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Modern Muralists in the Spotlight: Technical and Material Characteristics of the 1946–1949 Mural Paintings by Almada Negreiros in Lisbon

Heritage, 2024-06, Vol.7 (6), p.3310-3331

2024

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On the Two Working Palettes of Almada Negreiros at DN Building in Lisbon (1939–1940): First Analytical Approach and Insight on the Use of Cd Based Pigments

Heritage, 2021-12, Vol.4 (4), p.4578-4595

2021

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ASPECTOS QUÍMICOS NA INVESTIGAÇÃO DE ALGUNS TIPOS DE EFLORESCÊNCIAS EM BENS CULTURAIS

Química nova, 2019-12

2019

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Preliminary Studies of the Effects of Nanoconsolidants on Mural Paint Layers with a Lack of Cohesion

Heritage, 2021-12, Vol.4 (4), p.3288-3306

2021

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Microorganisms and the integrated conservation-intervention process of the renaissance mural paintings from Casas Pintadas in Évora – Know to act, act to preserve

Journal of King Saud University. Science, 2017-10, Vol.29 (4), p.478-486

2017

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Unveiling the mural painting art of Almada Negreiros at the Maritime Stations of Alcântara (Lisbon): diagnosis research of paint layers as a guide for its future conservation

Ge-conservación, 2021-10, Vol.20 (1), p.105-117

2021

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Studies of the Medium-Term Effect of Nanoconsolidants on Wall Paint Layers with a Lack of Cohesion

International journal of conservation science, 2023-07, Vol.14 (3), p.1205-1220

2023

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Analysis of green pigments: The case of Almada Negreiros maritime station murals in Lisbon (Portugal)

Journal of Raman spectroscopy, 2024-07

2024

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Modern Mural Paintings. The Planisphere Painting of Almada Negreiros: Technical and Material Features of Plasters and Painting Technique

International journal of conservation science, 2023-07, Vol.14 (3), p.1265-1276

2023

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Preliminary Diagnostic Survey of Deteriorated Paint Layers at the Maritime Station of Rocha Do Conde De Óbidos, Lisbon: A Multianalytical Research

International journal of conservation science, 2023-07, Vol.14 (3), p.1249-1266

2023

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Oxalate biofilm formation in mural paintings due to microorganisms – A comprehensive study

International biodeterioration & biodegradation, 2013-11, Vol.85, p.1-7

2013

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AN INSIGHT INTO THE GREEN DETERIORATED PAINT LAYERS OF THE MARITIME STATION OF ALCÂNTARA (LISBON): AN ARCHEOMETRIC STUDY

International journal of conservation science, 2023-07, Vol.14 (3), p.1185-1204

2023

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Old masters under the microscope. Technical and material comparison of a 17th c. mural and panel painting assigned to José de Escovar in Southern Portugal

Microchemical journal, 2020-03, Vol.153, p.104396, Article 104396

2020

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EXPLORATORY ANALYTICAL STUDY OF A 20TH CENTURY PORTUGUESE MURAL PAINTING BY JULIO RESENDE (1917-2011)

International journal of conservation science, 2020-07, Vol.11 (3), p.627-638

2020

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Multi-analytical approach to the material characterization of 16th century wall paintings from Ribeira Sacra (Galicia, NW Spain): Pictorial palette, technique and alterations

Color research and application, 2016-06, Vol.41 (3), p.263-269

2016

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Understanding the influence of microbial contamination on colour alteration of pigments used in wall paintings—The case of red and yellow ochres and ultramarine blue

Color research and application, 2019-10, Vol.44 (5), p.783-789

2019

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Multi‐analytical approach to the material characterization of 16th century wall paintings from R ibeira S acra ( G alicia, NW S pain): Pictorial palette, technique and alterations

Color research and application, 2016-06, Vol.41 (3), p.263-269

2016

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Darkening on lead-based pigments: Microbiological contribution

Color research and application, 2016-06, Vol.41 (3), p.294-298

2016

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Presentación del arte de la pintura mural de Almada Negreiros en las Estaciones Marítimas de Alcântara (Lisboa): investigación diagnóstica de capas de pintura como guía para su futura conservación

Ge-conservación, 2021 (20), p.105-117

2021

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ASPECTOS QUÍMICOS NA INVESTIGAÇÃO DE ALGUNS TIPOS DE EFLORESCÊNCIAS EM BENS CULTURAIS

Química Nova, 2019-09, Vol.42 (9), p.1056-1065

2019

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An unusual mural paintings at the charola of the convent of tomar: Red lakes and organic binders

Color research and application, 2016-06, Vol.41 (3), p.258-262

2016

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Tracking old and new colours: Material study of 16th century mural paintings from É vora C athedral ( S outhern P ortugal)

Color research and application, 2016-06, Vol.41 (3), p.276-282

2016

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Material Characterization and Biodegradation Assessment of Mural Paintings: Renaissance Frescoes from Santo Aleixo Church, Southern Portugal

International journal of architectural heritage, 2014-11, Vol.8 (6), p.835-852

2014

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Calcium sulfate fillers and binders in Portuguese 15 th and 16 th centuries: Ground layers from a family painting workshop — Study by multianalytical spectroscopic techniques

Microchemical journal, 2016-03, Vol.125, p.290-298

2016

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Tracking old and new colours: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal)

Color research and application, 2016-06, Vol.41 (3), p.276-282

2016

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Modern Muralists in the Spotlight: Technical and Material Characteristics of the 1946–1949 Mural Paintings by Almada Negreiros in Lisbon

On the Two Working Palettes of Almada Negreiros at DN Building in Lisbon (1939–1940): First Analytical Approach and Insight on the Use of Cd Based Pigments

ASPECTOS QUÍMICOS NA INVESTIGAÇÃO DE ALGUNS TIPOS DE EFLORESCÊNCIAS EM BENS CULTURAIS

Preliminary Studies of the Effects of Nanoconsolidants on Mural Paint Layers with a Lack of Cohesion

Microorganisms and the integrated conservation-intervention process of the renaissance mural paintings from Casas Pintadas in Évora – Know to act, act to preserve

Unveiling the mural painting art of Almada Negreiros at the Maritime Stations of Alcântara (Lisbon): diagnosis research of paint layers as a guide for its future conservation

Studies of the Medium-Term Effect of Nanoconsolidants on Wall Paint Layers with a Lack of Cohesion

Analysis of green pigments: The case of Almada Negreiros maritime station murals in Lisbon (Portugal)

Modern Mural Paintings. The Planisphere Painting of Almada Negreiros: Technical and Material Features of Plasters and Painting Technique

Preliminary Diagnostic Survey of Deteriorated Paint Layers at the Maritime Station of Rocha Do Conde De Óbidos, Lisbon: A Multianalytical Research

Oxalate biofilm formation in mural paintings due to microorganisms – A comprehensive study

AN INSIGHT INTO THE GREEN DETERIORATED PAINT LAYERS OF THE MARITIME STATION OF ALCÂNTARA (LISBON): AN ARCHEOMETRIC STUDY

Old masters under the microscope. Technical and material comparison of a 17th c. mural and panel painting assigned to José de Escovar in Southern Portugal

EXPLORATORY ANALYTICAL STUDY OF A 20TH CENTURY PORTUGUESE MURAL PAINTING BY JULIO RESENDE (1917-2011)

Multi-analytical approach to the material characterization of 16th century wall paintings from Ribeira Sacra (Galicia, NW Spain): Pictorial palette, technique and alterations

Understanding the influence of microbial contamination on colour alteration of pigments used in wall paintings—The case of red and yellow ochres and ultramarine blue

Multi‐analytical approach to the material characterization of 16th century wall paintings from R ibeira S acra ( G alicia, NW S pain): Pictorial palette, technique and alterations

Darkening on lead-based pigments: Microbiological contribution

Presentación del arte de la pintura mural de Almada Negreiros en las Estaciones Marítimas de Alcântara (Lisboa): investigación diagnóstica de capas de pintura como guía para su futura conservación

ASPECTOS QUÍMICOS NA INVESTIGAÇÃO DE ALGUNS TIPOS DE EFLORESCÊNCIAS EM BENS CULTURAIS

An unusual mural paintings at the charola of the convent of tomar: Red lakes and organic binders

Tracking old and new colours: Material study of 16th century mural paintings from É vora C athedral ( S outhern P ortugal)

Material Characterization and Biodegradation Assessment of Mural Paintings: Renaissance Frescoes from Santo Aleixo Church, Southern Portugal

Calcium sulfate fillers and binders in Portuguese 15 th and 16 th centuries: Ground layers from a family painting workshop — Study by multianalytical spectroscopic techniques

Tracking old and new colours: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal)

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