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Integrated X-ray fluorescence and diffuse visible-to-near-infrared reflectance scanner for standoff elemental and molecular spectroscopic imaging of paints and works on paper

Heritage science, 2018-05, Vol.6 (1), p.1-12, Article 31

2018

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First Steps in Vermeer’s Creative Process: New Findings from the National Gallery of Art

Journal of Historians of Netherlandish Art, 2022-10, Vol.14 (2)

2022

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Use of imaging spectroscopy, fiber optic reflectance spectroscopy, and X-ray fluorescence to map and identify pigments in illuminated manuscripts

Studies in conservation, 2014-03, Vol.59 (2), p.91-101

2014

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Complementary Standoff Chemical Imaging to Map and Identify Artist Materials in an Early Italian Renaissance Panel Painting

Angewandte Chemie International Edition, 2014-12, Vol.53 (50), p.13775-13779

International ed. in English, 2014

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The Copper CHARM Set: A New Set of Certified Reference Materials for the Standardization of Quantitative X-Ray Fluorescence Analysis of Heritage Copper Alloys

Archaeometry, 2015-10, Vol.57 (5), p.856-868

2015

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Use of near infrared reflectance imaging spectroscopy to map wool and silk fibres in historic tapestries

Analytical methods, 2016-01, Vol.8 (44), p.7886-789

2016

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Complementary Standoff Chemical Imaging to Map and Identify Artist Materials in an Early Italian Renaissance Panel Painting

Angewandte Chemie, 2014-12, Vol.126 (50), p.13995-13999

2014

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Experimentation and Innovation in Vermeer’s Girl with the Red Hat: New Findings from the National Gallery of Art

Journal of Historians of Netherlandish Art, 2022-10, Vol.14 (2)

2022

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Use of Imaging Spectroscopy and in situ Analytical Methods for the Characterization of the Materials and Techniques of 15th Century Illuminated Manuscripts

Journal of the American Institute for Conservation, 2013-02, Vol.52 (1), p.13-29

2013

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USE OF IMAGING SPECTROSCOPY AND IN SITU ANALYTICAL METHODS FOR THE CHARACTERIZATION OF THE MATERIALS AND TECHNIQUES OF 15THCENTURY ILLUMINATED MANUSCRIPTS

Journal of the American Institute for Conservation, 2013-02, Vol.52 (1), p.13-29

2013

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The practical application of air-path X-ray fluorescence spectrometry in the analysis of museum objects

Studies in conservation, 2005-06, Vol.50 (sup1), p.3-17

Glinsman, Lisha Deming

2005

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First Steps in Vermeer’s Creative Process: New Findings from the National Gallery of Art

Journal of Historians of Netherlandish Art, 2022-10, Vol.14 (2)

2022

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The Pigments on Hand-Colored Fifteenth-Century Relief Prints from the Collections of the National Gallery of Art and the Germanisches Nationalmuseum

Studies in the history of art, 2009-01, Vol.75, p.276-297

2009

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Leonardo da Vinci’s Ginevra de' Benci: The palette and further observations on underdrawing and undermodeling

Techne (Paris, France), 2024-06, Vol.Hors-série, p.76-85

2024

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Renaissance Portrait Medals by Matteo de' Pasti: A Study of Their Casting Materials

Studies in the history of art, 2000-01 (57), p.93

GLINSMAN, LISHA DEMING

2000

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Understanding Alfred Stieglitz' Platinum and Palladium Prints: Examination by X-ray Fluorescence Spectrometry

Studies in the history of art, 1997-01 (51), p.71

1997

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Renaissance Portrait Medals by Matteo de' Pasti: A Study of Their Casting Materials

Studies in the history of art, 1997-01, Vol.57, p.92-107

GLINSMAN, LISHA DEMING

1997

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Understanding Alfred Stieglitz' Platinum and Palladium Prints: Examination by X-ray Fluorescence Spectrometry

Studies in the history of art, 1995-01, Vol.51, p.70-85

1995

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An investigation of the photochemical stability of urea-aldehyde resin retouching paints: removability tests and colour spectroscopy

Studies in conservation, 2000-01, Vol.45 (sup1), p.51-59

2000

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An Investigation of Renaissance Casting Practices as a Means for Identifying Forgeries

Studies in the history of art, 1993-01, Vol.41, p.14-29

1993

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Integrated X-ray fluorescence and diffuse visible-to-near-infrared reflectance scanner for standoff elemental and molecular spectroscopic imaging of paints and works on paper

First Steps in Vermeer’s Creative Process: New Findings from the National Gallery of Art

Use of imaging spectroscopy, fiber optic reflectance spectroscopy, and X-ray fluorescence to map and identify pigments in illuminated manuscripts

Complementary Standoff Chemical Imaging to Map and Identify Artist Materials in an Early Italian Renaissance Panel Painting

The Copper CHARM Set: A New Set of Certified Reference Materials for the Standardization of Quantitative X-Ray Fluorescence Analysis of Heritage Copper Alloys

Use of near infrared reflectance imaging spectroscopy to map wool and silk fibres in historic tapestries

Complementary Standoff Chemical Imaging to Map and Identify Artist Materials in an Early Italian Renaissance Panel Painting

Experimentation and Innovation in Vermeer’s Girl with the Red Hat: New Findings from the National Gallery of Art

Use of Imaging Spectroscopy and in situ Analytical Methods for the Characterization of the Materials and Techniques of 15th Century Illuminated Manuscripts

USE OF IMAGING SPECTROSCOPY AND IN SITU ANALYTICAL METHODS FOR THE CHARACTERIZATION OF THE MATERIALS AND TECHNIQUES OF 15THCENTURY ILLUMINATED MANUSCRIPTS

The practical application of air-path X-ray fluorescence spectrometry in the analysis of museum objects

First Steps in Vermeer’s Creative Process: New Findings from the National Gallery of Art

The Pigments on Hand-Colored Fifteenth-Century Relief Prints from the Collections of the National Gallery of Art and the Germanisches Nationalmuseum

Leonardo da Vinci’s Ginevra de' Benci: The palette and further observations on underdrawing and undermodeling

Renaissance Portrait Medals by Matteo de' Pasti: A Study of Their Casting Materials

Understanding Alfred Stieglitz' Platinum and Palladium Prints: Examination by X-ray Fluorescence Spectrometry

Renaissance Portrait Medals by Matteo de' Pasti: A Study of Their Casting Materials

Understanding Alfred Stieglitz' Platinum and Palladium Prints: Examination by X-ray Fluorescence Spectrometry

An investigation of the photochemical stability of urea-aldehyde resin retouching paints: removability tests and colour spectroscopy

An Investigation of Renaissance Casting Practices as a Means for Identifying Forgeries

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