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A Riff, A Call, and A Response: Reframing the Problem That Led to Our Being Tokens in Ethnic and Gender Studies; or, Where Are We Going Anyway and with Whom Will We Travel?

Legacy (Amherst, Mass.), 2013-06, Vol.30 (2), p.306-322

Foreman, P. Gabrielle

2013

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Sankofa Imperatives: Black Women, Digital Methods, and the Archival Turn

Auto/biography studies, 2023-05, Vol.38 (2), p.423-435

Foreman, P. Gabrielle

2023

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Introduction

Legacy (Amherst, Mass.), 2014, Vol.31 (1), p.58

P. Gabrielle Foreman

2014

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The "Christian Recorder", Broken Families, and Educated Nations in Julia C. Collins's Civil War Novel "The Curse of Caste"

African American review, 2017-12, Vol.50 (4), p.1063-1074

Foreman, P. Gabrielle

2017

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Racial Recovery, Racial Death: An Introduction in Four Parts

Legacy (Amherst, Mass.), 2007-06, Vol.24 (2), p.157-170

2007

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Forum: a riff, a call, and a response: introduction

Legacy (Amherst, Mass.), 2014-01, Vol.31 (1), p.58

Foreman, P. Gabrielle

2014

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Introduction

Legacy (Amherst, Mass.), 2014, Vol.31 (1), p.58-59

Foreman, P. Gabrielle

2014

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Reading/Photographs: Emma Dunham Kelley-Hawkins's Four Girls at Cottage City, Victoria Earle Matthews, and The Woman's Era

Legacy (Amherst, Mass.), 2007-06, Vol.24 (2), p.248-277

FOREMAN, P. GABRIELLE

2007

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New England's Fortune: An Inheritance of Black Bodies and Bones

Journal of American studies, 2015-05, Vol.49 (2), p.287-303

FOREMAN, P. GABRIELLE

2015

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A Hairdresser’s Experience in High Life by Eliza Potter, and: Speaking Lives, Authoring Texts: Three African American Women’s Oral Slave Narratives ed. by DoVeanna S. Fulton Minor and Reginald H. Pitts (review)

African American review, 2012-09, Vol.45 (3), p.472-476

Foreman, P. Gabrielle

2012

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Sankofa Imperatives: Black Women, Digital Methods, and the Archival Turn

Mapping Black Women's Geographies, 2025, p.7-19

1, 2025

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The "Christian Recorder", Broken Families, and Educated Nations in Julia C. Collins's Civil War Novel "The Curse of Caste"

African American review, 2006-12, Vol.40 (4), p.705-716

Foreman, P. Gabrielle

2006

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Who's Your Mama? “White” Mulatta Genealogies, Early Photography, and Anti‐Passing Narratives of Slavery and Freedom

American literary history, 2002-10, Vol.14 (3), p.505-539

Foreman, P. Gabrielle

2002

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Past-On Stories: History and the Magically Real, Morrison and Allende on Call

Magical Realism, 2020, p.285-304

2020

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Five. Who’s Your Mama? “White” Mulatta Genealogies, Early Photography, and Anti- Passing Narratives of Slavery and Freedom

Pictures and Progress, 2020, p.132-166

2020

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Who’s Your Mama?: “WHITE” MULATTA GENEALOGIES, EARLY PHOTOGRAPHY, AND ANTI-PASSING NARRATIVES OF SLAVERY AND FREEDOM

Pictures and Progress, 2012, p.132

2012

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Magical Realism: Theory, History, Community

1, 1995

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Miss Puppet Lady

The Women's Review of Books, 1993, Vol.10 (6), p.12-12

1993

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Long before Oprah

The Women's Review of Books, 2003, Vol.20 (5), p.19-20

2003

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Pictures and Progress: Early Photography and the Making of African American Identity

1, 2012

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Chutzpah with Attitude

The Women's Review of Books, 2001, Vol.18 (10/11), p.36-36

2001

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'Reading Aright': White Slavery, Black Referents, and The Strategy of Histotextuality in Iola Leroy

The Yale journal of criticism, 1997-10, Vol.10 (2), p.327-354

Foreman, P. Gabrielle (Pier Gabrielle)

1997

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Through the Ivory Gate

The Women's Review of Books, 1993, Vol.10 (6), p.12

Foreman, Gabrielle

1993

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Past-On Stories: History and the Magically Real, Morrison and Allende on Call

Magical Realism, 1995, p.285

1995

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"This Promiscuous Housekeeping": Death, Transgression, and Homoeroticism in Uncle Tom's Cabin

Representations (Berkeley, Calif.), 1993-07, Vol.43 (43), p.51-72

Foreman, P. Gabrielle

1993

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A Riff, A Call, and A Response: Reframing the Problem That Led to Our Being Tokens in Ethnic and Gender Studies; or, Where Are We Going Anyway and with Whom Will We Travel?

Sankofa Imperatives: Black Women, Digital Methods, and the Archival Turn

Introduction

The "Christian Recorder", Broken Families, and Educated Nations in Julia C. Collins's Civil War Novel "The Curse of Caste"

Racial Recovery, Racial Death: An Introduction in Four Parts

Forum: a riff, a call, and a response: introduction

Introduction

Reading/Photographs: Emma Dunham Kelley-Hawkins's Four Girls at Cottage City, Victoria Earle Matthews, and The Woman's Era

New England's Fortune: An Inheritance of Black Bodies and Bones

A Hairdresser’s Experience in High Life by Eliza Potter, and: Speaking Lives, Authoring Texts: Three African American Women’s Oral Slave Narratives ed. by DoVeanna S. Fulton Minor and Reginald H. Pitts (review)

Sankofa Imperatives: Black Women, Digital Methods, and the Archival Turn

The "Christian Recorder", Broken Families, and Educated Nations in Julia C. Collins's Civil War Novel "The Curse of Caste"

Who's Your Mama? “White” Mulatta Genealogies, Early Photography, and Anti‐Passing Narratives of Slavery and Freedom

Past-On Stories: History and the Magically Real, Morrison and Allende on Call

Five. Who’s Your Mama? “White” Mulatta Genealogies, Early Photography, and Anti- Passing Narratives of Slavery and Freedom

Who’s Your Mama?: “WHITE” MULATTA GENEALOGIES, EARLY PHOTOGRAPHY, AND ANTI-PASSING NARRATIVES OF SLAVERY AND FREEDOM

Magical Realism: Theory, History, Community

Miss Puppet Lady

Long before Oprah

Pictures and Progress: Early Photography and the Making of African American Identity

Chutzpah with Attitude

'Reading Aright': White Slavery, Black Referents, and The Strategy of Histotextuality in Iola Leroy

Through the Ivory Gate

Past-On Stories: History and the Magically Real, Morrison and Allende on Call

"This Promiscuous Housekeeping": Death, Transgression, and Homoeroticism in Uncle Tom's Cabin

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