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Vibrotactile Presentation of Musical Notes to the Glabrous Skin for Adults with Normal Hearing or a Hearing Impairment: Thresholds, Dynamic Range and High-Frequency Perception

PloS one, 2016-05, Vol.11 (5), p.e0155807-e0155807

2016

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The Munro Woman: History as We Read It in the Stories of a Nobel Laureate

Queen's quarterly, 2019-12, Vol.126 (4), p.528-537

Fulford, Robert

2019

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The Sign Language of Music: Musical Shaping Gestures (MSGs) in Rehearsal Talk by Performers with Hearing Impairments

Empirical musicology review, 2013-12, Vol.8 (1), p.53-67

2013

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Music listening and hearing aids: perspectives from audiologists and their patients

International journal of audiology, 2020-09, Vol.59 (9), p.694-706

2020

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The Wayward Course of Memory

Queen's quarterly, 2014-12, Vol.121 (4), p.528

Fulford, Robert

2014

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Can you hear me? Effects of hearing impairments on verbal and non-verbal communication during collaborative musical performance

Psychology of music, 2014-11, Vol.42 (6), p.846-855

2014

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Sigmund Freud and the Daimon of Literature.(Critical essay)

Queen's quarterly, 2014-09, Vol.121 (3), p.395

Fulford, Robert

2014

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Sigmund Freud and the Daimon of Literature

Queen's quarterly, 2014-09, Vol.121 (3), p.390

Fulford, Robert

2014

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Perception and learning of relative pitch by musicians using the vibrotactile mode

Musicae scientiae, 2023-03, Vol.27 (1), p.3-26

2023

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Neither times nor literary nor supplement.(Critical essay)

Queen's quarterly, 2014-03, Vol.121 (1), p.72

Fulford, Robert

2014

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The Munro Woman: History as We Read It in the Stories of a Nobel Laureate

Queen's quarterly, 2013-12, Vol.120 (4), p.489

Fulford, Robert

2013

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Reciprocal auditory attenuation affects looking behaviour and playing level but not ensemble synchrony: A psychoacoustical study of violin duos

Musicae scientiae, 2020-06, Vol.24 (2), p.168-185

2020

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Ruined Landscapes of Memory

Queen's quarterly, 2013-09, Vol.120 (3), p.374

Fulford, Robert

2013

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The Inscrutable Mystery of Faces

Queen's quarterly, 2013-06, Vol.120 (2), p.186

Fulford, Robert

2013

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Walter Benjamin, the Flâneur, and the Confetti of History

Queen's quarterly, 2013-03, Vol.120 (1), p.29

Fulford, Robert

2013

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Society for Education, Music and Psychology Research (SEMPRE) 40th Anniversary Conference

Approaches: Mousikotherapeia kai Eidikī Mousikī Paidagōgikī, 2013-07, Vol.5 (1)

Fulford, Robert

2013

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Walter Benjamin, the flaneur, and the confetti of history

Queen's quarterly, 2013-03, Vol.120 (1), p.28

Fulford, Robert

2013

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Newark in myth and history

Queen's quarterly, 2012-12, Vol.119 (4), p.538

Fulford, Robert

2012

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NEWARK: in Myth and History

Queen's quarterly, 2012-12, Vol.119 (4), p.539

Fulford, Robert

2012

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Ambassador for the Past: Allan Bloom and His Book, 25 Years Later

Queen's quarterly, 2012-09, Vol.119 (3), p.336

Fulford, Robert

2012

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Ambassador for the Past: Allan Bloom and His Book, 25 Years Later

Queen's quarterly, 2012-09, Vol.119 (3), p.337

Fulford, Robert

2012

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Remorse in Dickens, remorse in me

Queen's quarterly, 2012-06, Vol.119 (2), p.214

Fulford, Robert

2012

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Deceit, Parody and the Furtive Pleasures of Art

Queen's quarterly, 2012-03, Vol.119 (1), p.59

Fulford, Robert

2012

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The Artist as Scoundrel

Queen's quarterly, 2011-12, Vol.118 (4), p.486

Fulford, Robert

2011

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The Artist as Scoundrel

Queen's quarterly, 2011-12, Vol.118 (4), p.487

Fulford, Robert

2011

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Vibrotactile Presentation of Musical Notes to the Glabrous Skin for Adults with Normal Hearing or a Hearing Impairment: Thresholds, Dynamic Range and High-Frequency Perception

The Munro Woman: History as We Read It in the Stories of a Nobel Laureate

The Sign Language of Music: Musical Shaping Gestures (MSGs) in Rehearsal Talk by Performers with Hearing Impairments

Music listening and hearing aids: perspectives from audiologists and their patients

The Wayward Course of Memory

Can you hear me? Effects of hearing impairments on verbal and non-verbal communication during collaborative musical performance

Sigmund Freud and the Daimon of Literature.(Critical essay)

Sigmund Freud and the Daimon of Literature

Perception and learning of relative pitch by musicians using the vibrotactile mode

Neither times nor literary nor supplement.(Critical essay)

The Munro Woman: History as We Read It in the Stories of a Nobel Laureate

Reciprocal auditory attenuation affects looking behaviour and playing level but not ensemble synchrony: A psychoacoustical study of violin duos

Ruined Landscapes of Memory

The Inscrutable Mystery of Faces

Walter Benjamin, the Flâneur, and the Confetti of History

Society for Education, Music and Psychology Research (SEMPRE) 40th Anniversary Conference

Walter Benjamin, the flaneur, and the confetti of history

Newark in myth and history

NEWARK: in Myth and History

Ambassador for the Past: Allan Bloom and His Book, 25 Years Later

Ambassador for the Past: Allan Bloom and His Book, 25 Years Later

Remorse in Dickens, remorse in me

Deceit, Parody and the Furtive Pleasures of Art

The Artist as Scoundrel

The Artist as Scoundrel

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