion to the Lied, 2004, p.299-314

Gramit, David

2004

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Schubert's Dramatic Lieder

Music & Letters, 1994, Vol.75 (4), p.618-620

Gramit, David E.

1994

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REVIEWS OF BOOKS

Music & letters, 1994, Vol.75 (4), p.618-620

GRAMIT, DAVID E.

1994

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The Roaring Lion: Critical Musicology, the Aesthetic Experience, and the Music Department

Canadian university music review, 1998-01, Vol.19 (1), p.19-33

Gramit, David

1998

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The Transnational History of Settler Colonialism and the Music of the Urban West: Resituating a Local Music History

Music in Canada in the Nineteenth Century

What Does a City Sound Like? The Musical Dynamics of a Colonial Settler City

Everyday Extraordinary: Music in the Letters of a German Amateur, 1803–08

Discs 20–26

Review: Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music by James Garratt

Orientalism and the Lied: Schubert's "Du liebst mich nicht"

Between "Täuschung" and "Seligkeit:" Situating Schubert's Dances

Excerpts from Beyträge zur Bildung für Jünglinge, 1817–1818

Constructing a Victorian Schubert: Music, Biography, and Cultural Values

Review: Distant Cycles: Schubert and the Conceiving of Song by Richard Kramer

Distant Cycles: Schubert and the Conceiving of Song . Richard Kramer

Constructing a Victorian Schubert: Music, Biography, and Cultural Values

Schubert's wanderers and the autonomous lied

Schubert's Wanderers and the Autonomous Lied

SCHUBERT AND THE BIEDERMEIER: THE AESTHETICS OF JOHANN MAYRHOFER'S ‘HELIOPOLIS’

REVIEWS OF BOOKS

Constructing a Victorian Schubert: Music, Biography, and Cultural Values

Lieder, Listeners, and Ideology: Schubert's "Alinde" and Opus 81

Anja Bunzel and Natasha Loges, eds, Musical Salon Culture in the Long Nineteenth Century (Woodbridge: The Boydell Press, 2019). xviii + 284 pp. $115.00

Musical Salon Culture in the Long Nineteenth Century ( Woodbridge: The Boydell Press, 2019 ). xviii + 284 pp. $115.00

The circulation of the Lied: the double life of an artwork and a commodity

Schubert's Dramatic Lieder

REVIEWS OF BOOKS

The Roaring Lion: Critical Musicology, the Aesthetic Experience, and the Music Department

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