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Paper, Ink, Vodun, and the Inquisition: Tracing Power, Slavery, and Witchcraft in the Early Modern Portuguese Atlantic

Journal of the American Academy of Religion, 2020-05, Vol.88 (2), p.460-504

Fromont, Cécile

2020

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Penned by Encounter: Visibility and Invisibility of the Cross-Cultural in Images from Early Modern Franciscan Missions in Central Africa and Central Mexico

Renaissance quarterly, 2022-12, Vol.75 (4), p.1221-1265

Fromont, Cécile

2022

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Afro-Catholic Festivals in the Americas: Performance, Representation, and the Making of Black Atlantic Tradition

Fromont, Cécile

1, 2019

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Common Threads: Cloth, Colour, and the Slave Trade in Early Modern Kongo and Angola

Art history, 2018-11, Vol.41 (5), p.838-867

Fromont, Cécile

2018

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Introduction: A Vast Early Modern Atlantic

Art history, 2023-11, Vol.46 (5), p.852-865

2023

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Afro-Catholic Festivals in the Americas: Performance, Representation, and the Making of Black Atlantic Tradition

CÉCILE FROMONT

2019

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Dancing for the King of Congo from Early Modern Central Africa to Slavery-Era Brazil

Colonial Latin American review, 2013-08, Vol.22 (2), p.184-208

Fromont, Cécile

2013

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Foreign Cloth, Local Habits: Clothing, Regalia, and the Art of Conversion in the Early Modern Kingdom of Kongo

Anais do Museu Paulista, 2017-08, Vol.25 (2), p.11-31

Fromont, Cécile

2017

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From Hell to Hell: Central Africans and Catholic Visual Catechesis in the Early Modern Atlantic Slave Trade

Art history, 2023-11, Vol.46 (5), p.946-977

2023

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Dance, Image, Myth, and Conversion in the Kingdom of Kongo, 1500—1800

African arts, 2011-12, Vol.44 (4), p.52-63

Fromont, Cécile

2011

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Vaudou

African Arts, 2012-09, Vol.45 (3), p.89-91

Fromont, Cécile

2012

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Depicting Kongo and Angola in the Seventeenth and Eighteenth Centuries

MAVCOR journal, 2022, Vol.6 (1)

Fromont, Cécile

2022

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Collecting Across Cultures: Material Exchanges in the Early Modern Atlantic World

1, 2011

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Getting to Know Early Modern Western Central African Textiles: New Evidence, Old Shadows, and the Puzzle of Pineapple Fibers

Textile Museum journal, 2021, Vol.48 (1), p.138-151

Fromont, Cécile

2021

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Tecido estrangeiro, hábitos locais: indumentária, insígnias Reais e a arte da conversão no início da Era Moderna do Reino do Congo

Anais do Museu Paulista, 2017-08, Vol.25 (2)

Cécile Fromont

2017

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Tecido estrangeiro, hábitos locais: indumentária, insígnias Reais e a arte da conversão no início da Era Moderna do Reino do Congo

Anais do Museu Paulista, 2017-05, Vol.25 (2), p.11

Fromont, Cécile

2017

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Envisioning Brazil’s Afro-Christian Congados: The Black King and Queen Festival Lithograph of Johann Moritz Rugendas

Afro-Catholic Festivals in the Americas, 2019, p.117

2019

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The Orisa House That Afro-Catholics Built: Africana Antecedents to Yoruba Religious Formation in Trinidad

Afro-Catholic Festivals in the Americas, 2019, p.140

2019

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Representing an African King in Brazil

Afro-Catholic Festivals in the Americas, 2019, p.75

2019

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Moros e Christianos Ritualized Naval Battles: Baptizing American Waters with African Spiritual Meaning

Afro-Catholic Festivals in the Americas, 2019, p.42

2019

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Vaudou , April 5–September 25, 2011, Fondation Cartier pour l'art contemporain, Paris, France

African arts, 2012-09, Vol.45 (3), p.89-91

Fromont, Cécile

2012

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Exhibition review : "Vaudou"

African arts, 2012-01, Vol.45 (3), p.89-91

Fromont, Cécile

2012

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Under the sign of the cross in the kingdom of Kongo: Religious conversion and visual correlation in early modern Central Africa

Res (Cambridge, Mass.), 2011-04, Vol.59-60 (59/60), p.109-123

FROMONT, CÉCILE

2011

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Visual, material and religious culture of the Afro-Atlantic world. Interview with Cécile Fromont

Revista de história da sociedade e da cultura, 2023-01, Vol.23 (2), p.187-202

Gouveia, Jaime Ricardo

2023

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Early Modern Things: Objects and their Histories, 1500-1800

Findlen, Paula

New edition 2, 2021

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Paper, Ink, Vodun, and the Inquisition: Tracing Power, Slavery, and Witchcraft in the Early Modern Portuguese Atlantic

Penned by Encounter: Visibility and Invisibility of the Cross-Cultural in Images from Early Modern Franciscan Missions in Central Africa and Central Mexico

Afro-Catholic Festivals in the Americas: Performance, Representation, and the Making of Black Atlantic Tradition

Common Threads: Cloth, Colour, and the Slave Trade in Early Modern Kongo and Angola

Introduction: A Vast Early Modern Atlantic

Afro-Catholic Festivals in the Americas: Performance, Representation, and the Making of Black Atlantic Tradition

Dancing for the King of Congo from Early Modern Central Africa to Slavery-Era Brazil

Foreign Cloth, Local Habits: Clothing, Regalia, and the Art of Conversion in the Early Modern Kingdom of Kongo

From Hell to Hell: Central Africans and Catholic Visual Catechesis in the Early Modern Atlantic Slave Trade

Dance, Image, Myth, and Conversion in the Kingdom of Kongo, 1500—1800

Vaudou

Depicting Kongo and Angola in the Seventeenth and Eighteenth Centuries

Collecting Across Cultures: Material Exchanges in the Early Modern Atlantic World

Getting to Know Early Modern Western Central African Textiles: New Evidence, Old Shadows, and the Puzzle of Pineapple Fibers

Tecido estrangeiro, hábitos locais: indumentária, insígnias Reais e a arte da conversão no início da Era Moderna do Reino do Congo

Tecido estrangeiro, hábitos locais: indumentária, insígnias Reais e a arte da conversão no início da Era Moderna do Reino do Congo

Envisioning Brazil’s Afro-Christian Congados: The Black King and Queen Festival Lithograph of Johann Moritz Rugendas

The Orisa House That Afro-Catholics Built: Africana Antecedents to Yoruba Religious Formation in Trinidad

Representing an African King in Brazil

Moros e Christianos Ritualized Naval Battles: Baptizing American Waters with African Spiritual Meaning

Vaudou , April 5–September 25, 2011, Fondation Cartier pour l'art contemporain, Paris, France

Exhibition review : "Vaudou"

Under the sign of the cross in the kingdom of Kongo: Religious conversion and visual correlation in early modern Central Africa

Visual, material and religious culture of the Afro-Atlantic world. Interview with Cécile Fromont

Early Modern Things: Objects and their Histories, 1500-1800

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