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Dickens Adapted

Glavin, John

1, 2012

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The One, Other, and Only Dickens by Garrett Stewart, and: Dickens and the Stenographic Mind by Hugo Bowles, and: Dickens's Clowns: Charles Dickens, Joseph Grimaldi and the Pantomime of Life by Jonathan Buckmaster, and: Dickens, Nicholas Nickleby, and the Dance of Death by Jeremy Tambling (review)

Victorian studies, 2022, Vol.64 (2), p.302-306

Glavin, John

2022

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Author Correction: Caenorhabditis elegans is a useful model for anthelmintic discovery

Nature communications, 2020-07, Vol.11 (1), p.1-1, Article 3779

2020

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Caenorhabditis elegans is a useful model for anthelmintic discovery

Nature communications, 2015-06, Vol.6 (1), p.7485, Article 7485

2015

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Othellos, Dickenses, and Dombeys

Studies in English literature, 1500-1900, 2012-10, Vol.52 (4), p.819-841

GLAVIN, JOHN

2012

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Development of a Convenient Competitive ELISA for the Detection of the Free and Protein-Bound Nonhuman Galactosyl-α-(1,3)-Galactose Epitope Based on Highly Specific Chicken Single-Chain Antibody Variable-Region Fragments

Analytical chemistry (Washington), 2013-01, Vol.85 (2), p.949-955

2013

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Development of a Convenient Competitive ELISA for the Detection of the Free and Protein-Bound Nonhuman Galactosyl-[alpha]-(1,3)-Galactose Epitope Based on Highly Specific Chicken Single-Chain Antibody Variable-Region Fragments

Analytical chemistry (Washington), 2013-01, Vol.85 (2), p.949

2013

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Charles Dickens and His Performing Selves: Dickens and the Public Readings , by Malcolm Andrews

Victorian studies, 2007-10, Vol.50 (1), p.102-104

Glavin, John

2007

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Author Correction: Caenorhabditiselegans is a useful model for anthelmintic discovery

Nature communications, 2020-07, Vol.11 (1)

2020

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The Rain of Years: Great Expectations and the World of Dickens, and: Dickens's Great Expectations : Misnar's Pavilion versus Cinderella (review)

Victorian Studies, 2003-04, Vol.45 (3), p.542-544

Glavin, John

2003

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Dickens Redressed: The Art of Bleak House and Hard Times, and: Hamlet in His Modern Guises (review)

Victorian Studies, 2002-03, Vol.44 (3), p.491-493

Glavin, John

2002

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Shakespeare and Dickens: The Dynamics of Influence. Valerie Gager

Nineteenth-century literature, 1997-09, Vol.52 (2), p.265-267

Glavin, John

1997

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Shakespeare and Dickens: The Dynamics of Influence. . Valerie Gager

Nineteenth-century literature, 1997-09, Vol.52 (2), p.265-267

Glavin, John

1997

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‘The Death of Nancy “Sikes”, 1838–1912’, Representations, 110, pp. 29–57

Dickens Adapted, 2012, p.421-450

Glavin, John

2012

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'''Please, Sir, I Want Some More”: Clive Donner’s Marxist Adaptation of Oliver Twist', Literature Film Quarterly, 38, pp. 254–68

Dickens Adapted, 2012, p.265-280

Glavin, John

2012

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‘Heritage in Peter Carey’s Jack Maggs', Commonwealth Essays and Studies, 27, pp. 63–75

Dickens Adapted, 2012, p.471-484

Glavin, John

2012

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“I have been true to you, upon my guilty soul I have”: Negotiating Nancy, “Hyperauthenticity” and “Hyperfidelity” in the 2007 BBC Adaptation of Oliver Twist', Journal of Adaptation in Film & Performance, 3, pp. 157–70

Dickens Adapted, 2012, p.357-370

Glavin, John

2012

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‘Dickens from a Postmodern Perspective: Alfonso Cuaron’s Great Expectations for Generation X ’, Dickens Studies Annual, 38, pp. 69–92

Dickens Adapted, 2012, p.223-246

Glavin, John

2012

Volltextzugriff (PDF)

‘Dickens, Eisenstein, Film’, in John Glavin (ed.), Dickens on Screen, Cambridge: Cambridge University Press, pp. 122–14

Dickens Adapted, 2012, p.113-136

Glavin, John

2012

Volltextzugriff (PDF)

‘Not Telling the Story the Way it Happened: Alfonso Cuaron’s Great Expectations', Literature Film Quarterly, 33, pp. 62–78

Dickens Adapted, 2012, p.187-204

Glavin, John

2012

Volltextzugriff (PDF)

‘Cinematic Dickens and Uncinematic Words’, in John Glavin (ed.), Dickens on Screen, Cambridge: Cambridge University Press, pp. 113–21

Dickens Adapted, 2012, p.103-112

Glavin, John

2012

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“‘La Television des Professeurs?” Charles Dickens, French Public Service Television and Oliver Twist’, Scope: An Online Journal of Film Studies, 15

Dickens Adapted, 2012, p.329-342

Glavin, John

2012

Volltextzugriff (PDF)

‘The “Crooked Business” of Storytelling: Authorship and Cultural Revisionism in Peter Carey’s Jack Maggs', Ariel: A Review of International English Literature, 36, pp. 127–63

Dickens Adapted, 2012, p.511-548

Glavin, John

2012

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From Book to Film: The Semiotics of Jewishness in Oliver Twist', Dickens Quarterly, 27, pp. 307–20

Dickens Adapted, 2012, p.281-294

Glavin, John

2012

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‘Adaptation Studies at a Crossroads’, Adaptation, 1, pp. 63–77

Dickens Adapted, 2012, p.27-42

Glavin, John

2012

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Dickens Adapted

The One, Other, and Only Dickens by Garrett Stewart, and: Dickens and the Stenographic Mind by Hugo Bowles, and: Dickens's Clowns: Charles Dickens, Joseph Grimaldi and the Pantomime of Life by Jonathan Buckmaster, and: Dickens, Nicholas Nickleby, and the Dance of Death by Jeremy Tambling (review)

Author Correction: Caenorhabditis elegans is a useful model for anthelmintic discovery

Caenorhabditis elegans is a useful model for anthelmintic discovery

Othellos, Dickenses, and Dombeys

Development of a Convenient Competitive ELISA for the Detection of the Free and Protein-Bound Nonhuman Galactosyl-α-(1,3)-Galactose Epitope Based on Highly Specific Chicken Single-Chain Antibody Variable-Region Fragments

Development of a Convenient Competitive ELISA for the Detection of the Free and Protein-Bound Nonhuman Galactosyl-[alpha]-(1,3)-Galactose Epitope Based on Highly Specific Chicken Single-Chain Antibody Variable-Region Fragments

Charles Dickens and His Performing Selves: Dickens and the Public Readings , by Malcolm Andrews

Author Correction: Caenorhabditiselegans is a useful model for anthelmintic discovery

The Rain of Years: Great Expectations and the World of Dickens, and: Dickens's Great Expectations : Misnar's Pavilion versus Cinderella (review)

Dickens Redressed: The Art of Bleak House and Hard Times, and: Hamlet in His Modern Guises (review)

Shakespeare and Dickens: The Dynamics of Influence. Valerie Gager

Shakespeare and Dickens: The Dynamics of Influence. . Valerie Gager

‘The Death of Nancy “Sikes”, 1838–1912’, Representations, 110, pp. 29–57

'''Please, Sir, I Want Some More”: Clive Donner’s Marxist Adaptation of Oliver Twist', Literature Film Quarterly, 38, pp. 254–68

‘Heritage in Peter Carey’s Jack Maggs', Commonwealth Essays and Studies, 27, pp. 63–75

“I have been true to you, upon my guilty soul I have”: Negotiating Nancy, “Hyperauthenticity” and “Hyperfidelity” in the 2007 BBC Adaptation of Oliver Twist', Journal of Adaptation in Film & Performance, 3, pp. 157–70

‘Dickens from a Postmodern Perspective: Alfonso Cuaron’s Great Expectations for Generation X ’, Dickens Studies Annual, 38, pp. 69–92

‘Dickens, Eisenstein, Film’, in John Glavin (ed.), Dickens on Screen, Cambridge: Cambridge University Press, pp. 122–14

‘Not Telling the Story the Way it Happened: Alfonso Cuaron’s Great Expectations', Literature Film Quarterly, 33, pp. 62–78

‘Cinematic Dickens and Uncinematic Words’, in John Glavin (ed.), Dickens on Screen, Cambridge: Cambridge University Press, pp. 113–21

“‘La Television des Professeurs?” Charles Dickens, French Public Service Television and Oliver Twist’, Scope: An Online Journal of Film Studies, 15

‘The “Crooked Business” of Storytelling: Authorship and Cultural Revisionism in Peter Carey’s Jack Maggs', Ariel: A Review of International English Literature, 36, pp. 127–63

From Book to Film: The Semiotics of Jewishness in Oliver Twist', Dickens Quarterly, 27, pp. 307–20

‘Adaptation Studies at a Crossroads’, Adaptation, 1, pp. 63–77

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