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Holy Terror!: Islamophobia and Intermediality in Frank Miller’s Graphic Novel

European journal of American studies, 2020-01, Vol.15 (3)

Mehring, Frank

2020

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Excerpt from The Mexico Diary: Winold Reiss between Vogue Mexico and Harlem Renaissance (with hyperlinks to audio; see abstract for track listing)

Journal of transnational American studies, 2016-07, Vol.7 (1)

Mehring, Frank

2016

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Politics and Cultures of Liberation: Media, Memory, and Projections of Democracy

1, 2018

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Media Agoras: Islamophobia and Inter/Multimedial Dissensus. Introduction

European journal of American studies, 2020-01, Vol.15 (3)

2020

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Re-Animating Europe: The Transnational Visual Grammar of “Zeichentrick” in Marshall Plan Propaganda

Journal of transnational American studies, 2024-07, Vol.15 (1)

Mehring, Frank

2024

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The Promises of “Young Europe”: Cultural Diplomacy, Cosmopolitanism, and Youth Culture in the Films of the Marshall Plan

European journal of American studies, 2012-03, Vol.7 (2)

Mehring, Frank

2012

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The US Midterm Elections 2022: Art, Climate Change, and Climate Cynicism

Atlantisch Perspectief, 2022-01, Vol.46 (6), p.15-19

Mehring, Frank

2022

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Introduction. Sound and Vision: Intermediality and American Music

European journal of American studies, 2017-01, Vol.12 (4)

2017

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Foreword

Miranda, 2021-04

Mehring, Frank

2021

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Foreword

Miranda, 2021-03 (22)

Mehring, Frank

2021

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“All for the sake of Freedom”: Hannah Arendt’s Democratic Dissent, Trauma, and American Citizenship

Journal of transnational American studies, 2011, Vol.3 (2)

Mehring, Frank

2011

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Transatlantic Sonic Diplomacy: Consent and Resistance in Dutch Songs about the Allied Liberators

Atlantisch Perspectief, 2020-01, Vol.44 (2), p.17-21

Mehring, Frank

2020

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The Power of Popular Music during the 2020 Presidential Campaign

Atlantisch Perspectief, 2020-01, Vol.44 (5), p.22-26

Mehring, Frank

2020

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Advancing American Art and Intercultural Confrontations in Germany, 1945–1948

International Journal for History, Culture and Modernity, 2019-11, Vol.7 (1), p.971-990

Mehring, Frank

2019

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From Independence Day to Land of Plenty: Screening American Patriotism from German Émigré Perspectives before and after 9/11

European journal of American studies, 2010-01, Vol.5 (4)

Mehring, Frank

2010

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Digital Photographie Grammar: Mapping Documentary Photographs

Amerikastudien, 2018-01, Vol.63 (2), p.231-252

Mehring, Frank

2018

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Forging the American Century: World War II and the Transformation of U.S. Internationalism

International Journal for History, Culture and Modernity, 2019-11, Vol.7 (1), p.1038-1048

2019

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“I am an American!” The Thrill of American Citizenship

Zeitschrift für Anglistik und Amerikanistik, 2013-01, Vol.61 (4), p.355-371

Mehring, Frank

2013

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Liberation Songs: Music and the Cultural Memory of the Dutch Summer of 1945

Politics and Cultures of Liberation, 2018, Vol.7, p.149-176

2018

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Crime and Music

1, 2020

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Special Issue: Media Agoras: Islamophobia and Inter/Multimedial Dissensus

European journal of American studies, 2020-09, Vol.15 (3)

2020

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"Bigger in Nazi Germany": Transcultural Confrontations of Richard Wright and Hans Jürgen Massaquoi

The Black scholar, 2009-03, Vol.39 (1-2), p.63-71

Mehring, Frank

2009

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The Visual Harlem Renaissance; or, Winold Reiss in Mexico

Amerikastudien, 2010-01, Vol.55 (4), p.629-640

Mehring, Frank

2010

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Confessin’ the Blues: The Rolling Stones’s Revisit of Their Musical RootsRoots

Retrospection and Revision in Modern and Contemporary Art, Literature and Music, p.171-190

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Westworld: Die Musikalische DNA des Posthumanismus

Mensch, Maschine, Maschinenmenschen, 2018, p.41-51

2018

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Holy Terror!: Islamophobia and Intermediality in Frank Miller’s Graphic Novel

Excerpt from The Mexico Diary: Winold Reiss between Vogue Mexico and Harlem Renaissance (with hyperlinks to audio; see abstract for track listing)

Politics and Cultures of Liberation: Media, Memory, and Projections of Democracy

Media Agoras: Islamophobia and Inter/Multimedial Dissensus. Introduction

Re-Animating Europe: The Transnational Visual Grammar of “Zeichentrick” in Marshall Plan Propaganda

The Promises of “Young Europe”: Cultural Diplomacy, Cosmopolitanism, and Youth Culture in the Films of the Marshall Plan

The US Midterm Elections 2022: Art, Climate Change, and Climate Cynicism

Introduction. Sound and Vision: Intermediality and American Music

Foreword

Foreword

“All for the sake of Freedom”: Hannah Arendt’s Democratic Dissent, Trauma, and American Citizenship

Transatlantic Sonic Diplomacy: Consent and Resistance in Dutch Songs about the Allied Liberators

The Power of Popular Music during the 2020 Presidential Campaign

Advancing American Art and Intercultural Confrontations in Germany, 1945–1948

From Independence Day to Land of Plenty: Screening American Patriotism from German Émigré Perspectives before and after 9/11

Digital Photographie Grammar: Mapping Documentary Photographs

Forging the American Century: World War II and the Transformation of U.S. Internationalism

“I am an American!” The Thrill of American Citizenship

Liberation Songs: Music and the Cultural Memory of the Dutch Summer of 1945

Crime and Music

Special Issue: Media Agoras: Islamophobia and Inter/Multimedial Dissensus

"Bigger in Nazi Germany": Transcultural Confrontations of Richard Wright and Hans Jürgen Massaquoi

The Visual Harlem Renaissance; or, Winold Reiss in Mexico

Confessin’ the Blues: The Rolling Stones’s Revisit of Their Musical RootsRoots

Westworld: Die Musikalische DNA des Posthumanismus

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